The Mosaics Of The Norman Stanza In Palermo

This book explores the making and meaning of one of the most enigmatic and singular interior spaces of the Middle Ages, the mosaic incrusted chamber commonly known as the 'Room of Roger' in the palace of the Norman kings of Sicily in Palermo. The unique way in which Byzantine technique, skill and style are blended with Maghribi Islamic perspective conventions and iconography while producing aesthetic interaction as well as obvious tension, serves as a starting point for an investigation of the various currents of artistic exchange and dynastic pretensions between Palermo, Constantinople, Norman Antioch and the Maghrib. Political aspirations in the Levant, Almoravid splendour in Fez and Marrakech, and the ever-present rival, the Byzantine emperor, all come to play a part in the making of the famous 'Camera di Ruggero'.

Betrifft die Handschrift Cod. 120. II der Burgerbibliothek Bern (S. 411, 445).

Robert B. Mason, 'New Looks at Old Pots: Results of Recent Multidisciplinary Studies of Glazed Ceramics from the Islamic World.' Edward J. Keall, 'Forerunners of Umayyad Art: Sculptural Stone from the Hadramawt.' Avinoam Shalem, 'From Royal Caskets to Relic Containers: Two Ivory Caskets from Burgos and Madrid.' Ethel Sara Wolper, 'The Politics of Patronage: Political Change and the Construction of Dervish Lodges in Sivas.' Robert Ousterhout, 'Ethnic Identity and Cultural Appropriation in Early Ottoman Architecture.' Günkut Akin, 'The Müezzin Mahfili and Pool of the Selimiye Mosque in Edirne.' Derin Terzioğlu, 'The Imperial Circumcision Festival of 1582: An Interpretation.' Serpil Bağci, 'A New Theme of the Shirazi Frontispiece Miniatures: The Divān of Solomon.' David J. Roxburgh, 'Heinrich Friedrich von Diez and His Eponymous Albums: Mss. Diez A. Fols. 70-74.' Lisa Golombek, 'The Gardens of Timur: New Perspectives.' I.I. Notkin, 'Decoding Sixteenth-Century Muqarnas Drawings.'

In this work, Eve Borsook--best known for her extensive work on fresco and mural painting--examines in detail the three great cycles of mosaic, focusing particularly on their arrangement and liturgical, even political significance. Produced within a sixty year span, the Norman royal mosaics form an unusually unanimous statement of the monarchy's view of itself, demonstrating the powerful way art, politics, theology, and ceremony merge.

Late Antique and Medieval Art of the Mediterranean World is a much-needed teaching anthology that rethinks and broadens the scope of the stale and limiting classifications used for Early Christian-Byzantine visual arts. A comprehensive anthology offering a new approach to the visual arts classified as Early Christian-Byzantine Comprised of essays from experts in the field that integrate the newer, historiographical research into 'the canon' of established scholarship Exposes the historical, geographical and cultural continuities and interactions in the visual arts of the late antique and medieval Mediterranean world Covers an extensive range of topics, including the effect that converging cultures in late antiquity had on art, the cultural identities that can be observed by looking at difference of tradition in visual art, and the variance of illuminations in holy books

A study of the well known medieval royal chapel, constructed by Roger II, king of Sicily in the mid-twelfth century.