The Matter Of Death

A year-long journey by the renowned psychiatrist and his writer wife after her terminal diagnosis, as they reflect on how to love and live without regret. Internationally acclaimed psychiatrist and author Irvin Yalom devoted his career to counseling those suffering from anxiety and grief. But never had he faced the need to counsel himself until his wife, esteemed feminist author Marilyn Yalom, was diagnosed with cancer. In A Matter of Death and Life, Marilyn and Irv share how they took on profound new struggles: Marilyn to die a good death, Irv to live on without her. In alternating accounts of their last months together and Irv's first months alone, they offer us a rare window into facing mortality and coping with the loss of one's beloved. The Yaloms had numerous blessings—a loving family, a Palo Alto home under a magnificent valley oak, a large circle of friends, avid readers around the world, and a long, fulfilling marriage—but they faced death as we all do. With the wisdom of those who have thought deeply, and the familiar warmth of teenage sweethearts who've grown up together, they investigate universal questions of intimacy, love, and grief. Informed by two lifetimes of experience, A Matter of Death and Life is an openhearted offering to anyone seeking support, solace, and a meaningful life.

This collection opens up spaces where lives end, bodies are disposed of and memories generated: hospitals, hospices, care homes, coroners' courts, funeral premises, cemeteries, roadsides, the spirit world. Using material culture studies it illuminates the ways human beings make meaningful the challenges of death, dying and bereavement.

Even though he’s only ten years old, there are lots of things Arthur Williams knows for sure. He knows all about trilobites, and bridge, and that he doesn’t want to be Victoria Brown’s boyfriend, and that tapping maple trees causes them excruciating pain. He knows his real dad is probably flying a hot-air balloon across the Pacific, or paving a city with moss. And he knows that Simon, the guy who pretends to be his dad, does absolutely nothing interesting. But when Arthur finds a weather-worn notebook in the woods behind his house, all he has are questions. Why was its author, Phil, so sad, and why does it end on Page 43? Suddenly, there are other questions too: Why do people abandon people? Why do they abandon themselves? Arthur embarks on a top-secret investigation to find out who Phil is, or was. But getting straight answers from grown-ups is impossible - and before long, the only thing he knows for sure is that everything he thought he knew about life is probably wrong, and that what he has to do is ten times bigger than what he can do. Told through a trio of voices: the wildly imaginative and perpetually awkward Arthur, Phil’s manic journal, and the forest which watches them both, Ben Stephenson’s debut novel is a heartbreaking story of love, death, and the unspeakable pain of being small. A Matter of Life and Death Or Something marks the exciting debut of an inventive and gifted storyteller.

Marital troubles? Sick of life? Suicide the answer? Why not get yourself a contract killer? Nothing easier, provided you communicate only by phone and box number. You give him your photograph, specify when and where to find you, then sit back and prepare to die. Murdered, you will be of greater interest than ever you were in life. More to him than met the eye will be the judgement. A mysterious killing lives long in the popular memory. Our hero meticulously plans his own demise, except for one detail: what if he suddenly decides he wants to live? 'Kurkov's eye for the absurdities of Ukrainian life is as sharp as ever' - Sunday Telegraph

Taking as its starting point the significant role of the photograph in modern mourning practices—particularly those surrounding public figures—Dead Matter theorizes the connections between the body and the image by looking at the corpse as a special instance of a body that is simultaneously thing and representation. Arguing that the evolving cultural understanding of photographic realism structures our relationship to the corpse, the book outlines a new politics of representation in which some bodies are more visible (and vulnerable) in death than others. To begin interpreting the corpse as a representational object referring to the deceased, Margaret Schwartz examines the association between photography and embalming—both as aesthetics and as mourning practices. She introduces the concept of photographic indexicality, using it as a metric for comprehending the relationship between the body of a dead leader (including Abraham Lincoln, Vladimir Lenin, and Eva Perón) and the “body politic” for which it stands. She considers bodies known as victims of atrocity like Emmett Till and the Syrian boy Hamsa al-Khateeb to better grasp the ways in which the corpse as object may be called on to signify a marginalized body politic, at the expense of the social identity of the deceased. And she contemplates “tabloid bodies” such as Princess Diana’s and Michael Jackson’s, asserting that these corpses must remain invisible in order to maintain the deceased as a source of textual and value production. Ultimately concluding that the evolving cultural understanding of photographic realism structures our relationship to the corpse, Dead Matter outlines the new politics of representation, in which death is exiled in favor of the late capitalist reality of bare life.

