The Modern Madame Butterfly

Provides a rare and realistic look at the Japanese woman today.

David Henry Hwang’s beautiful, heartrending play featuring an afterword by the author – winner of a 1988 Tony Award for Best Play and nominated for the 1989 Pulitzer Prize Based on a true story that stunned the world, M. Butterfly opens in the cramped prison cell where diplomat Rene Gallimard is being held captive by the French government—and by his own illusions. In the darkness of his cell he recalls a time when desire seemed to give him wings. A time when Song Liling, the beautiful Chinese diva, touched him with a love as vivid, as seductive—and as elusive—as a butterfly. How could he have known, then, that his ideal woman was, in fact, a spy for the Chinese government—and a man disguised as a woman? In a series of flashbacks, the diplomat relives the twenty-year affair from the temptation to the seduction, from its consummation to the scandal that ultimately consumed them both. But in the end, there remains only one truth: Whether or not Gallimard's passion was a flight of fancy, it sparked the most vigorous emotions of his life. Only in real life could love become so unreal. And only in such a dramatic tour de force do we learn how a fantasy can become a man's mistress—as well as his jailer. M. Butterfly is one of the most compelling, explosive, and slyly humorous dramas ever to light the Broadway stage, a work of unrivaled brilliance, illuminating the conflict between men and women, the differences between East and West, racial stereotypes—and the shadows we cast around our most cherished illusions. M. Butterfly remains one of the most influential romantic plays of contemporary literature, and in 1993 was made into a film by David Cronenberg starring Jeremy Irons and John Lone.

Best known as the story from the 1904 Puccini opera, the compelling modern myth of Madame Butterfly has been read, watched, and re-interpreted for many years. This volume examines the Madame Butterfly narrative in a variety of cultural contexts - literary, musical, theatrical, cinematic, historical, and political.

These novellas appeared at the height of fin-de-siecle American fascination with Japanese culture. Usually dismissed by critics because of their stereotypical treatment of Asian women, they have been paired here to show how they defined and redefined contemporary misconceptions of the Orient.

Provides a rare and realistic look at the Japanese woman today.

Using the framework of Edward Said’s Orientalism, this work examines how Western rock and pop artists—particularly during the age of album rock from the 1970s through the 1990s—perpetuated long-held stereotypes of Japan in their direct encounters with the country and in songs and music videos with Japanese content.

Sumie Kawakami is an experienced and intelligent reporter who manages to get her subjects to bare their souls and share their anxieties in a book I found hard to put down. ” —Jeff Kingston, The Japan Times "Kawakami presents a frank portrait of Japanese women today, via these compulsively readable, expertly crafted essays. Further kudos should go to Yuko Enomoto for her seamless translation.” —Suzanne Kamata, author of Losing Kei “A tartly written, stereotype-blasting and beautifully made book.” —Roland Kelts, author of Japanamerica “Refreshingly intense” —Colleen Mondor, Bookslut "Smart and lively and thoughtful and moving, like a good Studs Terkel without encyclopedic pretensions." —Daniel Handler, aka Lemony Snicket, author of the best-selling A Series of Unfortunate Events “Full of rich details of contemporary Japan ... in the end readers should understand why Madame Butterfly no longer exists. Or perhaps never existed at all.” —Todd Shimoda author of The Fourth Treasure and 365 Views of Mt. Fuji "An eye-opening, detailed look at the private, intimate lives of Japanese women ... This is an intelligent and authoritative work, covering everything from adultery to sex volunteers and the role of fortune tellers in Japanese romance. It is at once illuminating and entertaining, credible and so engrossing you will find it difficult to put down." — Robert Whiting, author of Tokyo Underworld, The Meaning of Ichiro and You Gotta Have Wa Sumie Kawakami’s Goodbye Madame Butterfly is an intimate look at the sex lives of Japanese people from a female perspective. This groundbreaking work of nonfiction will shatter the myth of the pliant, coy Japanese woman and replace her with a complex, erotic, sexually charged and fiercely independent woman who struggles to find her place in a male-dominated society.