The Missing Manuscript Of Jane Austen

The minute I saw the letter, I knew it was hers. There was no mistaking it: the salutation, the tiny, precise handwriting, the date, the content itself, all confirmed its ancient status and authorship… Samantha McDonough cannot believe her eyes--or her luck. Tucked in an uncut page of a two-hundred-year old poetry book is a letter she believes was written by Jane Austen, mentioning with regret a manuscript that "went missing at Greenbriar in Devonshire." Could there really be an undiscovered Jane Austen novel waiting to be found? Could anyone resist the temptation to go looking for it? Making her way to the beautiful, centuries-old Greenbriar estate, Samantha finds it no easy task to sell its owner, the handsome yet uncompromising Anthony Whitaker, on her wild idea of searching for a lost Austen work--until she mentions its possible million dollar value. After discovering the unattributed manuscript, Samantha and Anthony are immediately absorbed in the story of Rebecca Stanhope, daughter of a small town rector, who is about to encounter some bittersweet truths about life and love. As they continue to read the newly discovered tale from the past, a new one unfolds in the present--a story that just might change both of their lives forever.

Many rumors abound about a mysterious gentleman said to be the love of Jane's life—finally, the truth may have been found. . . . What if, hidden in an old attic chest, Jane Austen's memoirs were discovered after hundreds of years? What if those pages revealed the untold story of a life-changing love affair? That's the premise behind this spellbinding novel, which delves into the secrets of Jane Austen's life, giving us untold insights into her mind and heart. Jane Austen has given up her writing when, on a fateful trip to Lyme, she meets the well-read and charming Mr. Ashford, a man who is her equal in intellect and temperament. Inspired by the people and places around her, and encouraged by his faith in her, Jane begins revising Sense and Sensibility, a book she began years earlier, hoping to be published at last. Deft and witty, written in a style that echoes Austen's own, this unforgettable novel offers a delightfully possible scenario for the inspiration behind this beloved author's romantic tales. It's a remarkable book, irresistible to anyone who loves Jane Austen—and to anyone who loves a great story.

Stories by: Lauren Willig • Adriana Trigiani • Jo Beverley • Alexandra Potter • Laurie Viera Rigler • Frank Delaney & Diane Meier • Syrie James • Stephanie Barron • Amanda Grange • Pamela Aidan • Elizabeth Aston • Carrie Bebris • Diana Birchall • Monica Fairview • Janet Mullany • Jane Odiwe • Beth Pattillo • Myretta Robens • Jane Rubino and Caitlen Rubino-Bradway • Maya Slater • Margaret C. Sullivan • and Brenna Aubrey, the winner of a story contest hosted by the Republic of Pemberley “My feelings will not be repressed. You must allow me to tell you how ardently I admire and love you.” If you just heaved a contented sigh at Mr. Darcy’s heartfelt words, then you, dear reader, are in good company. Here is a delightful collection of never-before-published stories inspired by Jane Austen—her novels, her life, her wit, her world. In Lauren Willig’s “A Night at Northanger,” a young woman who doesn’t believe in ghosts meets a familiar specter at the infamous abbey; Jane Odiwe’s “Waiting” captures the exquisite uncertainty of Persuasion’s Wentworth and Anne as they await her family’s approval of their betrothal; Adriana Trigiani’s “Love and Best Wishes, Aunt Jane” imagines a modern-day Austen giving her niece advice upon her engagement; in Diana Birchall’s “Jane Austen’s Cat,” our beloved Jane tells her nieces “cat tales” based on her novels; Laurie Viera Rigler’s “Intolerable Stupidity” finds Mr. Darcy bringing charges against all the writers of Pride and Prejudice sequels, spin-offs, and retellings; in Janet Mullany’s “Jane Austen, Yeah, Yeah, Yeah!” a teacher at an all-girls school invokes the Beatles to help her students understand Sense and Sensibility; and in Jo Beverley’s “Jane and the Mistletoe Kiss,” a widow doesn’t believe she’ll have a second chance at love . . . until a Miss Austen suggests otherwise. Regency or contemporary, romantic or fantastical, each of these marvelous stories reaffirms the incomparable influence of one of history’s most cherished authors.

In a pitch-perfect literary parody, Eckstut and Auburn claim to have stumbled upon lost manuscript pages from Jane Austen's novels, along with shocking letters to her sister and publisher. The "excerpts" take readers behind closed doors to behold some very naughty goings-on among the characters of "Pride and Prejudice, Sense and Sensibility, Emma", and all of Austen's novels.

Charlotte Heywood, a young woman from the country, encounters a sophisticated, if cynical, world in the rapidly developing resort town of Sanditon.

The "first substantial collection of writings in the author's own hand to survive for a British novelist. They represent every stage of her writing life, roughly 1787 to 1817; that is from childhood (aged 11 or 12) to the year of her death (aged 41). They display a wide variety of physical states: working drafts, fair copies, and crafted 'publications' for private circulation among family and friends. Laid out in conscious imitation or parody of the formal features of book design, and labelled by Austen Volume the First, Volume the Second, and Volume the Third, the teenage, handwritten notebooks (with the possible exception of Volume the Third) have long appeared to scholars to be finished artefacts. By contrast, most of the other manuscript writings consist of pre-print or rough drafts in various stages of development: the experimental novel later entitled The Watsons, a short, discarded section of Persuasion, and Sanditon, the final novel, unfinished when she died." The digital edition includes in the first instance all Jane Austen's known fiction manuscripts and any ancillary materials held with them, as follows: I. Volume the first. II. Volume the second. III. Volume the third. IV. Lady Susan. V. Susan. VI. The Watsons. VII. Persuasion. VIII. Sanditon. IX. Opinions of Mansfiled Park X. Opinions of Emma. XI. Plan of a novel. XII. Profits of my novels.

"I have written about the joys of love. I have, in my secret heart, long dreamt of an intimate connection with a man; every Jane, I believe, deserves her Rochester." Though poor, plain, and unconnected, Charlotte Bronte possesses a deeply passionate side which she reveals only in her writings—creating Jane Eyre and other novels that stand among literature's most beloved works. Living a secluded life in the wilds of Yorkshire with her sisters Emily and Anne, their drug-addicted brother, and an eccentric father who is going blind, Charlotte Bronte dreams of a real love story as fiery as the ones she creates. But it is in the pages of her diary where Charlotte exposes her deepest feelings and desires—and the truth about her life, its triumphs and shattering disappointments, her family, the inspiration behind her work, her scandalous secret passion for the man she can never have . . . and her intense, dramatic relationship with the man she comes to love, the enigmatic Arthur Bell Nicholls. "Who is this man who has dared to ask for my hand? Why is my father so dead set against him? Why are half the residents of Haworth determined to lynch him—or shoot him?" From Syrie James, the acclaimed, bestselling author of The Lost Memoirs of Jane Austen, comes a powerfully compelling, intensely researched literary feat that blends historical fact and fiction to explore the passionate heart and unquiet soul of Charlotte Bronte. It is Charlotte's story, just as she might have written it herself.