The Mirador

A New York Review Books Original Élisabeth Gille was only five when the Gestapo arrested her mother, and she grew up remembering next to nothing of her. Her mother was a figure, a name, Irène Némirovsky, a once popular novelist, a Russian émigré from an immensely rich family, a Jew who didn’t consider herself one and who even contributed to collaborationist periodicals, and a woman who died in Auschwitz because she was a Jew. To her daughter she was a tragic enigma and a stranger. It was to come to terms with that stranger that Gille wrote, in The Mirador, her mother’s memoirs. The first part of the book, dated 1929, the year David Golder made Némirovsky famous, takes us back to her difficult childhood in Kiev and St. Petersburg. Her father is doting, her mother a beautiful monster, while Irene herself is bookish and self-absorbed. There are pogroms and riots, parties and excursions, then revolution, from which the family flees to France, a country of “moderation, freedom, and generosity,” where at last she is happy. Some thirteen years later Irène picks up her pen again. Everything has changed. Abandoned by friends and colleagues, she lives in the countryside and waits for the knock on the door. Written a decade before the publication of Suite Française made Irène Némirovsky famous once more (something Gille did not live to see), The Mirador is a haunted and a haunting book, an unflinching reckoning with the tragic past, and a triumph not only of the imagination but of love.

In a continuation of the series that began with Mlusine and The Virtu, wizard Felix Harrowgate returns to the Mirador, the citadel of power and wizardry, unaware that enemies from the Bastion, a rival school of wizards, plan to use him to destroy the Mirador, unless Felix's half-brother, Mildmay the Fox, can stop them. Reprint.

Mirador Publishing invited submissions of short stories celebrating the Weird and the Wonderful.We were overwhelmed by the number and the quality of entries. Choosing the winners proved to be a monumental task. Our criteria centred on the gifts of story telling and imagination. We believe these should be the overriding considerations, for the exploration of the human condition through the story telling process.We take great pleasure in presenting this selection by some of the world "s most promising new writers and we look forward to working with these immensely talented story tellers on future projects.Have fun and lose yourself in the wonderful Mirador Fantasmagoria.

“Bluescreen is a stunning deluge of imagination, filled with suspense and twists and unforgettable characters. This book is just plain awesome.”—James Dashner, bestselling author of The Maze Runner From Dan Wells, author of the New York Times bestselling Partials Sequence, comes the first book in a new sci-fi-noir series. Los Angeles in 2050 is a city of open doors, as long as you have the right connections. That connection is a djinni—a smart device implanted right in a person’s head. In a world where virtually everyone is online twenty-four hours a day, this connection is like oxygen—and a world like that presents plenty of opportunities for someone who knows how to manipulate it. Marisa Carneseca is one of those people. She might spend her days in Mirador, but she lives on the net—going to school, playing games, hanging out, or doing things of more questionable legality with her friends Sahara and Anja. And it’s Anja who first gets her hands on Bluescreen—a virtual drug that plugs right into a person’s djinni and delivers a massive, nonchemical, completely safe high. But in this city, when something sounds too good to be true, it usually is, and Mari and her friends soon find themselves in the middle of a conspiracy that is much bigger than they ever suspected.

Long before European boats reached the shores of the Americas, sophisticated civilizations had already developed throughout the continents. The empire of the Maya, located in modern Mexico and Central America, influenced civilization there for centuries. The ancient Maya had fully developed the idea of the calendar, detailed a writing system, pioneered new ideas in agriculture, and built towering palaces and temples that still stand today. Empire of the Ancient Maya gives a brief summary of the history of the empire, placing it within the context of its time period and geographical location, and then explores the evolution of Maya civilization from its origin through the classic period to the Spanish conquest. Delving into daily life, the book includes Maya achievements in mathematics, astronomy, technology, political organization, commerce, architecture, and the arts.

From Dan Wells, author of the New York Times bestselling Partials Sequence and the John Cleaver series, comes the second book in a dark, pulse-pounding sci-fi-noir series set in 2050 Los Angeles. Overworld. It’s more than just the world’s most popular e-sport—for thousands of VR teams around the globe, Overworld is life. It means fame and fortune, or maybe it’s a ticket out of obscurity or poverty. If you have a connection to the internet and four friends you trust with your life, anything is possible. Marisa Carneseca is on the hunt for a mysterious hacker named Grendel when she receives word that her amateur Overworld team has been invited to Forward Motion, one of the most exclusive tournaments of the year. For Marisa, this could mean anything—a chance to finally go pro and to help her family, stuck in an LA neighborhood on the wrong side of the growing divide between the rich and the poor. But Forward Motion turns out to be more than it seems—rife with corruption, infighting, and danger—and Marisa runs headlong into Alain Bensoussan, a beautiful, dangerous underground freedom fighter who reveals to her the darker side of the forces behind the tournament. It soon becomes clear that, in this game, winning might be the only way to get out alive.

From Dan Wells, author of the New York Times bestselling Partials Sequence, comes the third installment in a thrilling sci-fi noir series set in 2050 Los Angeles. Even in a world where technology connects everyone’s minds, it would seem that some secrets can still remain hidden. For all the mysteries teen hacker Marisa Carneseca has solved, one has always eluded her: When she was two years old, she was in a car accident in which she lost her arm and a mob boss’s wife, Zenaida de Maldonado, lost her life. No one can tell her what she was doing in that car, or how it led to the feud between the Carnesecas and the Maldonados. The secrets from the past rise violently to the surface when Zenaida's freshly severed hand shows up at the scene of a gangland shooting. If Zenaida is—or was—still alive, it means there’s even more about Marisa’s past that she doesn’t know. And when everyone from Los Angeles gangs to the world’s largest genetic engineering firms becomes involved in the case, it’s clear there’s more happening under the surface than anyone cares to admit. The truth is out there, and Marisa will have to thread together lost friends, corporate assassins, a gang lord’s digital brain, and what might be a literal ghost from the past in order to find it.

In 1929, 26-year-old Irène Némirovsky shot to fame in France with the publication of her first novel David Golder. At the time, only the most prescient would have predicted the events that led to her extraordinary final novel Suite Française and her death at Auschwitz. Yet the clues are there in this astonishingly mature story of an elderly Jewish businessman who has sold his soul. Golder is a superb creation. Born into poverty on the Black Sea, he has clawed his way to fabulous wealth by speculating on gold and oil. When the novel opens, he is at work in his magnificent Parisian apartment while his wife and beloved daughter, Joy, spend his money at their villa in Biarritz. But Golder’s security is fragile. For years he has defended his business interests from cut-throat competitors. Now his health is beginning to show the strain. As his body betrays him, so too do his wife and child, leaving him to decide which to pursue: revenge or altruism? Available for the first time since 1930, David Golder is a page-turningly chilling and brilliant portrait of the frenzied capitalism of the 1920s and a universal parable about the mirage of wealth.