The Moon S Face

Describes the moon's phases as it orbits the Earth every twenty-nine days using rhyming text and cut-outs that illustrate each phase.

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to ensure edition identification: ++++ The Moon's Face: A Study Of The Origin Of Its Features Grove Karl Gilbert Philosophical Society of Washington, 1893 Science; Astronomy; Moon; Science / Astronomy

Known as the “wave tamer”, a young boy turns the tiny island of Damanuestra upside down, threatening the oppressive political and religious hierarchies. Comic book legends Alejandro Jodorowsky and Francois Boucq (Bouncer) join forces once more in this uplifting and surreal satirical tale of strange magic and revolutionary freedom.

This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

A Face Like the Moon is the debut short story collection from Coptic Canadian writer Mina Athanassious. The eight stories in this book revolve around the world of young Coptic children living in urban and rural areas of Egypt. "All Good Things Thrown Away" delves into Egypt's notorious "Garbage City" and the lives of Cairo's garbage collectors. The title story moves to a small remote village in southern Egypt where a young ten-year-old boy struggles with a family tragedy. All together, Athanassious's debut collection of short stories offers a truly remarkable and moving look at the lives of Coptic children coming of age in Egypt and marks a bold and original new voice in Canadian fiction.

Faces in the Moon is the story of three generations of Cherokee women, as viewed by the youngest, Lucie, a woman who has been able to use education and her imagination to escape the confines of her rootless, impoverished upbringing. When her mother’s illness summons her back to Oklahoma, Lucie finds herself confronted with the legacy of a childhood she has worked hard to separate from her adult self. Her mother, Gracie, and her maternal aunt, Auney, are members of the Cherokees’ "lost generation," women who rejected the traditional rural ways in search of a more glamorous life as autonomous working women.

Gathering for the first time all of Claude Lévi-Strauss’s writings on Japanese civilization, The Other Face of the Moon forms a sustained meditation into the French anthropologist’s dictum that to understand one’s own culture, one must regard it from the point of view of another. Exposure to Japanese art was influential in Lévi-Strauss’s early intellectual growth, and between 1977 and 1988 he visited the country five times. The essays, lectures, and interviews of this volume, written between 1979 and 2001, are the product of these journeys. They investigate an astonishing range of subjects—among them Japan’s founding myths, Noh and Kabuki theater, the distinctiveness of the Japanese musical scale, the artisanship of Jomon pottery, and the relationship between Japanese graphic arts and cuisine. For Lévi-Strauss, Japan occupied a unique place among world cultures. Molded in the ancient past by Chinese influences, it had more recently incorporated much from Europe and the United States. But the substance of these borrowings was so carefully assimilated that Japanese culture never lost its specificity. As though viewed from the hidden side of the moon, Asia, Europe, and America all find, in Japan, images of themselves profoundly transformed. As in Lévi-Strauss’s classic ethnography Tristes Tropiques, this new English translation presents the voice of one of France’s most public intellectuals at its most personal.