The Noble Renaissance

Discover the Seven Virtues of Nobility Do you ever wonder who you are, why you are here, and what really makes life worth living? Or perhaps something is holding you back from believing you could be a person who can make a real difference in the world. In The Noble Renaissance, author and life coach Carrie Lloyd challenges you to be done with pretending, be done with striving, be done with religion—and develop a noble character that truly reflects the person of Christ. She unpacks seven virtues that will inspire you to come back to basic truths and embrace their power to change culture, promote justice, and steward revival. With humor-filled personal stories and in-depth research, Carrie helps readers to more effectively reflect the abundance, the authority, and the grace of the gospel.

Accompanying a major international exhibition at the Wallace Collection (May - September 2012), this book celebrates the artistic and cultural importance of the sword, as a symbol of power and prestige, as a flamboyant fashion statement and as an icon of the Age of Discovery. It will feature weapons and related works of art from the Wallace Collection as well as other great collections of arms and armor; never-before-seen illustrated works on fencing drawn from the library of the 8th Lord Howard de Walden; and portraits, prints, and drawings that will help place the Renaissance civilian sword in its social and artistic context. It will also explore the ancient origins of the modern sport of fencing, one of only nine original Olympic events practiced since the first Olympiad of the modern era of 1896, revealing a place in history where art and sport converged.

Freshly rendered and richly detailed, the 129 designs in this collection depict cherubs, mythological animals, human faces and figures, floral and foliated designs, and many other items, all derived authentic sources.

Art lovers of every age will delight in these exquisitely reproduced masterpieces by the finest artists of the Italian Renaissance. Thirty full-page illustrations include Leonardo's Mona Lisa, Botticelli's The Birth of Venus, Raphael's The Sistine Madonna, Michelangelo's The Delphic Sibyl, Fra Angelico's The Annunciation, and other gems from a golden age of creativity. Colorists can be traditional and stick to the original hues or choose shades from their personal palettes.

The dawn of print was a major turning point in the early modern world. It rescued ancient learning from obscurity, transformed knowledge of the natural and physical world, and brought the thrill of book ownership to the masses. But, as Andrew Pettegree reveals in this work of great historical merit, the story of the post-Gutenberg world was rather more complicated than we have often come to believe. The Book in the Renaissance reconstructs the first 150 years of the world of print, exploring the complex web of religious, economic, and cultural concerns surrounding the printed word. From its very beginnings, the printed book had to straddle financial and religious imperatives, as well as the very different requirements and constraints of the many countries who embraced it, and, as Pettegree argues, the process was far from a runaway success. More than ideas, the success or failure of books depended upon patrons and markets, precarious strategies and the thwarting of piracy, and the ebb and flow of popular demand. Owing to his state-of-the-art and highly detailed research, Pettegree crafts an authoritative, lucid, and truly pioneering work of cultural history about a major development in the evolution of European society.

In recent years scholars have increasingly challenged and reassessed the once established concept of the 'crisis of the nobility' in early-modern Europe. Offering a range of case studies from countries across Europe this collection further expands our understanding of just how the nobility adapted to the rapidly changing social, political, religious and cultural circumstances around them. By allowing readers to compare and contrast a variety of case studies across a range of national and disciplinary boundaries, a fuller - if more complex - picture emerges of the strategies and actions employed by nobles to retain their influence and wealth. The nobility exploited Renaissance science and education, disruptions caused by war and religious strife, changing political ideas and concepts, the growth of a market economy, and the evolution of centralized states in order to maintain their lineage, reputation, and position. Through an examination of the differing strategies utilized to protect their status, this collection reveals much about the fundamental role of the 'second order' in European history and how they had to redefine the social and cultural 'spaces' in which they found themselves. By using a transnational and comparative approach to the study of the European nobility, the volume offers exciting new perspectives on this important, if often misunderstood, social group.

In Barons and Castellans: The Military Nobility of Renaissance Italy, Christine Shaw provides the first comparative study of “lords of castles”, great and small, throughout Italy, examining their military and political significance, and how their roles changed during the Italian Wars.