The Nation Without Art

"Case studies explore the Bezalel School of Arts and Crafts in Jerusalem, whose efforts to use art to create a Jewish nationality in Palestine raise important issues of national identity, and the discovery in 1932 of the third-century Synagogue of Dura Europos, a symbol for scholars struggling against the Third Reich. Among those who supported or challenged concepts of Jewish art, Margaret Olin considers the nineteenth-century rabbinical scholar David Kaufmann, the philosopher Martin Buber, the critic Clement Greenberg, and the filmmaker Chantal Akerman.

Looking through the history of art, a reader might conclude that Jews could not create art-and such an assumption, historically incorrect, would be no accident. As we see with disturbing clarity in this book, the discipline of art history-even the first scholarly studies of Jewish works of art-encourages the idea of the nonartistic Jew. Covering the last two centuries, The Nation without Art illuminates the rise of the paradigm of the non-artistic Jew and expresses the ways in which theorists, critics, and artists have sought to subvert, overcome, or work within it. Olin's work broadens our un.

Ephraim Moses Lilien (1874-1925) was one of the most important Jewish artists of modern times. As a successful illustrator, photographer, painter and printer, he became the first major Zionist artist. Surprisingly there has been little in-depth scholarly research and analysis of Lilien's work available in English, making this book an important contribution to historical and art-historical scholarship. Concentrating mainly on his illustrations for journals and books, Lynne Swarts acknowledges the importance of Lilien's groundbreaking male iconography in Zionist art, but is the first to examine Lilien's complex and nuanced depiction of women, which comprised a major dimension of his work. Lilien's female images offer a compelling glimpse of an alternate, independent and often sexually liberated modern Jewish woman, a portrayal that often eluded the Zionist imagination. Using an interdisciplinary approach to integrate intellectual and cultural history with issues of gender, Jewish history and visual culture, Swarts also explores the important fin de siècle tensions between European and Oriental expressions of Jewish femininity. The work demonstrates that Lilien was not a minor figure in the European art scene, but a major figure whose work needs re-reading in light of his cosmopolitan and national artistic genius.

Stewards of the Nation's Art examines the internal tensions between Britain's four main public art galleries' administrative directors, the aristocrats dominating the boards of trustees, and those in the Treasury who controlled the funds as well as board appointments.

Art first became public in Britain through a series of interlocking relationships between national galleries, patrons, collections of art, and sections or classes of the population as a whole. This study concentrates on London, and analyzes the formation of the major national art institutions at its geographical and managerial centre.

A fascinating prize-winning novel about a house with a fanciful little turret, built by a river. Unfolding within its rooms are lives of event and emotional upheaval. A lot happens. And the tumultuous events of the twentieth century also leave their mark, from war to economic collapse, the deaths of presidents and princesses to new waves of music, art, architecture and political ideas. Meanwhile, a few metres away in the river, another creature follows a different, slower rhythm. And beneath them all, the planet moves to its own immense geological time. With insight, wide-ranging knowledge and humour, this novel explores the same territory as its non-fiction twin, The Villa at the Edge of the Empire. Writing in a city devastated by major earthquakes, Fiona Farrell rebuilds a brilliant, compelling and imaginative structure from bits and pieces salvaged from one hundred years of history. A lot has happened. This is how it might have felt. 'It's a work of incredible research and incredible scope and incredible feeling . . . it's really wonderful. It think we will look back at these two books [Decline and Fall on Savage Street and The Villa at the Edge of Empire] and think of them as being very important in our local literary history as marking time and place and moment and feeling; it's a wonderful piece of art.' - Louise O'Brien, Radio NZ 'It's so vast, it shouldn't work; but it does. Primarily this is because, rather than anchoring her text to dry, historical minutiae, Farrell chooses to ground it to people, particularly family. So, as well as the impressive detail made especially graceful thanks to the author's poetic skill, the narrative follows one house settled upon the titular street and its inhabitants, particularly one family, extended and diverse. As such, chapter by chapter are, like a relay team, an exercise in passing the chronological story along. . . . Wide-ranging yet intimate, poetic yet simple, of the singular home yet speaking to the complexities of city and nation, Decline and Fall on Savage Street is a remarkable read.' - Siobhan Harvey, Waikato Times