The New Southern Girl

Much has been written about America's troubled teens, particularly endangered teenage girls. Works like Mary Pipher's Reviving Ophelia and many others have contributed to the general perception that contemporary young women are in a state of crisis. Parents, educators, social scientists, and other concerned individuals worry that our nation's girls are losing their ambition, moral direction, and self-esteem as they enter adolescence--which can then lead them to promiscuous sex, anorexia, drug abuse, and at the very least, declining math scores. In spite of evidence to the contrary in life and literature, this bleak picture is seldom challenged, but a good place to begin may be with recent literary representations of young women, fictional and autobiographical, which show proud young women who are highly focused and use their brains and good humor to work toward satisfying adult lives. This book addresses the ways in which 12 women writers use their heroines' stories to challenge commonly held and frequently damaging notions of adolescence, femininity, and regional identity. The book begins with a chapter on sociological and literary theories of adolescent female development. This chapter also includes theoretically informed discussions of young adult fiction and Southern literature. Chapters that follow focus on adolescent heroines in the novels and autobiographies of the contemporary Southern women writers Anne Tyler, Bobbie Ann Mason, Josephine Humphreys, Dorothy Allison, Kaye Gibbons, Tina Ansa, Janisse Ray and Jill McCorkle and young adult writers Katherine Paterson, Mildred Taylor and Cynthia Voigt. Instructors considering this book for use in a course may request an examination copy here.

"Harrigan's novel, part mystery and part coming-of-age, explores the process of healing from tragedies and misunderstandings."—Publishers Weekly A tender, yet thrilling suspense novel about a young woman who uncovers devastating secrets that will resurrect the people she lost and the lies she buried perfect for fans of Diane Chamberlain and Ellen Marie Wiseman Ten years ago, Julie Portland accidentally killed her best friend, Reba. What's worse is she got away with it. Consumed by guilt, she left the small town of Lawrence Mill, Mississippi, and swore nothing would ever drag her back. Now, raising her daughter and struggling to make ends meet in Manhattan, Julie still can't forget the ghost of a girl with golden hair and a dangerous secret. When August, Reba's first love, begs Julie to come home to find the diary that Reba kept all those years ago, Julie's past comes creeping back to haunt her. That diary could expose the shameful memories Julie has been running from, but it could also unearth the hidden truths that Reba left buried...and reveal that Julie isn't the only one who feels responsible for Reba's death.

A Southern family’s adoption of a Korean orphan uncovers long-buried tensions in this novel of family, heritage, and clashing cultures. Set in the insular South of Broad neighborhood of Charleston, South Carolina, A Southern Girl is a tale of international adoption and Southern identity, of family bonds and hidden biases. With two sons and a successful career, Coleman Carter’s life seems complete until his wife, Elizabeth, champions their adoption of a Korean orphan. This seemingly altruistic mission estranges Coleman’s conservative parents and sends him headlong on a journey into the unknown. The arrival of Soo Yun (later called Allie) opens Coleman’s eyes to the subtle racism that had always dominated his sheltered life. Now Coleman must come to terms with his past in order to help Allie on her own life journey. Deftly told through the voices of Allie’s birth mother, her orphanage nurse, her adoptive mother Elizabeth, and finally Coleman himself, A Southern Girl brings readers into Allie’s plights—first for her very survival and then for her sense of identity and belonging. John Warley guides us through the enclaves of southern privilege, the poverty-stricken back alleys of Seoul, South Korea, the jungles of Vietnam, and the stone sidewalks of San Miguel de Allende, Mexico, as the bonds between father and daughter become strong enough to confront the trials of their pasts and present alike. Foreword by New York Times bestselling novelist Therese Ann Fowler

