The Morgans

A thrilling new Western series from William W. Johnstone and J.A. Johnstone featuring the Last Gunfighter himself, Frank Morgan. WESTERN JUSTICE. JOHNSTONE FURY. In this explosive new series, William W. and J.A. Johnstone bring together two of their greatest legends. The Drifter and the Kid. A gunslinging father and prodigal son, united at last, they are the Morgans. And the only thing thicker than a Morgan’s blood is a Morgan’s bullet… FAMILY FIRST. EVERYBODY ELSE DIES. There’s nothing particularly unusual for a legendary gunman to be summoned to the lawless, bullet-riddled territory of Arizona. But when Frank Morgan, aka the Last Gunfighter, rides into Tucson, he finds himself ambushed and kidnapped by ruthless Mexican bandit Ramirez’s army of thugs. The only way out is for Frank’s son, Conrad Browning, heir to the vast Browning fortune, to ransom his father free. But Conrad isn’t giving up one cent. He’s got a far deadlier currency in mind . . . Conrad heads down to the border and infiltrates the compound. But to prove himself, he has to hold up a train with the rest of the gang. Ramirez catches on to Conrad’s ruse, and the only way out is for Frank to come to the rescue. It’s a wild turn of events for sure, but for the Morgans, when it comes to killing their enemies, it’s all in the family. Live Free. Read Hard.

The House of Morgan personified economic power in the late 19th/early 20th centuries. Carosso constructs an in-depth account of the evolution, operations, and management of the Morgan banks at London, New York, Philadelphia, and Paris, from the time Junius Spencer Morgan left Boston for London to the death of his son, John Pierpont Morgan.

At the beginning of the nineteenth century, New York City was an undistinguished town, competing with Philadelphia and Boston to be America's dominant port city. Just two generations later, it had built itself into the country's powerhouse center of trade and finance, rivaled only by London as financial capital of the world. In Capital City, Thomas Kessner tells the story of this remarkable transformation. With the advantages of its famous harbor and the opening of the Erie Canal in 1825, New York became the chief commercial center for the growing nation. As the shipping industry prospered, capital accumulated, and a growing banking center emerged, New York went on to finance the Union cause during the Civil War, open the West to development, and consolidate the national railroad system. The city's energy and opportunity attracted ambitious men from all over the country whose names became synonymous with big business: Vanderbilt, Carnegie, Rockefeller, and Morgan. New York's banks set the interest rates for the nation, its stock exchange fixed the price of securities, its investors transformed American business from family-owned enterprises into modern corporations, and its growing political clout catapulted public figures, such as Samuel Tilden and Teddy Roosevelt, onto the national stage. Combining political and urban history with a colorful cast of characters, Capital City chronicles how Gotham's Gilded Age reshaped the metropolis and the nation as it molded our present-day economy.

In their early years, the Chicago Bears and the Chicago Cardinals-- the two oldest teams in the National Football League --travelled the country with only rare mention in the newspapers. Both teams later saw their official records destroyed by fire. Most of what is now known about those initial seasons is based on often inaccurate statements made many years later. Reconstructing their missing history, this book draws on newly available resources to document the battles and brawls on and off the field, the cunning backroom deals, the financial woes and the 40-year rivalry that endured while both teams were in Chicago. Figures like Al Capone, Red Grange, Jim Thorpe and Bronko Nagurski make appearances in the lore of two old adversaries whose uneasy alliance helped ensure the survival of the fledgling NFL.

Twenty-nine collected essays represent a critical history of Shakespeare's play as text and as theater, beginning with Samuel Johnson in 1765, and ending with a review of the Royal Shakespeare Company production in 1991. The criticism centers on three aspects of the play: the love/friendship debate.

In 1957, America turned its back on its earlier self and jumped headlong into the nation it has become today. From Sputnik and the beginning of the space race to Little Richard and the underappreciated influence of rock n’ roll in bringing blacks and whites closer together, to President Eisenhower’s Interstate Highway Act, which forever changed the landscape, 1957 represents the year when all of the energy and anxiety that had followed the end of World War II exploded. In compelling stories from politics, pop culture, business, and the media, Eric Burns captures the excitement of a headspinning year and the lingering fallout that continues to resonate seven decades later. For baby boomers seeking to relive their formative years or readers seeking a window into midcentury America, 1957 provides a highly readable tour through one of the most fascinating years in American history.