The Oldest Dead White European Males And Other Reflections On The Classics

Should the ancient Greeks - the oldest dead white European males - and their legacy have any relevance to the way we live now? So much of what the ancients were and did may now appear positively racist and sexist in this era of multiculturalism.

Linked by the events of Bernard Knox's remarkable life, the twenty-five chapters of "Essays Ancient and Modern" cover subjects ranging from Hesiod, Homer, and Thucydides to Auden, Forster, and the Spanish Civil War. With a masterful eye for the telling detail, Knox continually reminds us that we share the present with antiquity's living past. A soldier in Italy finds a battered book in the rubble of a bombed-out firehouse-- and opens it to read Virgil's denunciation of war. An illiterate Greek bard composes a garbled Homeric song to celebrate the recent heroism of local partisans. A traveler heading north from modern Athens must choose between the Sacred Way-- or the NATO Road.

Some of the most controversial and consequential debates about the legacy of the ancients are raging not in universities but online, where alt-right men’s groups deploy ancient sources to justify misogyny and a return of antifeminist masculinity. Donna Zuckerberg dives deep to take a look at this unexpected reanimation of the Classical tradition.

Essays defending the classics look at the works of Homer, Catullus, and Ovid, and discuss Athenian democracy, the Emperor Caligula, translation, and teaching the classics

This book is an apologia for the rooted intellectual against the disdainful condescension of the cosmopolitan intellectual—an apology in the Socratic sense of the word. It reflects the author’s Texas rootedness unapologetically and offers a polemical but thoughtful indictment of the intellectual prejudice against rootedness; but it is ultimately about the universal human struggle with origins.

This book provides a multifaceted view on the relation between the old and the new in music, between tradition and innovation. This is a much-debated issue, generating various ideas and theories, which rarely come to unanimous conclusions. Therefore, the book offers diverse perspectives on topics such as national identities, narrative strategies, the question of musical performance and musical meaning. Alongside themes of general interest, such as classical repertoire, the music of well-established composers and musical topics, the chapters of the book also touch on specific, but equally interesting subjects, like Brazilian traditions, Serbian and Romanian composers and the lullaby. While the book is mostly addressed to researchers, it can also be recommended to students in musicology, ethnomusicology, musical performance, and musical semiotics.