The Notorious Lady Essex

Despite her fascinating life and her importance as a writer, until now Lady Mary Wroth has never been the subject of a full-length biography. Margaret Hannay's reliance on primary sources results in some corrections, as well as additions, to our knowledge of Wroth's life, including Hannay's discovery of the career of her son William, the marriages of her daughter Katherine, her grandchildren, her last years, the date of her death, and the subsequent history of her manuscripts. This biography situates Lady Mary Wroth in her family and court context, emphasizing the growth of the writer's mind in the sections on her childhood and youth, with particular attention to her learned aunt, Mary Sidney Herbert, Countess of Pembroke, as literary mentor, and to her Continental connections, notably Louise de Coligny, Princess of Orange, and her stepson Prince Maurice. Subsequent chapters of the biography treat her experience at the court of Queen Anne, her relationships with parents and siblings, her love for her cousin William Herbert, her marriage to Robert Wroth, the birth and early death of her only legitimate child, her finances and properties, her natural children, her grandchildren, and her last years in the midst of England's civil wars. Throughout the biography attention is paid to the complex connections between Wroth's life and work. The narrative is enhanced with a chronology; family trees for the Sidneys and Wroths; a map of Essex, showing where Wroth lived; a chart of family alliances; portraits; and illustrations from her manuscripts.

'Provides a wealth of juicy anecdotal material about five centuries of court life' New York Times 'Naughty Knickers version of our island story' Daily Mail --------------------------------------------- Ladies in Waiting chronicles the lives of famous and infamous ladies who served royalty, casting a fresh, intimate angle on four hundred years of monarchy. For centuries, the most beautiful, able and aristocratic women in England competed for positions at court. Some who came to serve were remarkable for their learning and exemplary virtue, but others were notable for promiscuity and lack of scruple, drawn to court by a lust for money and power. Several ladies-in-waiting became royal mistresses, showing few qualms about betraying the queen consorts they ostensibly served. If bedding the King was not an option open to all, many ladies came to court in hope of finding husbands, only to succumb to constant assaults on their virtue or to find themselves denied permission by their sovereign to marry. Drawing on an enormous variety of sources, Anne Somerset provides an illuminating guide to the character, profligate or pious, of each court. Contained within the stories of the individual women is a consistently entertaining commentary on the manners, morals and shifting mentality of the royal, the rich, and the prominent throughout the centuries, resulting in social history at its most enjoyable and vibrant.

Quack, conjurer, sex fiend, murderer—Simon Forman has been called all these things, and worse, ever since he was implicated (two years after his death) in the Overbury poisoning scandal that rocked the court of King James. But as Barbara Traister shows in this fascinating book, Forman's own unpublished manuscripts—considered here in their entirety for the first time—paint a quite different picture of the works and days of this notorious astrological physician of London. Although he received no formal medical education, Forman built a thriving practice. His success rankled the College of Physicians of London, who hounded Forman with fines and jail terms for nearly two decades. In addition to detailing case histories of his medical practice—the first such records known from London—as well as his run-ins with the College, Forman's manuscripts cover a wide variety of other matters, from astrology and alchemy to gardening and the theater. His autobiographical writings are among the earliest English examples of their genre and display an abiding passion for reworking his personal history in the best possible light, even though they show little evidence that Forman ever intended to publish them. Fantastic as many of Forman's manuscripts are, it is their more mundane aspects that make them such a priceless record of what daily life was like for ordinary inhabitants of Shakespeare's London. Forman's descriptions of the stench of a privy, the paralyzed limbs of a child, a lost bitch dog with a velvet collar all offer tantalizing glimpses of a world that seems at once very far away and intimately familiar. Anyone who wants to reclaim that world will enjoy this book.

This volume analyzes the development of textual theory and practice in the twentieth century, questioning not just the assumptions and methodologies of textual study but the very genesis of textual study and current definitions of the field. Each contributor tackles a specific theoretical or practical issue in essays that cover feminist practice, editorial procedure, political ideology, practical dramaturgy, and sixteenth- and twentieth-century history. The result is a volume at once wide-ranging and detailed, of interest and value to cultural historians as well as to textual scholars.

The Politics of Early Modern Women's Writing provides an introduction to the ever-expanding field of early modern women's writing by reading texts in their historical and social contexts. Covering a wide range of forms and genres, the author shows that rather than women conforming to the conventional 'chaste, silent and obedient' model, or merely working from the 'margins' of Renaissance culture, they in fact engaged centrally with many of the major ideas and controversies of their time. The book discusses many previously neglected texts and authors, as well as more familiar figures such as Mary Sidney, Countess of Pembroke, Isabella Whitney and Lady Mary Wroth, and draws attention to the importance of genre and forms of circulation in the production of meaning. The Politics of Early Modern Women will be of interest both to those encountering this material for the first time, and to students and scholars working in the fields of women's writing, gender studies, history and literature.

This Miltonic reference works is the third and final volume in a trilogy dealing with Miltonic analogues. It complements the author's previous compendia of analogues, The Celestial Cycle (on Paradise Lost) and That Invincible Samson (on Samson Agonistes). Thirty-seven years of research in the libraries of the world have unearthed on impressive array of analogues of Comus, Lycidas, and Paradise Regained; and the more important of these are now made available in Kirkconnell's English translation in Awake the Courteous Echo. The book includes 39 analogues of Comus, 102 of Lycidas, and 25 of Paradise Regained. These analogues range from the Sumerian Epic of Gilgamesh to those of Milton's contemporaries. Dr. Kirkconnell's initial concern is not with source hunting, but with analogues as analogues, the Jonsonian masque, the pastoral elegy, and the brief epic. The subtlety, complexity, and powerful originality of Milton's art are here for the reader to enjoy. The major analogues in languages other than English are translated in both verse and prose. Both specialists and students of Milton will find this a fascinating and valuable study.