The Museum Of Intangible Things

Loyalty. Envy. Obligation. Dreams. Disappointment. Fear. Negligence. Coping. Elation. Lust. Nature. Freedom. Heartbreak. Insouciance. Audacity. Gluttony. Belief. God. Karma. Knowing what you want (there is probably a French word for it). Saying Yes. Destiny. Truth. Devotion. Forgiveness. Life. Happiness (ever after). Hannah and Zoe haven’t had much in their lives, but they’ve always had each other. So when Zoe tells Hannah she needs to get out of their down-and-out New Jersey town, they pile into Hannah’s beat-up old Le Mans and head west, putting everything—their deadbeat parents, their disappointing love lives, their inevitable enrollment at community college—behind them. As they chase storms and make new friends, Zoe tells Hannah she wants more for her. She wants her to live bigger, dream grander, aim higher. And so Zoe begins teaching Hannah all about life’s intangible things, concepts sadly missing from her existence—things like audacity, insouciance, karma, and even happiness. An unforgettable read from the acclaimed author of The Probability of Miracles, The Museum of Intangible Things sparkles with the humor and heartbreak of true friendship and first love.

A dying teen learns to live in this heart wrenching debut the New York Times Book Review calls, “Funny and entertaining.” Campbell Cooper has never been in love. And if the doctors are right about her cancer, she'll never have the chance. So when she's told she needs a miracle, her family moves 1,500 miles north to Promise, Maine--a place where amazing, unexplainable events are said to occur--like it or not. And when a mysterious envelope arrives, containing a list of things for Cam to do before she dies, she finally learns to believe--in love, in herself . . . and maybe even in miracles, as improbable as they may seem. "Wonderfully bittersweet, with just as much humor as sadness."--Seventeen.com

Best friends Hannah and Zoe, seventeen, leave their down-and-our New Jersey town and drive west chasing storms, making new friends, and seeking the intangibles--audacity, insouciance, happiness--that their lives have lacked.

The topic of intangible natural heritage is new, recently emerging as an important subject of inquiry. It describes the untouchable elements of the environment that combine to create natural objects, and help define our relationship to them. These elements can be sensory, like auditory landscapes, or processes like natural selection. As a concept, intangible natural heritage is growing in prominence, as museums are increasingly charged safeguarding and interpreting the milieux from which their objects originate. This book is a significant advance on the subject of intangible natural heritage; no book on the topic has yet been written and current scholarship is confined to a few isolated papers. As such, there exists a wide variety of perspectives on the topic. Intangible Natural Heritage presents a spectrum of opinion, making the first attempt at a unifying concept on which future work can be based. Authors from Europe, Asia, Australasia, Britain, and North America, address topics on scales from minute insects to sweeping landscapes. The common thread in these explorations is the importance of human relationships with nature that is passed down from generation to generation. In a world that is becoming increasingly fragile, recognizing and fostering these relationships has never been more vital.

In this comparative, international study Marilena Alivizatou investigates the relationship between museums and the new concept of “intangible heritage.” She charts the rise of intangible heritage within the global sphere of UN cultural policy and explores its implications both in terms of international politics and with regard to museological practice and critical theory. Using a grounded ethnographic methodology, Alivizatou examines intangible heritage in the local complexities of museum and heritage work in Oceania, the Americas and Europe. This multi-sited, cross-cultural approach highlights key challenges currently faced by cultural institutions worldwide in understanding and presenting this form of heritage.

In the spirit of Humans of New York and PostSecret, ths is a gorgeous gift book celebrating the objects that outlast love: a poignant, funny, sometimes bizarre and always delightful window into modern love and loss. "Leave[s] your heart feeling full and connected." -- Frank Warren, PostSecret A postcard from a childhood sweetheart. A wedding dress sealed in a jar. A roll of undeveloped film. An axe used to chop an ex-lover's furniture in a fit of rage. A wind-up toy, a bar of bath soap, a tin of Love Potion with the simple caption "Doesn't work." These objects, and many more, make up the whimsical, imaginative, poignant population of the Museum of Broken Relationships. Started by two former lovers who wanted a way to commemorate their relationship even after it ended, who couldn't bear to simply throw away the objects that had once meant so much, the Museum of Broken Relationships has captured hearts and imaginations around the globe since its founding in 2010. Anonymous submissions have poured in by the thousands: objects with brief, compelling captions confessing to the story behind their meaning. The museum's Croatian exhibit quickly became a main draw for tourists from around the globe, and has garnered enthusiastic, glowing media attention from sources as disparate as the New York Times and the Chinese national news. Now, as the physical museum arrives for a permanent spot in Los Angeles, the authors have collected the best, funniest, most heartwarming and heartrending stories from their huge selection of submissions. Much like the bestselling Postsecret series, this beautiful oversized, four-color book will offer an irresistible glimpse inside other people's secret worlds, creating moments of deep human connection. It is a must read for anyone who has ever loved and lost.

“Kate Axelrod’s atmospheric, intense book captures perfectly the heady feeling of being on the edge of adulthood, when the abstract concept of ‘love’ starts to have real and sometimes terrifying meaning and consequences.” – Emily Gould, author of Friendship “THE LAW OF LOVING OTHERS . . . Hours after Emma returns home from boarding school, she realizes that her mom is suffering from a schizophrenic break. Suddenly, Emma’s entire childhood and identity is called into question. COULD NOT BE DISCOVERED BY REASON, Desperate for answers, Emma turns to her boyfriend, Daniel. Will he love her even if she goes crazy too? But it’s the lonely, brooding boy Emma meets while visiting her mother at the hospital who really understands Emma. Phil encourages Emma’s reckless need for hurt and pain in the face of all this change and she is soon caught in a complicated spiral of loss and mistrust. BECAUSE IT IS UNREASONABLE.” In the span of just one winter break, Emma’s relationships alter forever and she is forced to see the wisdom in a line from Anna Karenina: “The law of loving others could not be discovered by reason, because it is unreasonable.” A beautifully grounded coming-of-age novel, THE LAW OF LOVING OTHERS demands that the reader accept the main character, Emma, for who she is, while also creating deep sympathy for all that she is going through.

This collection brings together contemporary Indigenous knowledge holders with extraordinary works of historical Northwest Coast art. The photographs and commentaries speak to the connections between tangible and intangible cultural belongings; how "art" remains part of Northwest Coast peoples' ongoing relationships to their territories and governance; Indigenous experiences of reconnection, reclamation, and return; and critical and necessary conversations around the role of museums. Residence: Vancouver, B.C. Print run 3,500.