The Midsummer Wife

The reincarnated souls of King Arthur, Merlin, and an anxiety-ridden priestess return to save Britain after a devastating nuclear attack, only to find an old foe: Morgaine. After a nuclear attack on London that heralds The Time Foretold, Ava Cerdwin, the high priestess in charge of fulfilling a 1,500-year-old prophecy, must assist the heirs of King Arthur and Merlin in healing the devastated country. The descendants of Britain’s great men of legend have kept the myths and relics for sixty-one generations, but no one is quite clear on what they must do next. Nothing goes as planned: Ava falls for the wrong heir, the panic attacks are getting worse, the complex obligations of reincarnation are straining old relationships, and Morgaine and her henchwomen are trying to kill them. Somehow, some way, Ava has to make the Healing happen, or Britain is finished. The Midsummer Wife, Book One of the Heirs to Camelot is an urban fantasy that combines Arthurian lore, love, and a race to a breathtaking finish.

Presents the stories of seven wives of polar explorers, detailing the essential role the women played in supporting, publicizing, defending, and even financing their husbands' endeavors.

Born in Calcutta in 1811, William Makepeace Thackeray's earliest works were sharp satirical barbs written under a variety of pen names. After struggling through a rocky start as an author, Thackeray would go on to write several well-loved novels, including Vanity Fair, The Luck of Barry Lyndon, and Catherine. In Men's Wives, Thackeray turns his keen perception and cutting wit to the subject of romantic -- and not-so-romantic -- relationships.

"Eh, miss, but that be a rare young lady! She do have such pretty coaxing ways ..." Seventeen-year-old Molly Gibson worships her widowed father. But when he decides to remarry, Molly's life is thrown off course by the arrival of her vain, shallow and selfish stepmother. There is some solace in the shape of her new stepsister Cynthia, who is beautiful, sophisticated and irresistible to every man she meets. Soon the girls become close, and Molly finds herself cajoled into becoming a go-between in Cynthia's love affairs. But in doing so, Molly risks ruining her reputation in the gossiping village of Hollingford - and jeopardizing everything with the man she is secretly in love with. The Penguin English Library - 100 editions of the best fiction in English, from the eighteenth century and the very first novels to the beginning of the First World War.

Shakespeare’s Folktale Sources argues that seven plays—The Taming of the Shrew, Titus Andronicus, The Merry Wives of Windsor, The Merchant of Venice, All’s Well that Ends Well, Measure for Measure, and Cymbeline—derive one or more of their plots directly from folktales. In most cases, scholars have accepted one literary version of the folktale as a source. Recognizing that the same story has circulated orally and occurs in other medieval and early modern written versions allows for new readings of the plays. By acknowledging that a play’s source story circulated in multiple forms, we can see how the playwright was engaging his audience on common ground, retelling a story that may have been familiar to many of them, even the illiterate. We can also view the folktale play as a Shakespearean genre, defined by source as the chronicle histories are, that spans and traces the course of Shakespeare’s career. The fact that Shakespeare reworked folktales so frequently also changes the way we see the history of the literary folk- or fairy-tale, which is usually thought to bypass England and move from Italian novella collections to eighteenth-century French salons. Each chapter concludes with a bibliography listing versions of each folktale source as a resource for further research and teaching. Published by University of Delaware Press. Distributed worldwide by Rutgers University Press.