The Metaphysics Of Love

Donated by Sydney Harris.

"Schopenhauer innovates by introducing the issue of sexuality into western philosophy. Of course, his assessment of it is not an encouraging one. For him, it embodies the will to life more strongly than any other urge or desire; hence it is responsible for the misery of the human condition more than anything else. Even the most elevated form of romantic love is nothing but a mental addition or justification for the natural need for sex and the species' desire to maintain itself. After succumbing to our sexual desires, he says, we realize that we have once again been deceived by the instinct of survival that seeks procreation through us. The lessening of sexual desire with age is thus to be welcomed as a liberation. Needless to say, Schopenhauer remained celibate throughout his life." Schopenhauer, New world encyclopedia.

Is Love an Illusion ? What is the relationship between Love and Sexual Impulse ? Schopenhauer gives us a new way of thinking about relationships between men and women.

Discusses the work of a central, but poorly understood, figure in the development of Persian Sufism, Aḥmad al-Ghazālī. The teachings of Aḥmad al-Ghazālī changed the course of Persian Sufism forever, paving the way for luminaries such as Rūmī, Aṭṭār, and Ḥāfiẓ. Yet he remains a poorly understood thinker, with many treatises incorrectly attributed to him and conflicting accounts in the historiographical literature. This work provides the first examination of Aḥmad al-Ghazālī and his work in Western scholarly literature. Joseph E. B. Lumbard seeks to ascertain the authenticity of works attributed to this author, trace the development of the dominant trends in the biographical literature, and reconstruct the life and times of Aḥmad al-Ghazālī with particular attention to his relationship with his more famous brother, Abū Hamid al-Ghazālī. Lumbard’s findings revolutionize our understanding of Aḥmad al-Ghazālī writings, allowing for focus on his central teachings regarding Divine Love and the remembrance of God. Joseph E. B. Lumbard is Assistant Professor in the Department of Arabic and Translation Studies at the American University of Sharjah and author of Submission, Faith, and Beauty: The Religion of Islam.

Ironically, the philosophy of love has long been neglected by philosophers, so-called “lovers of wisdom,” who would seemingly need to understand how one best becomes a lover. In Kierkegaard and the Philosophy of Love, Michael Strawser shows that the philosophy of love lies at the heart of Kierkegaard’s writings, as he argues that the central issue of Kierkegaard’s authorship can and should be understood more broadly as the task of becoming a lover. Strawser starts by identifying the questions (How should I love the other? Is self-love possible? How can I love God?) and themes (love’s immediacy, intentionality, unity, and eternity) that are central to the philosophy of love, and he develops a rich context that includes analyses of the conceptions of love found in Plato, Spinoza, and Hegel, as well as prominent contemporary thinkers. Strawser provides an original and wide-ranging analysis of Kierkegaard’s writings—from the early The Concept of Irony and Edifying Discourses to the late The Moment, while maintaining the prominence of Works of Love— to demonstrate how Kierkegaard’s writings on love are relevant to the emerging study of the philosophy of love today. The most unique perspective of this work, however, is Strawser’s argument that Kierkegaard’s writings on love are most fruitfully understood within the context of a phenomenology of love. In interpreting Kierkegaard as a phenomenologist of love, Strawser claims that it is not Husserl and Heidegger that we should look to for a connection in the first instance, but rather Max Scheler, Dietrich von Hildebrand, Emmanuel Levinas, and most importantly, Jean-Luc Marion, who for the most part center their thinking on the phenomenological nature of love. Based on an analysis of the works of these thinkers together with Kierkegaard’s writings, Strawser argues that Kierkegaard presents readers with a first phenomenology of love, a point of view that serves as a unifying perspective throughout this work while also pointing to areas for future scholarship. Overall, this work brings seemingly divergent perspectives into a unity brought about through a focus on love—which is, after all, a unifying force.

The author presents a wide-ranging account of the evolution of ideas of love from the twelfth to the seventeenth century.

A controversial philosopher and critic of modern Western civilization, Julius Evola (1898-1974) writes about the mystical and spiritual expression of sexual love. This in-depth study explores the sexual rites of sacred traditions, and shows how religion, mysticism, folklore, and mythology all contain erotic forms in which the deep potentialities of human beings are recognized.

Plato's Symposium depicts a group of men giving a series of speeches about the nature of love, with themes ranging from religion and metaphysics to medicine and pregnancy. The lone woman in the room, a "flute girl," is sent away as the discussion turns to serious matters; at the same time, the wisest of the men attributes his theories to a woman, the possibly fictional Diotima. Despite their absence from this important intellectual exchange, women are part of Symposium. What can contemporary feminist readers do with this troubling yet immeasurably influential work? In Uninvited historian Carla Nappi and philosopher Carrie Jenkins talk back to Plato in poetry, inspired by the voices of women characters who were not previously permitted to speak. Images and ideas from Symposium are refracted through multiple lenses to reveal a tumult of mystical, intellectual, pedagogical, and sexual ideologies. Sometimes beautiful, sometimes horrific, these poems dance within and between the lines of Symposium, carving space for new kinds of conversations about love, with themes ranging from gender and voice to power and violence. Designed to be read with or without prior knowledge of Plato, this book invites the uninvited to join a strange, amorphous, and unending conversation on the nature of love and desire - and on the possibilities intellectual and creative activity can offer.