The Mythology And Fables Of The Ancients Explain D From History
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The Mythology and Fables of the Ancients Explain d from History Volume 4
Author | : Banier |
Publsiher | : Unknown |
Total Pages | : 616 |
Release | : 2015-10-27 |
Genre | : Electronic Book |
ISBN | : 1345486871 |
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The Mythology and Fables of the Ancients Explain d from History by the Abb Banier Translated from the Original French of 4 Volume 4
Author | : M L'ABBE. BANIER |
Publsiher | : Gale Ecco, Print Editions |
Total Pages | : 610 |
Release | : 2018-04-22 |
Genre | : Electronic Book |
ISBN | : 1385258799 |
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The 18th century was a wealth of knowledge, exploration and rapidly growing technology and expanding record-keeping made possible by advances in the printing press. In its determination to preserve the century of revolution, Gale initiated a revolution of its own: digitization of epic proportions to preserve these invaluable works in the largest archive of its kind. Now for the first time these high-quality digital copies of original 18th century manuscripts are available in print, making them highly accessible to libraries, undergraduate students, and independent scholars. Western literary study flows out of eighteenth-century works by Alexander Pope, Daniel Defoe, Henry Fielding, Frances Burney, Denis Diderot, Johann Gottfried Herder, Johann Wolfgang von Goethe, and others. Experience the birth of the modern novel, or compare the development of language using dictionaries and grammar discourses. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to insure edition identification: ++++ Harvard University Houghton Library N035253 A translation of 'La mythologie et les fables expliquées par l'histoire'. The titlepages to vols. 2-4 are dated 1740. The titlepages have ornaments. Vols. 2-4 have additional dated titlepages without ornaments, listing the contents. The first titlepage to v.3 has "antients" for "ancients." London: printed for A. Millar, 1739-40. 4v.; 8°
The Mythology and Fables of the Ancients Explain d from History
Author | : Banier (M. l'abbé, Antoine) |
Publsiher | : Unknown |
Total Pages | : 642 |
Release | : 1739 |
Genre | : Fables, French |
ISBN | : NYPL:33433061812891 |
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The Mythology and Fables of the Ancients Explain d from History
Author | : Banier (M. l'abbé, Antoine) |
Publsiher | : Unknown |
Total Pages | : 622 |
Release | : 1976 |
Genre | : Folklore |
ISBN | : UCSD:31822000505800 |
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The Mythology and Fables of the Ancients Explain d from History
Author | : Banier (Antoine) |
Publsiher | : Unknown |
Total Pages | : 622 |
Release | : 1976 |
Genre | : Folklore |
ISBN | : PSU:000020616151 |
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The Rise of Modern Mythology 1680 1860
Author | : Burton Feldman,Robert D. Richardson |
Publsiher | : Indiana University Press |
Total Pages | : 596 |
Release | : 2000-04-22 |
Genre | : Literary Criticism |
ISBN | : 0253201888 |
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A book on modern mythology
Mythology Compared with History
Author | : Tressan (M. l'abbé de) |
Publsiher | : Unknown |
Total Pages | : 540 |
Release | : 1797 |
Genre | : Druids and Druidism |
ISBN | : NYPL:33433068179039 |
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The Writings of James Barry and the Genre of History Painting 1775 809
Author | : Liam Lenihan |
Publsiher | : Routledge |
Total Pages | : 182 |
Release | : 2017-07-05 |
Genre | : Art |
ISBN | : 9781351539340 |
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Examining the literary career of the eighteenth-century Irish painter James Barry, 1741-1806 through an interdisciplinary methodology, The Writings of James Barry and the Genre of History Painting, 1775-1809 is the first full-length study of the artist?s writings. Liam Lenihan critically assesses the artist?s own aesthetic philosophy about painting and printmaking, and reveals the extent to which Barry wrestles with the significant stylistic transformations of the pre-eminent artistic genre of his age: history painting. Lenihan?s book delves into the connections between Barry?s writings and art, and the cultural and political issues that dominated the public sphere in London during the American and French Revolutions. Barry?s writings are read within the context of the political and aesthetic thought of his distinguished friends and contemporaries, such as Edmund Burke, his first patron; Joshua Reynolds, his sometime friend and rival; Mary Wollstonecraft and William Godwin, with whom he was later friends; and his students and adversaries, William Blake and Henry Fuseli. Ultimately, Lenihan?s interdisciplinary reading shows the extent to which Barry?s faith in the classical tradition in general, and the genre of history painting in particular, is permeated by the hermeneutics of suspicion. This study explores and contextualizes Barry?s attempt to rethink and remake the preeminent art form of his era.