The Metaphor Of The City In The Apocalypse Of John

Throughout history, the vision of a new city - the heavenly Jerusalem coming down from heaven - has inspired human beings to dream about community, society, and the world. Acting as an incentive to turn unsatisfied longing into utopian ideas and, ultimately, action, the language of the Apocalypse of John has long inspired human imagination in a highly effective manner. This fact has contributed to its controversial role in the history of New Testament interpretation; its bizarre, often paradoxical language seems to veil, rather than reveal, its message. Interestingly, the Apocalypse has never ceased to be an inspiration for artists: unlike conceptual language, art does not restrict interpretation, but has the power to incite the reader or audience to imagine. Using artistic expression as paradigm, this book examines a central image - the city - as metaphorical material, investigating the dynamic, interpretive process from text to imagination.

The final book of the Bible, Revelation prophesies the ultimate judgement of mankind in a series of allegorical visions, grisly images and numerological predictions. According to these, empires will fall, the "Beast" will be destroyed and Christ will rule a new Jerusalem. With an introduction by Will Self.

"With updated bibliography"--Copyright page.

More than any other New Testament writing the Book of Revelation demands commentary. Its often-bewildering text is easily open to less than scholarly interpretation.

The phrase "like a bride adorned" is one of the ways Revelation describes the new Jerusalem which descends from heaven. This phrase can also be read as describing one of the ways interpreters historically have understood the relationship between Revelation and its metaphorical language. In contrast to views that suggest Revelation's metaphorical language is simple adornment, Huber argues that Revelation's persuasive power resides within the text's metaphorical nature and she articulates a method for exploring how Revelation employs metaphor to shape an audience's thought. In order to gain a sense of how metaphorical language works in Revelation's highly metaphorical text,"Like a Bride Adorned:" Reading Metaphor in John's Apocalypse engages one set of conceptual metaphors in relation to Revelation's literary and social-historical milieu. Specifically, Huber explores the conceptual metaphors undergirding Revelation's nuptial or bridal imagery. Positioned at the culmination of the text's, nuptial imagery serves as one the text's final and arguably one of its most important characterizations of the Christian community. Examining the function of Revelation's nuptial imagery involves investigating how the text redeploys conventional metaphorical constructions used in the writings of the Hebrew prophets and how its imagery engages Greco-Roman depictions of women, weddings, and brides. Discourse about marriage and family was such an important part of Revelation's historical context, especially as it was shaped by the Roman Empire, that any discussion of the text's nuptial imagery must examine how it reflects and responds to this discourse. By addressing these questions, we see that Revelation's nuptial imagery serves to further the text's goal of shaping Christian identity in opposition to the social demands of the Roman Empire. Moreover, exploration of the conceptual metaphors undergirding Revelation's "bride adorned" reveals how John seeks to shape Christian identity as a transitional identity. Through metaphor, Revelation encourages its audience to envision the Christian community as a bride who constructs "her" own identity as she transitions into a new role in relation to God and the Lamb. Through the process of exploring Revelation's nuptial imagery with insights gained from conceptual metaphor theory, we uncover the ways that John employs metaphorical language to persuade his audience's thought about themselves and about others. Consequently, this work contributes both to our understanding of the text's nuptial imagery and to our knowledge of how Revelation employs metaphor as tool for persuasion.

Lynn R. Huber argues that the visionary aspect of Revelation, with its use of metaphorical thinking and language, is the crux of the text's persuasive power. Emerging from a context that employs imagery to promote imperial mythologies, Revelation draws upon a long tradition of using feminine imagery as a tool of persuasion. It does so even while shaping a community identity in contrast to the dominant culture and in exclusive relationship with the Lamb. By drawing upon the work of medieval and modern visionaries, Huber answers a call to examine the way 'real' readers engage with biblical texts. Revealing how Revelation continues to persuade audiences through appeals to the visual and provocative imagery she offers a new sense of how the text metaphorical language simultaneously limits and invites new meaning, unfurling a range of interpretations.

Pairing depth of scholarship with contemporary application, the authors of From Pentecost to Patmos have produced a unique introductory New Testament textbook. Craig Blomberg and Darlene Seal provide the context and clarity that readers need to better understand Acts through Revelation, showcasing the historical, linguistic, and theological implications found in each book. This second edition includes expanded footnotes and a lengthier, up-to-date introduction to Paul. Newly added review questions, maps, and diagrams enhance the scholarship and make the resource truly user-friendly.

This book, written to honor Ben Witherington III, is a collaborative effort from the New Testament department at Asbury Theological Seminary. Essays are offered by five New Testament faculty and five New Testament students who have completed or are currently in the process of completing the PhD program. It is our hope that readers of this volume, which is divided into five sections and covers the breadth of the New Testament canon, will be encouraged in their own explorations and research of the New Testament, much as Ben and his works have encouraged us. For those who know Ben, they will know the last year or so has been quite a difficult one for him and his family. On Wednesday, January 11, 2012, Christy Ann, the daughter of Ben and Ann, passed on unexpectedly. Today, there exists a scholarship fund in Christy's name, The Christy Ann Witherington Scholarship Fund, at Asbury Theological Seminary, and readers should be aware that 100 percent of the proceeds from this book will go to that scholarship fund to assist female students in Asbury's biblical studies program. Contributors: David R. Bauer Joseph R. Dongell T. Michael W. Halcomb Craig S. Keener Robert Brian Kidwell Susann Liubinskas Fredrick J. Long Jason A. Myers Judith Odor Ruth Anne Reese