The Mother S Hands Desire Fantasy And The Inheritance Of The Maternal

In this book the bestselling author and psychoanalyst Massimo Recalcati offers a fundamental re-examination of what ‘being a mother’ means today, in a world where new social and sexual freedoms mean that motherhood is no longer the sole destiny of women. Questioning the belief that a mother’s love is natural and unconditional, he paints a more complex and troubling picture of the mother–child relationship, observing that mothers may even resent their children as a result of unresolved conflicts between different dimensions of love. The mother’s hands not only nurture but can also potentially harm. Recalcati argues that it is precisely in these competing demands that motherhood fulfils its function: only if the mother is ‘not-all-mother’ can a child experience the absence that enables it to access the symbolic and cultural world. Recalcati cuts through conventional wisdom to offer a fresh perspective on the changing nature of motherhood today. An international bestseller, this book will appeal to a wide general readership, as well as to students and scholars of gender studies, psychoanalysis and related disciplines.

Italian philosophy constitutes one of the most vibrant and fruitful areas in contemporary thought, bringing extraordinary novelty to some of the oldest tropes, from human nature to the relation between political power and life, the thinking of actuality and potential, and the nature of work and labour. This reader includes texts by the most renowned thinkers, from Dante and Machiavelli to Giorgio Agamben, Antonio Negri, and Roberto Esposito, all of which are introduced by an expert on the particular thinker, and situated within the context of their work as a whole. The Bloomsbury Italian Philosophy Reader provides a unique resource for students and scholars alike, covering the history of Italian thought to the present day.

Modern social and political life is characterized not only by a passion for freedom and a desire for human contact, but also by the urge to shut down, to refuse freedom and the responsibility that goes with it, to barter it away in return for our security: this is the temptation of the wall, a temptation with which every modern society has to come to terms. Drawing on his experience as a psychoanalyst, Recalcati shows that the temptation of the wall is rooted in a deep psychological inclination: human beings have always drawn up borders and rejected the risks associated with being open to the outside world. But when these borders are turned into walls, they can only result in an impoverishment of the value of exchange and the loss of the dynamic plurality of a life shared with others.

How many words do we use in a day? How many of them are actually necessary to convey the flow of our thoughts? And how many could we do without, if we were to fast, abstain from using words? This book examines the power of words. It explores the links between communication, language and identity, arguing for a certain gravity to the practice of speech, for offering only meaningful words to the people we talk to. We are the words we hear and utter, we are the words we think, and Anna Lisa Tota invites us to use “eco-words” to change the world we live in: “This book is a proposal to myself and to you, dear Reader, an invitation to change together: while you read and while I write, bridging the temporal and spatial gap that separates us and makes it impossible for us to help each other”. This volume will appeal to readers interested in the everyday practice of communication. It will also be useful to scholars and students of sociology, emotion, memory, body studies, philosophy, aesthetics, communication studies, psychology, and linguistics.

The kiss is the image that, perhaps more than any other, encompasses the beauty and poetry of love. Every love is required to maintain the kiss, to make it last. When they kiss, lovers carve out their hiding holes, finding their peace from war. When they kiss, the noise of the world is silenced, its laws broken, time is stolen from its normal continuity. They fall together in their distinct, embraced tongues. The kiss joins the tongue that declares love with the body of the lover. And the extinction of the kiss and, most importantly, of the desire to kiss one’s beloved announces the demise of love. In this short book, Massimo Recalcati – one of Italy’s leading intellectuals and bestselling authors – offers seven brief lessons on the mystery and miracle of love, from the serendipity of the first encounter to its end or its continuation over time, as mysterious and miraculous as the first encounter itself.

This title was first published in 2000: Care-givers in the early modern period included not only mothers and stepmothers, but also midwives and nurses, tutors and educators, wise women and witches. The contributors to this volume present research and criticism on a wide range of early modern care-giving roles by women in England, Italy, Spain, France, Latin America, Mexico and the New World. The essays are not only cross-cultural but also interdisciplinary, spanning literature, history, music and art history; and they focus on differences of gender, class and race. A wide variety of scholarly and critical approaches are represented. Essays are grouped in categories on conception and lactation; maternal nurture and instruction; domestic production; and social authority.

The Poetry of Susan Howe provides a comprehensive survey of the major works of one of America's foremost contemporary poets. The book describes the relationship between poetic form and the various configurations of history, religious thought, and authority in Howe's writing. Will Montgomery argues that her highly opaque texts reflect the resistance that the past offers to contemporary investigation. Addressing lyric, literary history, collage and visual poetics, The Poetry of Susan Howe is a lucid and persuasive investigation of the volatile movements of this extraordinary body of work.