The National Museum Of The American Indian

The first American national museum designed and run by indigenous peoples, the Smithsonian Institution?s National Museum of the American Indian in Washington DC opened in 2004. It represents both the United States as a singular nation and the myriad indigenous nations within its borders. Constructed with materials closely connected to Native communities across the continent, the museum contains more than 800,000 objects and three permanent galleries and routinely holds workshops and seminar series. This first comprehensive look at the National Museum of the American Indian encompasses a variety of perspectives, including those of Natives and non-Natives, museum employees, and outside scholars across disciplines such as cultural studies and criticism, art history, history, museum studies, anthropology, ethnic studies, and Native American studies. The contributors engage in critical dialogues about key aspects of the museum?s origin, exhibits, significance, and the relationship between Native Americans and other related museums.

The National Museum of the American Indian is one of the world's great conservators of cultural heritage, and its collections hold more than 800,000 objects spanning 13,000 years of history of the Native peoples of the Western Hemisphere, from Tierra del Fuego in the south to the Arctic in the north. Drawing on new insights from archaeology, history, and art history, Infinity of Nations uses culturally, historically, and aesthetically significant objects as a point of entry to understanding the people who created them. Following an introduction on the power of objects to engage our imagination, each chapter presents an overview of a region of the Americas and its cultural complexities, written by a noted specialist on that region. Community knowledge-keepers and an impressive new generation of Native scholars contribute highlights on objects that represent important ideas or that capture moments of social change. Together these writers create an extraordinary mosaic. What emerges is a portrait of a complex and dynamic world shaped from its earliest history by contact and exchange among peoples. Illustrated with more than 200 strikingly beautiful photographs published here for the first time, Infinity of Nations opens new avenues that extend well beyond those of conventional cultural studies. Authoritative and accessible, here is an important resource for anyone interested in learning about Native cultures of the Americas.

The Smithsonian Institution's new National Museum of the American Indian is dedicated to the preservation, study, and exhibition of the life, languages, literature, history, and arts of Native Americans. Spanning more than ten thousand years, the one million objects in the museum's collections represent the extraordinary scope of Indian life in the Americas. From ancient stone points to contemporary Indian paintings, these objects make vividly clear the diversity and vigorous creativity of Native cultures from the Arctic to the southern tip of South America.

Presents an illustrated examination of the role of horses in Native American culture and history, providing information on the depiction of horses in tribal clothing, tools, and other objects.

Museum exhibitions focusing on Native American history have long been curator controlled. However, a shift is occurring, giving Indigenous people a larger role in determining exhibition content. In Decolonizing Museums, Amy Lonetree examines the co

Nation to Nation explores the promises, diplomacy, and betrayals involved in treaties and treaty making between the United States government and Native Nations. One side sought to own the riches of North America and the other struggled to hold on to traditional homelands and ways of life. The book reveals how the ideas of honor, fair dealings, good faith, rule of law, and peaceful relations between nations have been tested and challenged in historical and modern times. The book consistently demonstrates how and why centuries-old treaties remain living, relevant documents for both Natives and non-Natives in the 21st century.

Museums--along with books, newspapers, and Wild West shows in the 19th century, movies and television in the 20th--have shaped our perceptions of American Indians. This book brings together six prominent museum professionals--Native and non-Native--to examine the ways in which Indians and their cultures have been represented by museums in North America and to present new directions museums are already taking. Traditional museum exhibitions of Native American art and culture often represented only the past, ignoring the living Native voice. Today, museums have begun to incorporate Native perspectives in their displays. Even more dramatic is the growth in the number of Indian-run museums. These essays explore the relationships being forged between museums and Native communities to create new techniques for presenting Native American culture. This publication will serve to stimulate the discussions and analyses that can lead to new partnerships and collaborations.

Rare stories from more than 250 years of Native Americans' service in the military Why We Serve commemorates the 2020 opening of the National Native American Veterans Memorial at the Smithsonian National Museum of the American Indian, the first landmark in Washington, DC, to recognize the bravery and sacrifice of Native veterans. American Indians' history of military service dates to colonial times, and today, they serve at one of the highest rates of any ethnic group. Why We Serve explores the range of reasons why, from love of their home to an expression of their warrior traditions. The book brings fascinating history to life with historical photographs, sketches, paintings, and maps. Incredible contributions from important voices in the field offer a complex examination of the history of Native American service. Why We Serve celebrates the unsung legacy of Native military service and what it means to their community and country.