The Nervous Liberals

Today few political analysts use the term "propaganda." However, in the wake of World War I, fear of propaganda haunted the liberal conscience. Citizens and critics blamed the war on campaigns of mass manipulation engaged in by all belligerents. Beginning with these "propaganda anxieties," Brett Gary traces the history of American fears of and attempts to combat propaganda through World War II and up to the Cold War. The Nervous Liberals explores how following World War I the social sciences--especially political science and the new field of mass communications--identified propaganda as the object of urgent "scientific" study. From there his narrative moves to the eve of WWII as mainstream journalists, clerics, and activists demanded greater government action against fascist propaganda, in response to which Congress and the Justice Department sought to create a prophylaxis against foreign or antidemocratic communications. Finally, Gary explores how free speech liberalism was further challenged by the national security culture, whose mobilization before World War II to fight the propaganda threat lead to much of the Cold War anxiety about propaganda. Gary's account sheds considerable light not only on the history of propaganda, but also on the central dilemmas of liberalism in the first half of the century--the delicate balance between protecting national security and protecting civil liberties, including freedom of speech; the tension between public-centered versus expert-centered theories of democracy; and the conflict between social reform and public opinion control as the legitimate aim of social knowledge.

Michael Freeden explores the concept of liberalism, one of the longest-standing and central political theories and ideologies. Combining a variety of approaches, he distinguishes between liberalism as a political movement, as a system of ideas, and as a series of ethical and philosophical principles.

Buried in many people and operating largely outside the realm of conscious thought are forces inclining us toward liberal or conservative political convictions. Our biology predisposes us to see and understand the world in different ways, not always reason and the careful consideration of facts. These predispositions are in turn responsible for a significant portion of the political and ideological conflict that marks human history. With verve and wit, renowned social scientists John Hibbing, Kevin Smith, and John Alford—pioneers in the field of biopolitics—present overwhelming evidence that people differ politically not just because they grew up in different cultures or were presented with different information. Despite the oft-heard longing for consensus, unity, and peace, the universal rift between conservatives and liberals endures because people have diverse psychological, physiological, and genetic traits. These biological differences influence much of what makes people who they are, including their orientations to politics. Political disputes typically spring from the assumption that those who do not agree with us are shallow, misguided, uninformed, and ignorant. Predisposed suggests instead that political opponents simply experience, process, and respond to the world differently. It follows, then, that the key to getting along politically is not the ability of one side to persuade the other side to see the error of its ways but rather the ability of each side to see that the other is different, not just politically, but physically. Predisposed will change the way you think about politics and partisan conflict. As a bonus, the book includes a "Left/Right 20 Questions" game to test whether your predispositions lean liberal or conservative.

In these essays the reigning models of liberal political theory of John Rawls and Joseph Raz are immanently criticized. Neal argues that neither 'political' nor 'perfectionist' liberalism adequately gives expression to the liberal spirit. Surprisingly, Neal finds resources for the expression of such a spirit in the much maligned tradition of Hobbesian, or 'vulgar', liberalism. He argues that a turn in this direction is necessary for the articulation of a liberalism more genuinely responsive to the diversity of modes of life in the twenty-first century.

George W. Bush's "Mission Accomplished" banner in 2003 and the misleading linkages of Saddam Hussein to the 9/11 terrorist attacks awoke many Americans to the techniques used by the White House to put the country on a war footing. Yet Bush was simply following in the footsteps of his predecessors, as the essays in this standout volume reveal in illuminating detail. Written in a lively and accessible style, Selling War in a Media Age is a fascinating, thought-provoking, must-read volume that reveals the often-brutal ways that the goal of influencing public opinion has shaped how American presidents have approached the most momentous duty of their office: waging war.

Drawing from extensive archival research, the book uncovers the American media system's historical roots and normative foundations. It charts the rise and fall of a forgotten media-reform movement to recover alternatives and paths not taken.

Gold Medal (tie) in the 2022 Independent Publisher Book Awards (IPPYs) - History (U.S.) Category. A rich account of 1920s to 1950s New York City, starring an eclectic mix of icons like James Joyce, Margaret Sanger, and Alfred Kinsey—all led by an unsung hero of free expression and reproductive rights: Morris L. Ernst. At the turn of the twentieth century, the United States was experiencing an awakening. Victorian-era morality was being challenged by the introduction of sexual modernism and women's rights into popular culture, the arts, and science. Set during this first sexual revolution, when civil libertarian-minded lawyers overthrew the yoke of obscenity laws, Dirty Works focuses on a series of significant courtroom cases that were all represented by the same lawyer: Morris L. Ernst. Ernst's clients included a who's who of European and American literati and sexual activists, among them Margaret Sanger, James Joyce, and Alfred Kinsey. They, along with a colorful cast of burlesque-theater owners and bookstore clerks, had run afoul of stiff obscenity laws, and became actors in Ernst's legal theater that ultimately forced the law to recognize people's right to freely consume media. In this book, Brett Gary recovers the critically neglected Ernst as the most important legal defender of literary expression and reproductive rights by the mid-twentieth century. Each chapter centers on one or more key trials from Ernst's remarkable career battling censorship and obscenity laws, using them to tell a broader story of cultural changes and conflicts around sex, morality, and free speech ideals. Dirty Works sets the stage, legally and culturally, for the sexual revolution of the 1960s and beyond. In the latter half of the century, the courts had a powerful body of precedents, many owing to Ernst's courtroom successes, that recognized adult interests in sexuality, women's needs for reproductive control, and the legitimacy of sexual inquiry. The legacy of this important, but largely unrecognized, moment in American history must be reckoned with in our contentious present, as many of the issues Ernst and his colleagues defended are still under attack eight decades later.

"Here, finally, the collection we've been waiting for--thoughtful and lively essays on the relevance of liberalism for this new century, by some of its keenest observers."--Robert B. Reich, Professor of Public Policy, University of California, Berkeley