The Myth Of The 20th Century

The Myth of the Twentieth Century (German: Der Mythus des zwanzigsten Jahrhunderts) is a 1930 book by Alfred Rosenberg, one of the principal ideologues of the Nazi Party and editor of the Nazi paper Volkischer Beobachter. The titular "myth" (in the special Sorelian sense) is "the myth of blood, which under the sign of the swastika unchains the racial world-revolution. It is the awakening of the race soul, which after long sleep victoriously ends the race chaos." The book has been described as "one of the two great unread bestsellers of the Third Reich" (the other being Mein Kampf). In private Adolf Hitler said: "I must insist that Rosenberg's The Myth of the Twentieth Century is not to be regarded as an expression of the official doctrine of the party." Hitler objected to Rosenberg's paganism."

Regarded as the second most important book to come out of Nazi Germany, Alfred Rosenberg's Der Mythus des zwanzigsten Jahrhunderts is a philosophical and political map which outlines the ideological background to the Nazi Party and maps out how that party viewed society, other races, social ordering, religion, art, aesthetics and the structure of the state. The "Mythus" to which Rosenberg (who was also editor of the Nazi Party newspaper) refers was the concept of blood, which, according to the preface, "unchains the racial world-revolution." Rosenberg's no-hold barred depiction of the history of Christianity earned it the accusation that it was anti-Christian, and that unjustified controversy overshadowed the most interesting sections of the book which deal with the world racial situation and the demand for racially homogenous states as the only method to preserve individual world cultures. Rosenberg was hanged at Nuremberg on charges of "waging wars of aggression" even though he had never served in the military, and it is likely that he was hanged purely because of this book. Contents Preface Book One: The Conflict of Values Chapter I. Race and Race Soul Chapter II. Love and Honour Chapter III. Mysticism and Action Book Two: Nature of Germanic Art Chapter I. Racial Aesthetics Chapter II. Will And Instinct Chapter III. Personality And Style Chapter IV. The Aesthetic Will Book Three: The Coming Reich Chapter I. Myth And Type Chapter II. The State And The Sexes Chapter III. Folk And State Chapter IV. Nordic German Law Chapter V. Church And School Chapter VI. A New System Of State Chapter VII. The Essential Unit

Revisionist historian Jacques R. Pauwels challenges readers to reconsider what they know about some key events in the last 250 years of world history. At a time when it’s all too easy to see history in black-and-white terms, historian Jacques R. Pauwels urges readers to let go of conventional history textbooks and re-examine historical events outside the bounds of conventional ideologies and agendas. Pauwels uses twelve key events, from the French Revolution onwards, to debunk well-known accepted historical narratives in the western canon. He challenges readers to rethink their views by compiling the recent work of specialized scholars whose research demonstrates that the facts contradict the myths that have been offered to explain these events. Beginning with a reconsideration of the impacts of the French Revolution, Pauwels finishes by dismantling the American narrative surrounding the use of nuclear weapons in the Second World War and the real rationale for the Cold War and the U.S.’s postwar global democracy project.

In what may well rank as the finest political and intellectual history of the twentieth century, the late J. L. Talmon explores the origins of the schism within European society between the totalitarians of Right and Left as well as the split between an acceptance of the historical national community as the natural political and social framework and the vision of a socialist society achieved by a universal revolutionary breakthrough. This, the third and final volume of Talmon's history of the modern world, brings to bear the resources of his incisive scholarship to examine the workings of the ironies of totalitarianism as well as the resources of democracy.