The Neoplatonic Imagination With Angela Voss

These three lectures are an introduction to one of the most important schools of philosophy in the ancient world, the followers of Plato (c.348-428 BCE) who are now called the Neoplatonists. Writing from roughly 100 to 500 CE, these philosophers offered interpretations of Plato’s ideas from varying perspectives but always focussing on the nature of the human soul, and its relationship with the cosmos and with the One, the supreme, divine ground of being which gives rise to all that is. Each lecture is devoted to a different personality and viewpoint – Plotinus’ contemplative approach, Iamblichus’ ritual approach, and the visionary mysticism of the legendary Hermes Trismegistus. These three mystical ‘ways’ of attaining divine knowledge—which are ultimately one—are important because they provide the raw material as it were for the underlying philosophy of the Western esoteric traditions. These hidden and initiatory undercurrents to exoteric monotheism have given rise to the practices of alchemy, astrology, Kabbalah and natural magic which were developed in the Renaissance period where they enjoyed an ambivalent relationship with Christianity. The translation into Latin of many hitherto unavailable Greek sources instigated a flowering of culture, a renewal of religious experience and a new emphasis on working with the divinity within nature and cosmos in practical ways to achieve gnosis, or spiritual knowledge. Session 1 – Plotinus and the Neoplatonic Cosmos In this lecture we will introduce the most well-known of neoplatonists, Plotinus. His Enneads are a manifesto for a contemplative yet intensely intellectual path to transcendence and union with the divine. Plotinus was also one of the first philosophers to exalt the power of the imagination to its role of mediator between heaven and earth. Session 2 – Iamblichus and Theurgy In contrast, Iamblichus’ path was one of ritual practice, and he developed the work of ‘theurgy’ or ‘divine action’ involving contacting the spiritual presences in nature and cosmos in order to raise the consciousness of the soul to remember its true identity. Iamblichus’ use of symbolic objects and incantations as mirrors of divine ideas is based on the theory of sympathy and correspondence which is a feature of all Western esoteric traditions. Session 3 – Hermes Trismegistus Hermes was a mythical figure under whose name a body of texts was composed in the same period as our previous two philosophers. These texts are examples of initiatic practices combining Egyptian and Greek elements, and were to have great influence on the Renaissance ideal of human autonomy, as well as on the power of art to convey symbolic insight into the human condition. ancient greek philosophers ancient philosophers hermetic corpus platonic philosophy religious philosophy books hermetic philosophy esotericism alchemy mysticism hermetica kybalion lost wisdom pharaohs unified consciousness

Botticelli’s Primavera and The Birth of Venus In these two lectures about Sandro Botticelli (1444-1510) and the meaning behind two of his best loved paintings, Angela introduces you to the esoteric worldview which flourished in the early centuries CE in cultural centres such as Alexandria in Egypt, and was reborn in Renaissance Europe. In fifteenth century Florence, a group of intellectuals centred around the great Platonic philosopher Marsilio Ficino (1433-99) instigated a revival of what was then called ‘the ancient wisdom’, now often referred to as the Western esoteric tradition, or the Perennial Wisdom. divine feminine energy the divine feminine book platonic philosophy who is the greek goddess of love art history textbook book Europe for college paintings masterpieces renaissance famous artist birth of venus primavera meaning translation

Investigating the impact of Arabic medieval astrological and magical theories on early modern occult philosophy, this book argues that they provided a naturalistic explanation of astral influences and magical efficacy based on Aristotelian notions of causality.

From the artistic genius to the tarot reader, a sense of communication with another order of reality is commonly affirmed; this ‘other’ may be termed god, angel, spirit, muse, daimon or alien, or it may be seen as an aspect of the human imagination or the ‘unconscious’ in a psychological sense. This volume of essays celebrates the daimonic presence in a diversity of manifestations, presenting new insights into inspired creativity and human beings’ relationship with mysterious and numinous dimensions of reality. In art and literature, many visual and poetic forms have been given to the daimonic intelligence, and in the realm of new age practices, encounters with spirit beings are facilitated through an increasing variety of methods including shamanism, hypnotherapy, mediumship and psychedelics. The contributors to this book are not concerned with ‘proving’ or ‘disproving’ the existence of such beings. Rather, they paint a broad canvas with many colours, evoking the daimon through the perspectives of history, literature, encounter and performance, and showing how it informs, and has always informed, human experience.

Winner of the IAJS award for best authored book of 2018! C. G. Jung had a profound interest in and involvement with astrology, which he made clear in virtually every volume of the Collected Works, as well as in many of his letters. This ancient symbolic system was of primary importance in his understanding of the nature of time, the archetypes, synchronicity, and human fate. Jung’s Studies in Astrology is an historical survey of his astrological work from the time he began to study the subject. It is based not only on his published writings, but also on the correspondence and documents found in his private archives, many of which have never previously seen the light of day. Liz Greene addresses with thoroughness and detailed scholarship the nature of Jung’s involvement with astrology: the ancient, medieval, and modern sources he drew on, the individuals from whom he learned, his ideas about how and why it worked, its religious and philosophical implications, and its applications in the treatment of his patients as well as in his own self-understanding. Greene clearly demonstrates that any serious effort to understand the development of Jung’s psychological theories, as well as the nature of his world-view, needs to involve a thorough exploration of his astrological work. This thorough investigation of a central theme in Jung’s work will appeal to analytical psychologists and Jungian psychotherapists, students and academics of Jungian and post-Jungian theory, the history of psychology, archetypal thought, mythology and folklore, the history of New Age movements, esotericism, and psychological astrology.

This collection explores the role of innovation in understanding the history of esotericism. It illustrates how innovation is a mechanism of negotiation whereby an idea is either produced against, or adapted from, an older set of concepts in order to respond to a present context. Featuring contributions from distinguished scholars of esotericism, it covers many different fields and themes including magic, alchemy, Rosicrucianism, Theosophy, Tarot, apocalypticism and eschatology, Mesmerism, occultism, prophecy, and mysticism.

Seeing with Different Eyes: Essays in Astrology and Divination represents the cutting-edge of contemporary thought and research on divination. The thirteen authors come from a variety of academic disciplines, ranging from anthropology and classics to English literature and religious studies, and all address the question of divination, astrology and oracles in a spirit of critical but sympathetic inquiry. The emphasis is on a participatory and reflexive approach which is firmly post-positivist, seeking to understand the divinatory act on its own terms within widely varying contexts – ancient Greek and Chaldean philosophy and theurgy, Theravadan Buddhism, Biblical studies, Elizabethan Hermeticism, Jacobean drama, Heideggerian philosophy, Medieval scholasticism, 19th century occultism, contemporary Guatemalan divination and Western medical practice. The authors are all teachers or researchers in the area of divination and symbolism, which is a new disciplinary focus developing at the University of Kent, Canterbury under the aegis of the MA programme in the Cultural Study of Cosmology and Divination. The essays in this volume originally contributed to an international conference of the same name held there in April 2006.