The Nakano Thrift Shop

In the Nakano Thrift Shop, the young woman who works the register falls for her reserved co-worker and asks her employers sister for advice in attracting him and soon comes to realize that love requires acceptance of idiosyncrasies and secrets.

The story of an enigmatic man through the voices of ten remarkable women who have loved him at one point in their lives. Each woman has succumbed, even if only for an hour, to that seductive, imprudent, and furtively feline man who drifted so naturally into their lives. Still clinging to the vivid memory of his warm breath and his indecipherable sentences, ten women tell their stories as they attempt to recreate the image of the unfathomable Nishino. Like a modern Decameron, this humorous, sensual, and touching novel by one of Japan’s best-selling and most beloved writers is a powerful and embracing portrait of the human comedy in ten voices. Driven by desires that are at once unique and common, the women in this book are modern, familiar to us, and still mysterious. A little like Nishino himself . . . Winner 2020 Pen Translation Prize Praise for The Ten Loves of Nishino “If you like Haruki Murakami and Yoko Ogawa, it’s a safe bet that you’ll love The Ten Loves of Nishino.” —DozoDomo (France) “Agile, inventive fiction.” —Booklist “An intriguing portrayal of romantic attachment.” —The New Yorker “The women in this collection are vibrant, lusty, and clearly the agents of their own love lives . . . . Kawakami's novel treats its feminist themes with a light hand but still slyly lands its points.” —Kirkus Reviews

Startlingly restless and immaculately compact, Manazuru paints the portrait of a woman on the brink of her own memories and future. Twelve years have passed since Kei’s husband, Rei, disappeared and she was left alone with her three–year–old daughter. Her new relationship with a married man—the antithesis of Rei—has brought her life to a numbing stasis, and her relationships with her mother and daughter have spilled into routine, day after day. Kei begins making repeated trips to the seaside town of Manazuru, a place that jogs her memory to a moment in time she can never quite locate. Her time there by the water encompasses years of unsteady footing and a developing urgency to find something. Through a poetic style embracing the surreal and grotesque, a quiet tenderness emerges from these dark moments. Manazuru is a meditation on memory—a profound, precisely delineated exploration of the relationships between lovers and family members.

"A parable about memory, mythic characters, and confessional regrets . . . An ethereal, resonating literary gift" (Booklist, starred review) from the internationally bestselling author of Strange Weather in Tokyo. "On a summer afternoon, Tsukiko and her former high school teacher have prepared and eaten somen noodles together. “Tell me a story from long ago,” Sensei says. “I wasn’t alive long ago,” Tsukiko says, “but should I tell you a story from when I was little?” “Please do,” Sensei replies, and so Tsukiko tells him that, when she was a child, she awakened one day to find something with a pale red face and something with a dark red face in her room, arguing with each other. They had human bodies, long noses, and wings. They were tengu, creatures that appear in Japanese folktales. The tengu attach themselves to Tsukiko and begin to follow her everywhere. Where did they come from and why are they here? And what other invisible and unacknowledged forces are acting upon Tsukiko’s seemingly peaceful world?"

This harrowing mystery, winner of the Philippine National Book Award, follows two Catholic priests on the hunt through Manila for a brutal serial killer Payatas, a 50-acre dump northeast of Manila’s Quezon City, is home to thousands of people who live off of what they can scavenge there. It is one of the poorest neighborhoods in a city whose law enforcement is already stretched thin, devoid of forensic resources and rife with corruption. So when the eviscerated bodies of preteen boys begin to appear in the dump heaps, there is no one to seek justice on their behalf. In the rainy summer of 1997, two Jesuit priests take the matter of protecting their flock into their own hands. Father Gus Saenz is a respected forensic anthropologist, one of the few in the Philippines, and has been tapped by the Director of the National Bureau of Investigations as a backup for police efforts. Together with his protégé, Father Jerome Lucero, a psychologist, Saenz dedicates himself to tracking down the monster preying on these impoverished boys. Smaller and Smaller Circles, widely regarded as the first Filipino crime novel, is a poetic masterpiece of literary noir, a sensitive depiction of a time and place, and a fascinating story about the Catholic Church and its place in its devotees’ lives.

Shortlisted for the 2013 Man Asian Literary Prize, Strange Weather in Tokyo is a story of loneliness and love that defies age. Tsukiko, thirty–eight, works in an office and lives alone. One night, she happens to meet one of her former high school teachers, "Sensei," in a local bar. Tsukiko had only ever called him "Sensei" ("Teacher"). He is thirty years her senior, retired, and presumably a widower. Their relationship develops from a perfunctory acknowledgment of each other as they eat and drink alone at the bar, to a hesitant intimacy which tilts awkwardly and poignantly into love. As Tsukiko and Sensei grow to know and love one another, time's passing is marked by Kawakami's gentle hints at the changing seasons: from warm sake to chilled beer, from the buds on the trees to the blooming of the cherry blossoms. Strange Weather in Tokyo is a moving, funny, and immersive tale of modern Japan and old–fashioned romance.

“A raw, tender portrait of adolescent misery, reminiscent of Elena Ferrante’s fiction.” —NPR From the bestselling author of Breasts and Eggs, a sharp and illuminating novel about the impact of violence and the power of solidarity. Tormented by his peers because of his lazy eye, Kawakami’s protagonist suffers in silence. His only respite comes thanks to his friendship with a girl who is also the victim of relentless teasing. But what is the nature of a friendship if your shared bond is terror? Unflinching yet tender, intimate and multi-layered, Heaven is yet another dazzling testament to Kawakami’s uncontainable talent. “An argument in favor of meaning, of beauty, of life.” —The New York Times Book Review “If you enjoyed Mieko Kawakami’s brilliant Breasts and Eggs, you’re certain to be astonished by her latest novel exploring violence and bullying with fierce, feminist and damning candor.” —Ms. Magazine “This is the real magic of Heaven, which shows us how to think about morality as an ongoing, dramatic activity. It can be maddening and ruinous and isolating. But it can also be shared, enlivened . . . and momentarily redeemed through unheroic acts of solidarity.” —The New Yorker “Quietly devastating.” —TIME Magazine “Keen psychological insight, brilliant sensitivity, and compassionate understanding.” —Publishers Weekly, starred review “Raw and eloquent. . . . An unexpected classic.” —Kirkus Reviews, starred review “An incredible literary talent.” —Booklist, starred review “Kawakami writes with jagged, visceral beauty.” —Oprah Daily “Kawakami never lets us settle comfortably, which is a testament to her storytelling power.” —Los Angeles Review of Books “One of Japan’s brightest stars.” —Japan Times