It was a low-level panic at first, but very quickly there were big changes taking place. Day by day, wards were being cleared to make way for Covid-positive patients. Things were getting worse by the day. For the first time in my nursing career, I felt scared. As a palliative care nurse, it is Kelly Critcher's job to look death in the eye - to save a patient while the fight can still be won, and confront life's end with grace and kindness when it can't. In early 2020, everything changed for nurses on the NHS front line. Working on Covid wards and the High Dependency Unit, Kelly spent the height of the coronavirus crisis at Northwick Park hospital - perhaps the UK hospital most deeply ravaged by the illness. She, and many others like her, battled tirelessly in a critical care unit pushed to breaking point, delivering the bad news and fighting the good fight, day-in, day-out, throughout the gravest test our health service has faced since its inception. Kelly's story weaves together her raw, emotional diaries from the COVID frontline with a broader reflection on the truths about a life spent caught between battling for her patients' lives and helping them face down death with courage and compassion. Bringing together the enormity of the last twelve months - and the scars it will leave - this is a book for our times.

**National Bestseller **A New York Times Book Review Editors' Choice **A Globe and Mail Best Book of 2017 **A National Post Best Book of 2017 **A CBC Best Book of 2017 **An Amazon Best Book of 2017 **A Popsugar Best Book of 2017 **A Kobo Best Book of 2017 **An NPR Best Book of 2017 **A Chatelaine Best Book of 2017 **A Buzzfeed Best Book of 2017 **A Book Riot Best Book of 2017 **A Chicago Review of Books Best Book of 2017 **A Paste Best Book of 2017 **An Amazon Best Humour and Entertainment Book of 2017 **Finalist for the 2018 Kobo Emerging Writer Prize **Finalist for the 2018 Stephen Leacock Memorial Medal for Humour **Nominated for the 2017 Goodreads Choice Award For readers of Mindy Kaling, Jenny Lawson and Roxane Gay, a debut collection of fierce and funny essays about growing up the daughter of Indian immigrants in Canada, "a land of ice and casual racism," by the irreverent, hilarious cultural observer and incomparable rising star, Scaachi Koul. In One Day We’ll All Be Dead and None of This Will Matter, Scaachi deploys her razor-sharp humour to share her fears, outrages and mortifying experiences as an outsider growing up in Canada. Her subjects range from shaving her knuckles in grade school, to a shopping trip gone horribly awry, to dealing with internet trolls, to feeling out of place at an Indian wedding (as an Indian woman), to parsing the trajectory of fears and anxieties that pressed upon her immigrant parents and bled down a generation. Alongside these personal stories are pointed observations about life as a woman of colour, where every aspect of her appearance is open for critique, derision or outright scorn. Where strict gender rules bind in both Western and Indian cultures, forcing her to confront questions about gender dynamics, racial tensions, ethnic stereotypes and her father’s creeping mortality—all as she tries to find her feet in the world. With a clear eye and biting wit, Scaachi Koul explores the absurdity of a life steeped in misery. And through these intimate, wise and laugh-out-loud funny dispatches, a portrait of a bright new literary voice emerges.

Climate Psychology offers ways to work with the unthinkable and emotionally unendurable current predicament of humanity. The style and writing interweave passion and reflection, animation and containment, radical hope and tragedy to reflect the dilemmas of our collective crisis. The authors model a relational approach in their styles of writing and in the book's structure. Four chapters, each with a strikingly original voice and insight, form the core of the book, held either end by two jointly written chapters. In contrast to a psychology that focuses on individual behaviour change, the authors use a transdisciplinary mix of approaches (depth psychology and psychotherapy, earth systems, deep ecology, cultural sociology, critical history, group and institutional outreach) to bring into focus the predicament of this period. While the last decade required a focus on climate denial in all its manifestations (which continues in new ways), a turning point has now been reached. Increasingly extreme weather across the world is making it impossible for simple avoidance of the climate threat. Wendy Hollway, Paul Hoggett, Chris Robertson, and Sally Weintrobe address how climate psychology illuminates and engages the life and death challenges that face terrestrial life. This book will appeal to three core groups. First, mental health and social care professionals wanting support in containing and potentially transforming the malaise. Second, activists wanting to participate in new stories and practices that nurture their engagement with the present social and cultural crisis. Third, those concerned about the climate emergency, wanting to understand the deeper context for this dangerous blindness.