The Mystic Tree

In this book, Conrad Rudolph studies and reconstructs Hugh of St. Victor's forty-two-page written work, The Mystic Ark, which describes the medieval painting of the same name. In medieval written sources, works of art are not often referred to, let alone described in any detail. Almost completely ignored by art historians because of the immense difficulty of its text, Hugh of Saint Victor's Mystic Ark (c. 1125-1130) is among the most unusual sources we have for an understanding of medieval artistic culture. Depicting all time, all space, all matter, all human history, and all spiritual striving, this highly polemical painting deals with a series of cultural issues crucial in the education of society's elite during one of the great periods of intellectual change in Western history.

In this insightful interpretation of the Holy Bible, the profound spiritual and power-bestowing truths of the sacred language of such Old Testament stories as the Creation, the Flood and Tower, the Life of Joseph as a Mystery Drama, and Moses and the Exodus are liberated from their cryptic enclosure. The second of a two-part abridgement, published in 1994.

This distinctive comparison of Islamic and Christian mysticism focuses on the mystic journey in the two faith traditions.

1924 One of the famous occult novels, this rare book teaches the lessons of occultism in the easy way. it show that the Neophytes principally do the work under the guidance of, and with slight assistance from, the elders, who command the forces of Natur.

Abstract and realism merge into a mystical world of tree designs. Each hand drawn tree design has its own personality. Enjoy the diverse collection of styles.

Many of the Irish legends, superstitions, and ancient charms now collected were obtained chiefly from oral communications made by the peasantry themselves, either in Irish or in the Irish-English which preserves so much of the expressive idiom of the antique tongue. These narrations were taken down by competent persons skilled in both languages, and as far as possible in the very words of the narrator; so that much of the primitive simplicity of the style has been retained, while the legends have a peculiar and special value as coming direct from the national heart.