The New Man Masculinity And Marriage In The Victorian Novel

By tracing the rise of the New Man alongside novelistic changes in the representations of marriage, MacDonald shows how this figure encouraged Victorian writers to reassess masculine behaviour and to re-imagine the marriage plot in light of wider social changes. She finds examples in novels by Dickens, Anne Brontë, George Eliot and George Gissing.

This book tells the story of how nineteenth-century writers turned to the realist novel in order to reimagine Jesus during a century where traditional religious faith appeared increasingly untenable. Re-workings of the canonical Gospels and other projects to demythologize the story of Jesus are frequently treated as projects aiming to secularize and even discredit traditional Christian faith. The novels of Charles Kingsley, George Eliot, Eliza Lynn Linton, and Mary Augusta Ward, however, demonstrate that the work of bringing the Christian tradition of prophet, priest, and king into conversation with a rapidly changing world can at times be a form of authentic faith-even a faith that remains rooted in the Bible and historic Christianity, while simultaneously creating a space that allows traditional understandings of Jesus' identity to evolve.

The Routledge Companion to Victorian Literature offers 45 chapters by leading international scholars working with the most dynamic and influential political, cultural, and theoretical issues addressing Victorian literature today. Scholars and students will find this collection both useful and inspiring. Rigorously engaged with current scholarship that is both historically sensitive and theoretically informed, the Routledge Companion places the genres of the novel, poetry, and drama and issues of gender, social class, and race in conversation with subjects like ecology, colonialism, the Gothic, digital humanities, sexualities, disability, material culture, and animal studies. This guide is aimed at scholars who want to know the most significant critical approaches in Victorian studies, often written by the very scholars who helped found those fields. It addresses major theoretical movements such as narrative theory, formalism, historicism, and economic theory, as well as Victorian models of subjects such as anthropology, cognitive science, and religion. With its lists of key works, rich cross-referencing, extensive bibliographies, and explications of scholarly trajectories, the book is a crucial resource for graduate students and advanced undergraduates, while offering invaluable support to more seasoned scholars.

Mr Hoopdriver is an overworked Londoner who spends most every day servilely waiting on customers at his job as a draper's assistant. When it comes time for his annual holiday, he decides to put his newfound skills on a bicycle to the test by going on a ten-day cycling trip to the southern coast of England. A routine trip is turned upside down, however, when Hoopdriver crosses paths with Jessie, a young lady fleeing the constraints of conventional Victorian womanhood. The two cyclists eventually join up and try to help each other find a brighter future. Written at the height of the late-19th century bicycle craze and rich in geographical detail of southern England, The Wheels of Chance is a captivating portrayal of two people attempting to break free of the dreary life society has carved out for them. The novel is also among Wells's funniest works, rivalling his other comedic masterpieces such as Kipps and The History of Mr Polly. Using a copy text of the 1925 Atlantic edition of the novel, this edition includes a full introduction providing historical context on the novel and biographical information on Wells, a further reading list, detailed notes, a map of Hoopdriver's journey, a selection of contemporary reviews, and excerpts of letters by Wells relevant to the novel. The work has been specially prepared for student engagement and classroom use.

Drawing on the recent academic interest in approaching health and wellbeing from a humanities perspective, Sensation Novels and Domestic Minds investigates how the Victorians dealt with questions of mental health by examining literary works in the genre of sensation fiction. The novels of Mary Elizabeth Braddon and Wilkie Collins, two prominent writers of the genre, often portray characters suffering from mental illnesses commonly diagnosed at the time, among which are monomania, moral insanity, melancholia and hypochondria. By studying the fictional works of Braddon and Collins alongside medical texts from the nineteenth century, it sets out to investigate how these novels fictionally represented real mental sufferings. This book considers the different mental illnesses the characters of sensation novels develop inside and outside the home as they struggle to define their own identity against Victorian social expectations. It demonstrates how these novels fictionalised the crisis of the leisured upper classes, who spent most of their time at home, and found themselves at odds with a society that increasingly separated the domestic and working environments, while also considering the impact that a lack of a sense of domestic belonging could have on their mental health. Sensation Novels and Domestic Minds further analyses the extent to which domesticity—in its excess or lack—could afflict the mental health of Victorian men and women through the fictional representation of suicidal thoughts and acts in the novels of Braddon and Collins.

The book offers a study of Victorian and neo-Victorian women as portrayed on the pages of the selected nineteenth-century novels and modern, revisionary works. Immersed in the wide socio-cultural context of the Victorian era, the study binds Bakhtin's dialogical approach with Genette's intertextuality.

This book offers a new understanding of the relationship between family structures and narrative structure in the nineteenth-century novel. Comparing Russia and England, it argues that the two nations had fundamentally different conceptions of the family and that these, in turn, shaped the way they constructed plots. The English placed primary value on the vertical, diachronic family axis—looking back to ancestors and head to progeny—while the Russians emphasized the lateral, synchronic axis—family expanding outward in the present from nuclear core, to extended and chosen kin. This difference shaped the way authors plotted consanguineal relations, courtship and marriage, and alternative kinship constructions. Idealizing the domestic sphere and emphasizing family continuity, the English novel made family a conservative force, while Russian novels approached it as a backward site of patriarchal tyranny in desperate need of reform. Russian family plots offered a progressive, liberalizing push toward new, nontraditional family constructions. The book's comparative approach calls for a re-evaluation of reigning theories of the novel, theories that are based on the linear English family model and cannot accommodate the more complex, Russian alternative. It reveals where these theories fall short, explains the reasons for their shortcomings, and offers a new way of conceptualizing family's role in shaping the nineteenth-century novel. Classics from Dickens, Eliot, and Trollope, to Dostoevsky, Tolstoy, and Turgenev are contextualized in the broader literary landscape of their day, and Russia's great women writers regain their rightful place alongside their male counterparts as the book draws together family history, literary analysis, and novel theory.

Part I of this authoritative handbook offers systematic essays, which deal with major historical, social, philosophical, political, cultural and aesthetic contexts of the English novel between 1830 and 1900. The essays offer a wide scope of aspects such as the Industrial Revolution, religion and secularisation, science, technology, medicine, evolution or the increasing mediatisation of the lifeworld. Part II, then, leads through the work of more than 25 eminent Victorian novelists. Each of these chapters provides both historical and biographical contextualisation, overview, close reading and analysis. They also encourage further research as they look upon the work of the respective authors at issue from the perspectives of cultural and literary theory.