The Meeting Of Eastern And Western Art
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The Meeting of Eastern and Western Art
Author | : Michael Sullivan |
Publsiher | : Univ of California Press |
Total Pages | : 360 |
Release | : 1997 |
Genre | : Art |
ISBN | : 0520212363 |
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The exchange of art provides a vehicle for creative interaction between East and West, a process in which great civilizations preserve their own character while stimulating and enriching each other. Here scholar Michael Sullivan leads the reader through four centuries of exciting interaction between the artists of China and Japan and those of Western Europe. 24 color plates. 174 halftones.
The Meeting of Eastern and Western Art
Author | : Michael Sullivan |
Publsiher | : Unknown |
Total Pages | : 296 |
Release | : 1973 |
Genre | : Art |
ISBN | : 0821205439 |
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The Meeting of Eastern and Western Art Revised and Expanded Edition
Author | : Michael Sullivan |
Publsiher | : Univ of California Press |
Total Pages | : 485 |
Release | : 2023-12-22 |
Genre | : Art |
ISBN | : 9780520324084 |
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This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1989.
Eastern Magnificence European Ingenuity
Author | : Catherine Pagani |
Publsiher | : University of Michigan Press |
Total Pages | : 310 |
Release | : 2001 |
Genre | : Antiques & Collectibles |
ISBN | : 0472112082 |
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An exploration of the important role played by elaborate clockwork in relations between China and Europe from the late sixteenth to the late eighteenth centuries
China and Europe
Author | : Hongqi Li,Thomas H. C. Lee |
Publsiher | : Chinese University Press |
Total Pages | : 368 |
Release | : 1991 |
Genre | : China |
ISBN | : 9622014658 |
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Between Two Cultures
Author | : Wen Fong,Metropolitan Museum of Art (New York, N.Y.) |
Publsiher | : Metropolitan Museum of Art |
Total Pages | : 302 |
Release | : 2001 |
Genre | : Painting |
ISBN | : 9780870999840 |
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The first comprehensive assemblage in the West of paintings on this subject, the Robert H. Ellsworth Collection comprises works in the classical Chinese medium of ink on paper and in the traditional formats of scrolls, album leaves, and fans."--BOOK JACKET.
Contemporary Chinese Art Aesthetic Modernity and Zhang Peili
Author | : Paul Gladston |
Publsiher | : Bloomsbury Publishing |
Total Pages | : 249 |
Release | : 2019-10-17 |
Genre | : Philosophy |
ISBN | : 9781350041998 |
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In recent decades the previously assumed dominance within the international art world of western(ized) conceptions of aesthetic modernity has been challenged by a critically becalming diversification of cultural outlooks widely referred to as 'contemporaneity'. Contributing to that diversification are assertions within mainland China of essential differences between Chinese and western art. In response to the critical impasse posed by contemporaneity, Paul Gladston charts a historical relay of mutually formative interactions between the artworlds of China and the West as part of a new transcultural theory of artistic criticality. Informed by deconstructivism as well as syncretic Confucianism, Gladston extends this theory to a reading of the work of the artist Zhang Peili and his involvement with the Hangzhou-based art group, the Pond Association (Chi she). Revealed is a critical aesthetic productively resistant to any single interpretative viewpoint, including those of Chinese exceptionalism and the supposed immanence of deconstructivist uncertainty. Addressing art in and from the People's Republic of China as a significant aspect of post-West contemporaneity, Gladston provides a new critical understanding of what it means to be 'contemporary' and the profound changes taking place in the art world today.
Chinese Landscape Painting as Western Art History
Author | : James Elkins |
Publsiher | : Hong Kong University Press |
Total Pages | : 207 |
Release | : 2010-06-01 |
Genre | : Art |
ISBN | : 9789622090002 |
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This is a provocative essay of reflections on traditional mainstream scholarship on Chinese art as done by towering figures in the field such as James Cahill and Wen Fong. James Elkins offers an engaging and accessible survey of his personal journey encountering and interpreting Chinese art through Western scholars' writings. He argues that the search for optimal comparisons is itself a modern, Western interest, and that art history as a discipline is inherently Western in several identifiable senses. Although he concentrates on art history in this book, and on Chinese painting in particular, these issues bear implications for Sinology in general, and for wider questions about humanistic inquiry and historical writing. Jennifer Purtle's Foreword provides a useful counterpoint from the perspective of a Chinese art specialist, anticipating and responding to other specialists’ likely reactions to Elkins's hypotheses.