The New Slave Narrative

A century and a half after the abolition of slavery in the United States, survivors of contemporary forms of enslavement from around the world have revived a powerful tool of the abolitionist movement: first-person narratives of slavery and freedom. Just as Frederick Douglass, Harriet Jacobs, and others used autobiographical testimonies in the fight to eradicate slavery, today’s new slave narrators play a crucial role in shaping an antislavery agenda. Their writings unveil the systemic underpinnings of global slavery while critiquing the precarity of their hard-fought freedom. At the same time, the demands of antislavery organizations, religious groups, and book publishers circumscribe the voices of the enslaved, coopting their narratives in support of alternative agendas. In this pathbreaking interdisciplinary study, Laura T. Murphy argues that the slave narrative has reemerged as a twenty-first-century genre that has gained new currency in the context of the memoir boom, post-9/11 anti-Islamic sentiment, and conservative family-values politics. She analyzes a diverse range of dozens of book-length accounts of modern slavery from Africa, Asia, the United States, the United Kingdom, and Europe, examining the narrative strategies that survivors of slavery employ to make their experiences legible and to promote a reinvigorated antislavery agenda. By putting these stories into conversation with one another, The New Slave Narrative reveals an emergent survivor-centered counterdiscourse of collaboration and systemic change that offers an urgent critique of the systems that maintain contemporary slavery, as well as of the human rights industry and the antislavery movement.

The slave narrative has become a crucial genre within African American literary studies and an invaluable record of the experience and history of slavery in the United States. This Companion examines the slave narrative's relation to British and American abolitionism, Anglo-American literary traditions such as autobiography and sentimental literature, and the larger African American literary tradition. Special attention is paid to leading exponents of the genre such as Olaudah Equiano, Frederick Douglass and Harriet Jacobs, as well as many other, less well known examples. Further essays explore the rediscovery of the slave narrative and its subsequent critical reception, as well as the uses to which the genre is put by modern authors such as Toni Morrison. With its chronology and guide to further reading, the Companion provides both an easy entry point for students new to the subject and comprehensive coverage and original insights for scholars in the field.

After discerning the social and historical factors surrounding its first appearance in the 1960s, Neo-Slave Narratives explores the complex relationship between nostalgia and critique, while asking how African American intellectuals at different points between 1976 and 1990 remember and use the site of slavery to represent cultural debates that arose during the sixties."--BOOK JACKET.

Focusing on slave narratives from the Atlantic world of the eighteenth and early nineteenth centuries, this interdisciplinary collection of essays suggests the importance—even the necessity—of looking beyond the iconic and ubiquitous works of Olaudah Equiano, Frederick Douglass, and Harriet Jacobs. In granting sustained critical attention to writers such as Briton Hammon, Omar Ibn Said, Juan Francisco Manzano, Nat Turner, and Venture Smith, among others, this book makes a crucial contribution not only to scholarship on the slave narrative but also to our understanding of early African American and Black Atlantic literature. The essays explore the social and cultural contexts, the aesthetic and rhetorical techniques, and the political and ideological features of these noncanonical texts. By concentrating on earlier slave narratives not only from the United States but from the Caribbean, South America, and Latin America as well, the volume highlights the inherent transnationality of the genre, illuminating its complex cultural origins and global circulation.

Slavery is not a crime confined to the far reaches of history. It is an injustice that continues to entrap twenty-seven million people across the globe. Laura Murphy offers close to forty survivor narratives from Cambodia, Ghana, Lebanon, Macedonia, Mexico, Russia, Thailand, Ukraine, and the United States, detailing the horrors of a system that forces people to work without pay and against their will, under the threat of violence, with little or no means of escape. Representing a variety of circumstances in diverse contexts, these survivors are the Frederick Douglasses, Sojourner Truths, and Olaudah Equianos of our time, testifying to the widespread existence of a human rights tragedy and the urgent need to address it. Through storytelling and firsthand testimony, this anthology shapes a twenty-first-century narrative that many believe died with the end of slavery in the Americas. Organized around such issues as the need for work, the punishment of defiance, and the move toward activism, the collection isolates the causes, mechanisms, and responses to slavery that allow the phenomenon to endure. Enhancing scholarship in women's studies, sociology, criminology, law, social work, and literary studies, the text establishes a common trajectory of vulnerability, enslavement, captivity, escape, and recovery, creating an invaluable resource for activists, scholars, legislators, and service providers.

Seminar paper from the year 2020 in the subject English Language and Literature Studies - Literature, grade: 1,7, University of Wuppertal, course: Black British Neo-Slave Narratives, language: English, abstract: This paper focuses on the importance of remembering the slave trade in all his cruel facets. Therefore, the genre of the original slave narrative and the genre of the neo-slave narrative is introduced. The second part of the paper provides an analysis of the novel 'Blonde Roots', by Bernardine Evaristo (2009). The colonial era and the legacy of slavery left a serious mark on the whole world; Especially present-day Great Britain has to face the consequences of its role in colonialism ever since. Between 1500 and 1900, nearly 12 million African slaves were brought from their homeland to America and to Europe. Via the Transatlantic Slave Trade, British ships sent rare cargoes, like rum, cotton wool and gunpowder to Africa, in exchange for potential slaves. When the slave ships arrived in the 'New World'2, African slaves were forced brutally to harvest coffee, sugar and tobacco on plantations. Eventually, the British ships, filled with the plantation yield, settled to their home ports in Europe.

The autobiographical narratives of black ex-slaves published in the eighteenth and nineteenth centuries constitute the largest body of literature produced by slaves in human history. Black slaves in the New World created a veritable "literature of escape" depicting the overwhelming horrors of human bondage. These narratives served the abolitionist movement not only as evidence of the slaves' degradation but also of their "intellectual capacity." Accordingly, this literature has elicited a wealth of analysis- and controversy- from its initial publication right up to our day. This volume charts the response to the black slave's narrative from 1750 to the present. The book consists of three sections: selected reviews of slave narratives, dating from 1750 to 1861; essays examining how such narratives serve as historical material; and essays exploring the narratives as literary artifacts.

Four of the most important and enduring American slave narratives together in one volume. Until slavery was abolished in 1865, millions of men, women, and children toiled under a system that stripped them of their freedom and their humanity. Much has been written about this shameful era of American history, but few books speak with as much power as the narratives written by those who experienced slavery firsthand. The basis for the film of the same name, Twelve Years a Slave is Solomon Northup’s heartrending chronicle of injustice and brutality. Northup was born and raised a freeman in New York State—until he was kidnapped and sold into slavery in the Deep South. Before returning to his family and freedom, he suffered smallpox, the overseer’s lash, and an attempted lynching. Perhaps the most famous of all slave chronicles, Narrative of the Life of Frederick Douglass immediately struck a chord with readers when it was first released in 1855. After escaping to freedom, Douglass became a well-known orator and abolitionist, drawing on his own experiences to condemn the evils of slavery. One of the few female slave narratives, Incidents in the Life of a Slave Girl was originally published under a pseudonym by Harriet Jacobs. After she escaped to freedom in North Carolina, where she became an abolitionist, Jacobs described the particular suffering of female slaves, including sexual harassment and abuse. Published in 1850, The Narrative of Sojourner Truth is Truth’s landmark memoir of her life as a slave in upstate New York and her transformation into a pioneer for racial equality and women’s rights. These narratives serve as a timeless testament to the strength and bravery, and as a voice to the millions of people enslaved in this dark period of American history. This ebook has been professionally proofread to ensure accuracy and readability on all devices.