The Ok Doll

Austrian painter Oskar Kokoschka's love for Alma Mahler was so great that he had a life-sized model of her made. The OK Doll, by Peter Greenaway (born 1942), is the script for an unrealized film about the doll that Kokoschka lived with for three years.

We could not have imagined with our clever ‘2020 vision’ slogans at the start of the new year that we would get a collective punch to the gut come spring. You may be going along We could not have imagined with our clever ‘2020 vision’ slogans at the start of the new year that we would get a collective punch to the gut come spring. You may be going along swimmingly in life and out of nowhere face your own crisis. You may have already had more challenges than seem fair for one person to endure. Whether you are still trying to process the pandemic or dealing with a crisis of your own creation, Deal with It, Doll! Coaching Yourself Through Crisis will leave you feeling less alone and so much stronger. Our collective health crisis inspired this book, but it’s built for the most common curveballs. The stuff many of us face personally and professionally in any given year. The changes most of us will deal with in our lifetimes. Parenting. Careers. Finances. Handling failures and fractures and managing our relationships. Health problems. All of it. Through each new phase in life, we have the opportunity to grow through change. When the literal and figurative masks come off, who are you, Doll? Who do you want to be and how are you going to make the most of your life, especially when things aren’t going your way? Your struggles, your shifts, your changes, and your challenges are creating the next version of your life in ways that may not yet make sense. Do not despair. Life is ever-changing and full of twists and turns.

Examines how the media influenced ideas of race and beauty among African American women from the Harlem Renaissance to World War II. Between the Harlem Renaissance and the end of World War II, a complicated discourse emerged surrounding considerations of appearance of African American women and expressions of race, class, and status. Brown Beauty considers how the media created a beauty ideal for these women, emphasizing different representations and expressions of brown skin. Haidarali contends that the idea of brown as a “respectable shade” was carefully constructed through print and visual media in the interwar era. Throughout this period, brownness of skin came to be idealized as the real, representational, and respectable complexion of African American middle class women. Shades of brown became channels that facilitated discussions of race, class, and gender in a way that would develop lasting cultural effects for an ever-modernizing world. Building on an impressive range of visual and media sources—from newspapers, journals, magazines, and newsletters to commercial advertising—Haidarali locates a complex, and sometimes contradictory, set of cultural values at the core of representations of women, envisioned as “brown-skin.” She explores how brownness affected socially-mobile New Negro women in the urban environment during the interwar years, showing how the majority of messages on brownness were directed at an aspirant middle-class. By tracing brown’s changing meanings across this period, and showing how a visual language of brown grew into a dynamic racial shorthand used to denote modern African American womanhood, Brown Beauty demonstrates the myriad values and judgments, compromises and contradictions involved in the social evaluation of women. This book is an eye-opening account of the intense dynamics between racial identity and the influence mass media has on what, and who we consider beautiful. Examines how the media influenced ideas of race and beauty among African American women from the Harlem Renaissance to World War II. Between the Harlem Renaissance and the end of World War II, a complicated discourse emerged surrounding considerations of appearance of African American women and expressions of race, class, and status. Brown Beauty considers how the media created a beauty ideal for these women, emphasizing different representations and expressions of brown skin. Haidarali contends that the idea of brown as a “respectable shade” was carefully constructed through print and visual media in the interwar era. Throughout this period, brownness of skin came to be idealized as the real, representational, and respectable complexion of African American middle class women. Shades of brown became channels that facilitated discussions of race, class, and gender in a way that would develop lasting cultural effects for an ever-modernizing world. Building on an impressive range of visual and media sources—from newspapers, journals, magazines, and newsletters to commercial advertising—Haidarali locates a complex, and sometimes contradictory, set of cultural values at the core of representations of women, envisioned as “brown-skin.” She explores how brownness affected socially-mobile New Negro women in the urban environment during the interwar years, showing how the majority of messages on brownness were directed at an aspirant middle-class. By tracing brown’s changing meanings across this period, and showing how a visual language of brown grew into a dynamic racial shorthand used to denote modern African American womanhood, Brown Beauty demonstrates the myriad values and judgments, compromises and contradictions involved in the social evaluation of women. This book is an eye-opening account of the intense dynamics between racial identity and the influence mass media has on what, and who we consider beautiful.

The book titled ‘Flying Dolls and Smiling Friends’ is a translation work by Austin Ajit. The original story is written in Malayalam by Unni Ammayambalam with the title ‘Parakkum Pava Chirikkum Koottukar’. One day, the cow, puppy, cat, goat, hen, and crow encounter a mysterious creature. A flying tiger? A fox? A leopard? No, it’s a flying doll! The doll has lost her mother and is on a search for her. The doll searches everywhere, making friends (and poems!) along the way. But will she find her mother? Read this book and find out.

Based on a true story about Franz Kafka Inspired by a true story, Kafka and the Doll recounts a remarkable gesture of kindness from one of the world's most bewildering and iconic writers. In the fall of 1923, Franz Kafka encountered a distraught little girl on a walk in the park. She'd lost her doll and was inconsolable. Kafka told her the doll wasn't lost, but instead, traveling the world and having grand adventures! And to reassure her, Kafka began delivering letters from the doll to the girl for weeks. The legend of Kafka and the doll has captivated imaginations for decades as it reveals the playful and compassionate side of a man known for his dark and brooding tales. Kafka and the Doll is a testament to living life to the fullest and to the life-changing power of storytelling.

More than anything, William wants a doll. "Don't be a creep," says his brother. "Sissy, sissy," chants the boy next door. Then one day someone really understands William's wish, and makes it easy for others to understand, too.