The New Literary Criticism And The New Testament

This publication presents the rich variety of critical methodologies in contemporary literary study of the New Testament. The tradition of study represented in the essays lies at the conjunction of developments in biblical studies and literary criticism: (1) the exhaustion of New Testament historical criticism in general and redaction criticism in particular; (2) the waning of Formalist-New Critical approaches in literary study; and (3) the emphasis upon the text in terms of language and discourse as the 'free play of signifiers'. The essays deal with theory, exegesis, and their interdependence in this new literary context. However, contributions of earlier epochs in the history of literary criticism and New Testament study are integrated into current approaches. For example, the issue of reference originating in the mimetic theories of classical antiquity is raised implicitly and explicitly. Implications of literary study for theology are suggested. The relationship between redaction-critical and literary approaches is examined. Theoretical and exegetical essays growing out of feminist literary study are offered. Orality, allegory, deconstruction, ideology, sociological criticism, rhetorical criticism, narrative criticism, as well as other themes and methods are discussed in the essays' treatment of writings of the New Testament. A rich variety of critical methodologies in contemporary literary study of the New Testament

A comprehensive case for a fresh literary approach to the New Testament For at least a half century, scholars have been adopting literary approaches to the New Testament inspired by certain branches of literary criticism and theory. In this important and illuminating work, Michal Beth Dinkler uses contemporary literary theory to enhance our understanding and interpretation of the New Testament texts. Dinkler provides an integrated approach to the relation between literary theory and biblical interpretation, employing a wide range of practical theories and methods. This indispensable work engages foundational concepts and figures, the historical contexts of various theoretical approaches, and ongoing literary scholarship into the twenty-first century. In Literary Theory and the New Testament, Dinkler assesses previous literary treatments of the New Testament and calls for a new phase of nuanced thinking about New Testament texts as both ancient and literary.

Examines the new literary criticism of the Bible, discusses narrative criticism, and looks at the postmodern approach to the Bible

An anthology edited by the author of How to Read the Bible as Literature''. It contains interesting readings on the literary interpretation of the four gospels.

Utilizing Mark and Luke-Acts as case studies, Norman Petersen moves beyond redaction criticism to show both the necessity and the possibility for literary criticism to be an integral part of the historical-critical study of biblical writings.

This well-written introduction to the method of literary criticism gives the reader an awareness and appreciation of the rich diversity of thought found in the Old Testament. The student is shown how to identify the elements of structure, style, form, language, and composition in the books of the Old Testament. Norman Habel demonstrates how literacy criticism works with examples which are familiar and well-suited for a beginner's level of study. The literary features of Genesis 1-9 are fully explored, then the author focuses on the importance of the Yahwist and priestly sources for the whole Pentateuch. This book's explanation of techniques used in the process of literary criticism will be valuable to both student and professor.

"For many years scholars have concentrated on the literary sources used by the author/editors of the books of the New Testament, and regarded these books as self-consciously created. William A. Beardslee turns literary criticism in a new direction by looking at the New Testament as unselfconscious popular literature and attempting to understand its aesthetic structure and force. After a survey of literary criticism, both ancient and modern, the author examines selected literary forms found in the New Testament--gospel, proverb, history (as seen in the canonical book of Acts), and apocalypse. In each case he shows how the form reflects the faith of those who worked with it. Also included are chapters on the literary history of the Synoptic Gospels and on the relationship of literary criticism to contemporary theological concerns."--Back cover.

The purpose of this original volume is to illustrate what has been happening recently in Hebrew Bible studies under the influence of developments in literary theory in the last couple of decades. The methods and practice of reader-response criticism and deconstruction, as well as of feminist, materialist and psychoanalytic approaches are represented here by essays from leading Hebrew Bible literary critics. Alice Bach, Robert Carroll, Francisco Garcia-Treto, David Jobling, Francis Landy, Stuart Lasine, Peter Miscall, Hugh Pyper, Robert Polzin, and Ilona Rashkow, together with the two editors, present distinctive and eclectic essays on particular biblical texts, introducing students and scholars to exciting new dimensions of biblical study.