“Being a vegetarian doesn’t have to be boring . . . Damaris truly puts the South in your mouth and let me tell ya, you’re gonna dig it.” —Guy Fieri Damaris Phillips is a southern chef in love with an ethical vegetarian. In Phillips’s household, greens were made with pork, and it wasn’t Sunday without fried chicken. So she had to transform the way she cooks. In Southern Girl Meets Vegetarian Boy, Phillips shares 100 recipes that embody the modern Southern kitchen: food that retains all its historic comfort and flavor, but can now be enjoyed by vegetarians and meat-lovers alike. The book features Phillips’s most cherished entrees from her childhood made both with and without meat: Chicken Fried Steak becomes Chicken Fried Seitan Steak. Loaded Potato and Bacon Soup is now Loaded Potato and Facon Soup. She gives down-home side dishes a makeover by removing meat, adding international spices, and updating cooking techniques, and offers soul-satisfying, irresistible desserts that triumph over the meat-eater-versus-vegetarian divide, every time. Phillips found a way to make Southern food that everyone can enjoy, wherever they are on their culinary journey. “Love for a vegetarian may have driven Damaris to write this, but it’s her love for vegetables and her knowledge of Southern cuisine that comes through on every page.” —Alton Brown “Damaris Phillips has the knowledge, the experience, and the down-right courage to take on her native Southern cooking and turn it on its head . . . vegetarians everywhere will be thrilled!” —Bobby Flay

From 1871 to 1883, Eliza Lucy Irion Neilson (1843-1913) composed and saved more than 130 letters documenting family and domestic life in Columbus, Mississippi. A New Southern Woman features 80 letters from Neilson's correspondence, providing readers with a glimpse into the recovery of domestic culture in postwar Mississippi, the impact of the war on marriage and education, and a reflection on family relationships after the conflict ended. Lucy Irion married farmer John Abert Neilson (1842-1922) in April 1871, and together the couple created an agricultural partnership out of the scrimping modesty of a new Southern ethos. As Lucy built her life around visions of a domestic ideal, she also watched her widowed sister, Lizzie, her single sister, Cordele, and her schoolgirl niece, Bess, search for their own ways of becoming women of the New South. When it came to turning the war-torn vestiges of antebellum femininity into a workable postwar reality, white Southern women no longer looked to one ideal. Instead Neilson's correspondence suggests that elite white womanhood remained a fluid and negotiated territory where submissive wives, memorial crusaders, and single and self-sufficient women created a new Southern consciousness under a broader rubric of genteel postwar femininity. Fashioning their contrasting individual stories within the collective bonds of family and community, the Irion women met and overcame the generational challenges of postwar life together--and, by celebrating both the traditional and nondependent ideals of womanhood, they made a dynamic contribution to the creation of a New South.

A vibrantly illustrated exploration of the creative, inclusive, and inspiring movement happening in today’s Southern interior design The American South is a place steeped in history and tradition. We think of sweet tea, thick drawls, and even thicker summer air. It is also a place with a fraught history, complicated social norms, and dated perspectives. Yet among the makers and artists of the South, there is a powerful movement afoot. Alyssa Rosenheck shines a much-needed spotlight on a burgeoning community of people who are taking what’s beloved, inherent, and honored in the South and making it their own. The New Southern Style tours more than 30 homes and includes interviews with the designers, artists, and creative entrepreneurs who are reinventing Southern design and culture. This beautifully illustrated book is sure to inspire the home and soul.

A collection of essays that are "like being seated beside the most entertaining guest at a dinner party" (Atlanta Journal Constitution), from the New York Times bestselling author of American Housewives “Thank you Helen Ellis for writing down the Southern Lady Code so that others may learn.” —Ann Patchett, bestselling author of The Dutch House Helen Ellis has a mantra: “If you don't have something nice to say, say something not-so-nice in a nice way.” Say “weathered” instead of “she looks like a cake left out in the rain” and “I’m not in charge” instead of “they’re doing it wrong.” In these twenty-three raucous essays, Ellis transforms herself into a dominatrix Donna Reed to save her marriage, inadvertently steals a Burberry trench coat, avoids a neck lift, and finds a black-tie gown that gives her the confidence of a drag queen. While she may have left Alabama for New York City, Helen Ellis is clinging to her Southern accent like mayonnaise to white bread, and offering readers a hilarious, completely singular view on womanhood for both sides of the Mason-Dixon.

Marriage is harder than uncooked grits. Annabelle offers advice for newlyweds on how to handle those times when they wonder what in tarnation they got themselves into. In this down-home, hilarious handbook, Annabelle Robertson dishes up creative solutions for those annoying male habits that drive wives stark-raving mad. In true Southern Girl style, she deciphers the nuances of male-speak and addresses marital challenges-from disguising their designer shampoos and conditioners, to videotaping embarrassing habits for the family reunion-not to mention the no-fail method for motivating a man to do housework. Armed with these charm-infused tactics-and some delicious recipes-newly married gals everywhere will be on their way to matrimonial bliss!