The Moonlight Man

Fifteen-year-old Catherine and her father take their first joint vacation in Nova Scotia and finally get to know each other.

Newbery Medal–winning author Paula Fox’s gripping and sensitive portrayal of a teenage girl who discovers her father is not the man she thought he was. Catherine Ames’s father, Harry, has always been a mystery. Her parents divorced when she was three, and she has spent most of her life in a Montreal boarding school. When Harry suggests a month-long stay with him at his summer cabin in Nova Scotia, Catherine is thrilled. Finally she’ll have the kind of relationship with her father that other girls at school have with theirs. But the bright summer quickly darkens. Harry drinks—a lot. The more Catherine witnesses his drinking, the more she begins to hate him. Only, Catherine can’t help but love him too. A travel writer with a poet’s tongue, Harry is clever and exciting, and tells wonderful stories—until he drinks again, and the playful father that takes her on picnics becomes someone dark and frightening. How can the man she grew up wishing to be close to seem so far away? And how can Catherine bring him back to her? A School Library Journal Best Book of the Year, The Moonlight Man is a lyrical and emotional account of love, acceptance, and the difficult lessons of growing up.

Now a Netflix movie directed by Mike Flanagan (Oculus, Hush) and starring Carla Gugino and Bruce Greenwood. Master storyteller Stephen King presents this classic, terrifying #1 New York Times bestseller. When a game of seduction between a husband and wife ends in death, the nightmare has only begun… “And now the voice which spoke belonged to no one but herself. Oh my God, it said. Oh my God, I am all alone out here. I am all alone.” Once again, Jessie Burlingame has been talked into submitting to her husband Gerald’s kinky sex games—something that she’s frankly had enough of, and they never held much charm for her to begin with. So much for a “romantic getaway” at their secluded summer home. After Jessie is handcuffed to the bedposts—and Gerald crosses a line with his wife—the day ends with deadly consequences. Now Jessie is utterly trapped in an isolated lakeside house that has become her prison—and comes face-to-face with her deepest, darkest fears and memories. Her only company is that of the various voices filling her mind…as well as the shadows of nightfall that may conceal an imagined or very real threat right there with her…

From the New York Times bestselling author of NOS4A2 and Horns comes this e-short story—from Joe Hill’s award-winning collection 20th Century Ghosts. Imogene is young and beautiful. She kisses like a movie star and knows everything about every film ever made. She's also dead and waiting in the Rosebud Theater for Alec Sheldon one afternoon in 1945. . . . Arthur Roth is a lonely kid with big ideas and a gift for attracting abuse. It isn't easy to make friends when you're the only inflatable boy in town. . . . Francis is unhappy. Francis was human once, but that was then. Now he's an eight-foot-tall locust and everyone in Calliphora will tremble when they hear him sing. . . . John Finney is locked in a basement that's stained with the blood of half a dozen other murdered children. In the cellar with him is an antique telephone, long since disconnected, but which rings at night with calls from the dead. . . .

In the second novel in her bestselling Edilean trilogy, Jude Deveraux returns to the idyllic Virginia town where three best girlfriends joyfully reunite as they each seek out their heartfelt dreams and desires. Kim Aldredge is delighted that her dear college "sister" Jecca has found lasting love with Kim's cousin Tristan. But despite her flourishing jewelry-making career, Kim's own happiness seems as distant as the childhood summer when she played the hours away with young Travis Merritt, who came to Edilean with his mother under mysterious circumstances. At the end of that innocent season, he promised Kim he would return one day . . . and then vanished without even a goodbye. Years later, a worn photo is Kim's only proof of the perfect joy they shared. But when she least expects it, Travis, now a savvy Manhattan attorney, will crash into her life once more. Will Kim see the boy she knew under the man he's become?

Set in WWII and filled with secrets and espionage, The Man in the Moonlight is the second book in Helen McCloy's Dr Basil Willing Mystery series. I take pleasure in informing you that you have been chosen as murderer for Group No 1. Please follow these instructions with as great exactness as possible. On his way to visit the dean at Yorkville University, Assistant Chief Inspector Foyle seems to stumble across a murder, or at least the plans for one. Chalking it all up to a gag (because real killers don't use the word 'murder'), Foyle is horrified to learn about the death of Dr Kinradi, a scientist at the campus. Though it looks like a suicide, Foyle isn't so sure, and Dr Basil Willing, psychologist and sleuth, is called in to aid the investigation. With motives and murder piling up, the pair must solve the case before more lives are put at risk. PRAISE FOR HELEN MCCLOY & THE MAN IN THE MOONLIGHT 'Top-drawer.' - Saturday Review of Literature 'For your must list.' - William Bochnel, New York World Telegram 'mixes psychiatry and sleuthing most admirably' - Jack Ketch, New York Herald Tribune 'even better than Helen McCloy's first mystery, Dance of Death' - Isaac Anderson, Times Book Review 'should place her definitely in the mystery hall of fame' - Will Cuppy, Herald Tribune 'Basil Willing deserves his place in the ranks of the great detectives.' - Barry Turner, Daily Mail 'She is in the very top rank' - Julian Symons, Sunday Times 'McCloy's talent transcends the generations' - Barry Turner, Daily Mail 'If we had a Pulitzer Prize for mysteries (and we should have) Helen McCloy would be a leading candidate.' - Will Cuppy, New York Herald Tribune 'The reader will want to hear more of Dr Willing's exploits.' - James Grey, New York Sun 'Miss McCloy compels you to read every word.' - Maurice Richardson, The Observer 'Miss McCloy is definitely the best butter' - The Spectator

Director and screenwriter Michael Mann is the creative force behind such movies as Last of the Mohicans and Ali. Markedly reticent, Mann prefers that his personal background remain an enigma, but his disparate films contain clear and consistent messages. One of Mann's focuses is on the Information Age. He addresses the nature of modern communication, its use to manipulate and coerce, and the resultant subjugation of truth. The perils inherent in modern technology and communication stand in stark contrast to the power of symbolic and oral exchange, the trusted medium of Mann's protagonists. This critical exploration of the films of Michael Mann examines his recurring focus on the nature of modern communication and information and their effect on the individual and society. Mann's films highlight the struggle to maintain a connection to reality in a world where information is a commodity manipulated and abused by forces that exert increasing control over its content and dissemination. Each chapter examines one of Mann's films--including Manhunter, The Keep, Last of the Mohicans, The Insider and Ali--in which the protagonist longs for a sense of human connection but is pitted against forces that devalue and destroy individuality. Photographs illustrate specific moments from the films. A bibliography and an index are included.

Large Print Edition A gripping and emotional novel that will leave you wondering about the neighbors next door... On a cold January night, Sharon Lemke heads outside to see a lunar eclipse when she notices something odd at the house behind her backyard. Through her neighbor's kitchen window, she sees what appears to be a little girl washing dishes late at night. But the Fleming family doesn't have a child that age, and even if they did, why would she be doing housework at this late hour? It would be easy for Sharon to just let this go, but when eighteen-year-old Niki, a former foster child, comes to live with Sharon, she notices suspicious activity at the Flemings' house as well. When calling social services doesn't result in swift action, the two decide to investigate on their own.