The Mime

The stunning second novel in the New York Times bestselling Bone Season series expands Samantha Shannon's epic world of Scion in a new heart-pounding story of revolution. Paige Mahoney has escaped the clandestine prison city of Oxford. Now a fugitive in London, she nurtures a new taste for revolution. Oxford may be behind her, but the Republic of Scion is undefeated. As it turns its all-seeing eye on Paige, she is forced to return to Jaxon Hall, her charismatic and brutal employer, to keep her foothold in the underworld. But Paige will bow to one now, and not even Jaxon will stop her exposing the corruption in the syndicate. As she plots to win the fabled Rose Crown, both sides of an ancient conflict seek her talents for themselves. With its intricately imagined world-building, slow burn romance, and “complex, ever evolving, scrappy yet touching” (NPR) heroine, The Bone Season series shows master of fantasy Samantha Shannon at the height of her considerable powers.

A stunning new edition of the second novel in the bestselling Bone Season series with gorgeous new cover artwork and updated text, by the bestselling author of The Priory of the Orange Tree. Paige Mahoney has escaped the secret prison city of Oxford. Now a fugitive in London, she nurtures a new taste for revolution. Oxford may be behind her, but the Republic of Scion is undefeated. As Scion turns its all-seeing eye on Paige, she is forced to return to Jaxon Hall, her charismatic and brutal employer, to keep her foothold in the underworld. But Paige will bow to only one now, and not even Jaxon will stop her exposing the corruption in the syndicate. As she plots to with the fabled Rose Crown, both sides of an ancient conflict seek her talents for themselves.

Towards a Theory of Mime is a genuinely unique book about non-verbal communication and performance. Combining a broad global history of the evolution of human communication with an introduction to the general practice of mime, Alexander Iliev traces a lineage from Marceau and Barrault to his own distinguished practice as performer and teacher. The book moves from a fascinating description of the first principles of gestural language to a stunning sequence of specific exercises in practical training. Written in a sometimes poetic, always accessible and often humorous style, Towards a Theory of Mime conveys complex ideas in a strikingly accessible way. Alexander Iliev has over forty years experience practising and teaching both theatre and anthropology around the world. He is currently Associate Professor at the National Academy in Sofia.

One of the few studies covering the historical flow of mime from its beginnings to postmodern movement theatre, this book explores the evolution of mime and pantomime from the Greeks to the 20th Century, depicting the role of mime in dance, clowning, the cinema, and verbal theatre throughout the centuries. With over sixty illustrations, this worldwide study is indispensable for the student, teacher, or fan of mime.

First published in 1909, in an era of receding interest in Classical authors, this volume aimed to encourage a renewed interest in the Classics through shared emotion, humanity and the everyday. Attributing the disinterest to a lack of familiarity and a public difficulty for empathising with antiquity, Clark believed literature of the day owed a great deal to the Classical authors, and that its techniques could only be fully understood through their example. He chose Theophrastos, a philosopher and sketch artist, Herodas, a writer of mimes, and the Thebes tablet, a dialogue, with the hope that they would demonstrate how vividly changeless the nature of men and women can be. These translations were designed to be popular and readable, with nothing obscure for the light reader, in order to encourage rediscovery of literature’s Classical roots.

This book tells the story of ground-breaking movement theater performers of the late twentieth century. It explores how the virtuoso stage clowns and mimes drew on all the performing arts to create and star in shows in order to reveal our deepest thoughts and feelings. They ignored taboos and busted boundaries to redefine the relationship between performer and audience, making a theater of kindness—a theater of joy. Complete with over two hundred photos, the book tells how these performers came together at the International Movement Theatre Festivals and reached American audiences with their work. It also details the author’s story, his devotion to, and love of, the art and the artists, and his sometimes-harrowing journey into non-profit management. It offers a peek behind the curtain to describe the process of engaging artists, audiences, funders, and the international press in this mission.