The Mysterious Bog People

This classic book about the remains of iron-age people preserved in peat-bogs throws fascinating light on ancient ways of life, religion and rituals. During the last two centuries, workers in bogs throughout Europe have often accidentally exposed sunken human bodies that looked to them like incarnate devils. Actually, they were being confronted with their own ancestors of two thousand and more years ago. The bog waters have kept the bodies from decay, sometimes even preserving the facial expression at the moment of death. Most of these bog people bear signs of violent ends. Are they murder victims, sacrificial victims, or executed criminals? Acting as a consultant after the discovery of one such body, Professor Glob noted that the anguished face seemed peaceful when viewed apart from the means of death: the rope still tight around the neck. Later he perceived a connection between these bodies and a fertility goddess often portrayed with neck chains. In The Bog People, Glob unravels the dark, forbidding background of their story.

The grisly story of the bog bodies, updated via details of archaeological discovery and crime-scene techniques Some 2,000 years ago, certain unfortunate individuals were violently killed and buried not in graves but in bogs. What was a tragedy for the victims has proved an archaeologist’s dream, for the peculiar and acidic properties of the bog have preserved the bodies so that their skin, hair, soft tissue, and internal organs—even their brains—survive. Most of these ancient swamp victims have been discovered in regions with large areas of raised bog: Ireland, northwest England, Denmark, the Netherlands, and northern Germany. They were almost certainly murder victims and, as such, their bodies and their burial places can be treated as crime scenes. The cases are cold, but this book explores the extraordinary information they reveal about our prehistoric past. Bog Bodies Uncovered updates Professor P. V. Glob’s seminal publication The Bog People, published in 1969, in the light of vastly improved scientific techniques and newly found bodies. Approached in a radically different style akin to a criminal investigation, here the bog victims appear, uncannily well-preserved, in full-page images that let the reader get up close and personal with the ancient past.

Over the past few centuries, northern Europe’s bogs have yielded mummified men, women, and children who were deposited there as sacrifices in the early Iron Age and kept startlingly intact by the chemical properties of peat. In this remarkable account of their modern afterlives, Karin Sanders argues that the discovery of bog bodies began an extraordinary—and ongoing—cultural journey. Throughout the nineteenth and twentieth centuries, Sanders shows, these eerily preserved remains came alive in art and science as material metaphors for such concepts as trauma, nostalgia, and identity. Sigmund Freud, Joseph Beuys, Seamus Heaney, and other major figures have used them to reconsider fundamental philosophical, literary, aesthetic, and scientific concerns. Exploring this intellectual spectrum, Sanders contends that the power of bog bodies to provoke such a wide range of responses is rooted in their unique status as both archeological artifacts and human beings. They emerge as corporeal time capsules that transcend archaeology to challenge our assumptions about what we can know about the past. By restoring them to the roster of cultural phenomena that force us to confront our ethical and aesthetic boundaries, Bodies in the Bog excavates anew the question of what it means to be human.

The dazzling, award-winning debut in a series that delivers mystery, romance, suspense, and fascinating forensic detail. When farmers cutting turf in an Irish peat bog make a grisly discovery—the perfectly preserved head of a young woman with long red hair—Irish archaeologist Cormac Maguire and American pathologist Nora Gavin must use cutting-edge techniques to preserve ancient evidence. Because the bog’s watery, acidic environment prevents decay, it’s difficult to tell how long the red-haired girl has been buried—two years, two centuries, or even much longer. Who is she? The extraordinary find leads to even more disturbing puzzles. The red-haired girl is not the only enigma in this remote corner of Galway. Two years earlier, Mina Osborne, the wife of a local landowner, went for a walk with her young son and vanished without a trace. Could they, too, be hidden in the bog’s treacherous depths, only to be discovered centuries from now? Or did Hugh Osborne murder his family, as some villagers suspect? Bracklyn House, Osborne’s stately home, holds many secrets, and Nora and Cormac's inquiries threaten to expose them all.

A magnificent tale of death and destiny, past and present, in an Ireland rich with tradition, myth, and mystery: “Lake of Sorrows has a heft and richness uncommon in contemporary suspense novels” (Minneapolis Star-Tribune). American pathologist Nora Gavin has come to the Irish midlands to examine a body unearthed at a desolate spot known as the Lake of Sorrows. As with all the artifacts culled from its prehistoric depths, the bog has effectively preserved the dead man's remains—his multiple wounds suggest he was the victim of an ancient pagan sacrifice known as “triple death.” But signs of a more recent slaying emerge when a second body, bearing a similar wound pattern, is found—this one sporting a wristwatch. Someone has come to this quagmire to sink their dreadful handiwork—and Nora soon realizes that she is being pulled deeper into the land and all it holds: the secrets to a cache of missing gold, a tumultuous love affair with archaeologist Cormac Maguire, and the dark mysteries and desires of the workers at the site. As they draw closer to the truth, Nora and Cormac must exercise the utmost caution to avoid becoming the next victims of a ruthless killer fixated on the gruesome notion of triple death.

In Secret Britain, join anthropologist and broadcaster Mary-Ann Ochota for a tour of more than 70 of Britain's most intriguing archaeological sites and artefacts.