The New Left Revisited

Starting with the premise that it is possible to say something significantly new about the 1960s and the New Left, the contributors to this volume trace the social roots, the various paths, and the legacies of the movement that set out to change America. As members of a younger generation of scholars, none of them (apart from Paul Buhle) has first-hand knowledge of the era. Their perspective as non-participants enables them to offer fresh interpretations of the regional and ideological differences that have been obscured in the standard histories and memoirs of the period. Reflecting the diversity of goals, the clashes of opinions, and the tumult of the time, these essays will engage seasoned scholars as well as students of the '60s.

Starting with the premise that it is possible to say something significantly new about the 1960s and the New Left, the contributors to this volume trace the social roots, the various paths, and the legacies of the movement that set out to change America. As members of a younger generation of scholars, none of them (apart from Paul Buhle) has first-hand knowledge of the era. Their perspective as non-participants enables them to offer fresh interpretations of the regional and ideological differences that have been obscured in the standard histories and memoirs of the period. Reflecting the diversity of goals, the clashes of opinions, and the tumult of the time, these essays will engage seasoned scholars as well as students of the '60s. Author note: John McMillian teaches History and Literature at Harvard University and is co-editor with Timothy Patrick McCarthy, of The Radical Reader: A Documentary Anthology of American Radical History (forthcoming).Paul Buhle is Lecturer in the American civilization department at Brown University. His most recent book (co-authored with Dave Wagner) is Radical Hollywood: The Untold Story Behind America's Favorite Movies. He writes for The Nation, The Guardian, and The Times Higher Education Supplement, among other publications.

Madison, Wisconsin has long been known as a dynamic cultural center and focus of political-intellectual ferment in the middle of America. This collection of essays and interviews traces the rise of an intellectual New Left from 1950 to 1970 as experienced by activists and scholars with ties to the University of Wisconsin. Its thirty-two contributors, including prominent historians, journalist-scholars, and veteran political activists, re-examine their own personal histories in different eras and draw fresh, often surprising conclusions. The city and campus of Madison provide a veritable laboratory for the study of deep continuities in American dissenting thought. Photographs and cultural documents accompany these poignant, candid oral histories. The volume explores a crucial period of Madison's intellectual life as a crossroad of history and culture. Interviews with the scholars and former students who politicized historical analysis in light of the Cold War, McCarthyism, nuclear and environmental holocaust, civil rights, and the Vietnam War, recall the debates and alliances that kept Madison in a state of ferment. Author note:Paul Buhleis Director of the Oral History of the American Left Project at the Tamiment Library of New York University and teachers U.S. History at the Rhode Island School of Design.

The greatest contribution of the New Left of the 1960s was its determination to build a culture and politics of popular participation at every level of society. A radical conception of democracy, it inspired the movements for civil rights, for peace and solidarity, and for gender and sexual equality. It framed the social debate, in terms of community-centered democratic theory, which continues to guide and inspire well into the twenty-first century. As the contributors to this anthology revisit the 1960s to identify its ongoing impact on North American politics and culture, it becomes evident how this legacy has blended with and influenced today’s worldwide social movements, in particular, the anti-globalization movement and the Right to the City movement. The successes and failures of non-governmental organizations (NGOs) as they struggle for a voice at global levels are examined, as are the new movements of the urban disenfranchised-the homeless, the alienated youth, the elderly poor. Apart from evoking memories of past peace and freedom struggles from those who worked on the social movements of the 1960s, this work also includes a number of essays from a rising generation of scholars, too young to have experienced the 1960s firsthand, whose perspective as non-participants enables them to offer fresh interpretations. Dimitrios Roussopoulos, a prominent New Left activist in the 1960s, continues to write and edit on major international issues while being a committed activist, testing theory with practice.

Given the popular-level conversations on phenomena like the Gospel of Thomas and Bart Ehrman’s Misquoting Jesus, as well as the current gap in evangelical scholarship on the origins of the New Testament, Michael Kruger’s Canon Revisited meets a significant need for an up-to-date work on canon by addressing recent developments in the field. He presents an academically rigorous yet accessible study of the New Testament canon that looks deeper than the traditional surveys of councils and creeds, mining the text itself for direction in understanding what the original authors and audiences believed the canon to be. Canon Revisited provides an evangelical introduction to the New Testament canon that can be used in seminary and college classrooms, and read by pastors and educated lay leaders alike. In contrast to the prior volumes on canon, this volume distinguishes itself by placing a substantial focus on the theology of canon as the context within which the historical evidence is evaluated and assessed. Rather than simply discussing the history of canon—rehashing the Patristic data yet again—Kruger develops a strong theological framework for affirming and authenticating the canon as authoritative. In effect, this work successfully unites both the theology and the historical development of the canon, ultimately serving as a practical defense for the authority of the New Testament books.

In this first history of Arab American activism in the 1960s, Pamela Pennock brings to the forefront one of the most overlooked minority groups in the history of American social movements. Focusing on the ideas and strategies of key Arab American organizations and examining the emerging alliances between Arab American and other anti-imperialist and antiracist movements, Pennock sheds new light on the role of Arab Americans in the social change of the era. She details how their attempts to mobilize communities in support of Middle Eastern political or humanitarian causes were often met with suspicion by many Americans, including heavy surveillance by the Nixon administration. Cognizant that they would be unable to influence policy by traditional electoral means, Arab Americans, through slow coalition building over the course of decades of activism, brought their central policy concerns and causes into the mainstream of activist consciousness. With the support of new archival and interview evidence, Pennock situates the civil rights struggle of Arab Americans within the story of other political and social change of the 1960s and 1970s. By doing so, she takes a crucial step forward in the study of American social movements of that era.

Stephen C. Ferguson II provides a philosophical examination of Black popular culture for the first time. From extensive discussion of the philosophy and political economy of Hip-Hop music through to a developed exploration of the influence of the postmodernism-poststructuralist ideology on African American studies, he argues how postmodernism ideology plays a seminal role in justifying the relationship between corporate capitalism and Black popular culture. Chapters cover topics such as cultural populism, capitalism and Black liberation, the philosophy of Hip-Hop music, and Harold Cruse's influence on the “cultural turn” in African American studies. Ferguson combines case studies of past and contemporary Black cultural and intellectual productions with a Marxist ideological critique to provide a cutting edge reflection on the economic structure in which Black popular culture emerged. He highlights the contradictions that are central to the juxtaposition of Black cultural artists as political participants in socioeconomic struggle and the political participants who perform the rigorous task of social criticism. Adopting capitalism as an explanatory framework, Ferguson investigates the relationship between postmodernism as social theory, current manifestations of Black popular culture, and the theoretical work of Black thinkers and scholars to demonstrate how African American studies have been shaped.