The Official Roadie Handbook

The quintessential guide on how to become a roadie. Written for those who are serious about becoming a roadie or for those who are just curious to see how the live entertainment industry REALLY works ... on all levels. Learn about the different types of roadie jobs and how to find training for these jobs. Tips on how to find work and how not to look like a rookie on your first day. A must have for anyone who has ever toured or for those who have a roadie in their life. Also makes a great novelty gift for your favorite rock fan.

Devin is enjoying his new ability to pass as male. Maybe a little too much. He’s jumping from guy to guy leaving a trail of broken hearts behind him. When an attractive new guy Peter steals his heart, Devin realizes he might want more. More than just another one-night stand or friend with benefits. Peter has just moved from Idaho to Portland, and is enjoying being able to openly date for the first time now that he no longer lives in a tiny conservative town. When the handsome Devin asks him out, he's ecstatic. Can Devin overcome his instinct to ride off into the sunset alone? And can Peter really settle for settling down? This 30,000 word novella has a fake relationship and is a low-stakes, homophobia-free feel good steamy story with two dudes who love each other and their new, open lifestyle. Each book in the T-Guides series stands alone and they can be read in any order.

So, you want to be a roadie and work for your favorite band?Well, when I started in the business twenty three years ago,I didn't want to work for them, I wanted to BE them. Fortunately, I found out early on that although I had limitless enthusiasm, my talent did have limits. But you know what? I did find one thing out, I loved the atmosphere of the whole thing. It's truly amazing the range of emotions that a live music concert can generate. From Mosh-pit madness to tear jerking self realization. I just really wanted to be a part of it in some way. But how?

The Music Industry Handbook, Second edition is an expert resource and guide for all those seeking an authoritative and user-friendly overview of the music industry today. The new edition includes coverage of the latest developments in music streaming, including new business models created by the streaming service sector. There is also expanded exploration of the music industry in different regions of the UK and in other areas of Europe, and coverage of new debates within the music industry, including the impact of copyright extensions on the UK music industry and the business protocols involved when music is used in film and advertising. The Music Industry Handbook, Second edition also includes: in-depth explorations of different elements of the music industry, including the live music sector, the recording industry and the classical music business analysis of business practices across all areas of the industry, including publishing, synchronisation and trading in the music industry profiles presenting interviews with key figures workings in the music industry detailed further reading for each chapter and a glossary of essential music industry terms.

Many fields are beginning to implement developing practices that prove to be more efficient and environmentally friendly compared to traditional practices. This holds true for the realm of business, as organizations are redesigning their operations through the incorporation of sustainable methods. Research is needed on the specific techniques companies are using to promote efficiency and improved effectiveness using sustainability. Handbook of Research on Sustainable Supply Chain Management for the Global Economy is an essential reference source that discusses the incorporation of sustainability in various facets of business management. Featuring research on topics such as disruptive logistics, production planning, and renewable energy sources, this book is ideally designed for researchers, practitioners, students, managers, policymakers, academicians, economists, scholars, and educators seeking coverage on sustainable practices in supply chains to ensure a cleaner environment.

In The Power Meter Handbook, Joe Friel offers cyclists and triathletes a simple user’s guide to using a power meter for big performance gains. In simple language, the most trusted coach in endurance sports makes understanding a power meter easy, no advanced degrees or tech savvy required. Cyclists and triathletes will master the basics to reveal how powerful they are. Focusing on their most important data, they’ll discover hidden power, refine their pacing, and find out how many matches they can burn on any given day. Once they understand the fundamentals, Friel will show how to apply his proven training approach to gain big performance in road races, time trials, triathlons, and century rides. With The Power Meter Handbook, riders will: Precisely match their training to their race season Push their limits step by step Track fitness changes--reliably and accurately Peak predictably for key events Vastly improve training efficiency Power meters aren’t just for the pros or racers anymore. Now The Power Meter Handbook makes it easy for any cyclist or triathlete to find new speed with cycling’s most advanced gear.

Music has been a vital part of leisure activity across time and cultures. Contemporary commodification, commercialization, and consumerism, however, have created a chasm between conceptualizations of music making and numerous realities in our world. From a broad range of perspectives and approaches, this handbook explores avocational involvement with music as an integral part of the human condition. The chapters in The Oxford Handbook of Music Making and Leisure present myriad ways for reconsidering and refocusing attention back on the rich, exciting, and emotionally charged ways in which people of all ages make time for making music. The contexts discussed are broadly Western, including an eclectic variety of voices from scholars across fields and disciplines, framing complex and multifaceted phenomena that may be helpfully, enlighteningly, and perhaps provocatively framed as music making and leisure. This volume may be viewed as an attempt to reclaim music making and leisure as a serious concern for, amongst others, policy makers, scholars, and educators who perhaps risk eliding some or even most of the ways in which music - a vital part of human existence - is integrated into the everyday lives of people. As such, this handbook looks beyond the obvious, asking readers to consider anew, "What might we see when we think of music making as leisure?"