The Olmec Their Neighbors

Twenty-one papers on the Olmec were written for this volume in tribute to Matthew W. Stirling, "pioneer archaeologist, ethnologist, and the discoverer of the Olmec civilization."

The Olmecs are renowned for their massive carved stone heads and other sculptures, the first stone monuments produced in Mesoamerica. Seven decades of archaeological research have given us many insights into the lives of the Olmecs, who inhabited parts of the modern Mexican states of Veracruz and Tabasco from around 1150 to 400 BC. Beginning with the first modern explorations in the 1920s, the story of how generations of archaeologists and local residents have uncovered the Olmec past and pieced together a portrait of an ancient civilization that left no written records unfolds. From stories of fortuitous discoveries and frustrating disappoints, helpful collaborations and deceitful shenanigans emerges the unconventional history of Olmec archeology.

Recently, scholars of Olmec visual culture have identified symbols for umbilical cords, bundles, and cave-wombs, as well as a significant number of women portrayed on monuments and as figurines. In this groundbreaking study, Carolyn Tate demonstrates that these subjects were part of a major emphasis on gestational imagery in Formative Period Mesoamerica. In Reconsidering Olmec Visual Culture, she identifies the presence of women, human embryos, and fetuses in monuments and portable objects dating from 1400 to 400 BC and originating throughout much of Mesoamerica. This highly original study sheds new light on the prominent roles that women and gestational beings played in Early Formative societies, revealing female shamanic practices, the generative concepts that motivated caching and bundling, and the expression of feminine knowledge in the 260-day cycle and related divinatory and ritual activities. Reconsidering Olmec Visual Culture is the first study that situates the unique hollow babies of Formative Mesoamerica within the context of prominent females and the prevalent imagery of gestation and birth. It is also the first major art historical study of La Venta and the first to identify Mesoamerica's earliest creation narrative. It provides a more nuanced understanding of how later societies, including Teotihuacan and West Mexico, as well as the Maya, either rejected certain Formative Period visual forms, rituals, social roles, and concepts or adopted and transformed them into the enduring themes of Mesoamerican symbol systems.

“Masterly. . . . The complexities of Mexico’s ancient cultures are perceptively presented and interpreted.” —Library Journal Michael D. Coe’s Mexico has long been recognized as the most readable and authoritative introduction to the region’s ancient civilizations. This companion to his best-selling The Maya has now been revised by Professor Coe and Rex Koontz. The seventh edition incorporates new findings in a number of disciplines. The solution to the long-standing puzzle of the origin of maize-farming has at last been solved, and spectacular new discoveries shed light on Mexico’s earliest civilization, the Olmec culture. At the great city of Teotihuacan, recent investigations in the earliest monumental pyramid indicate the antiquity of certain sacrificial practices and the symbolism of the pyramid. Expanded information on the Huastec region of the northeastern Gulf of Mexico is included, while discoveries in the sacred precinct of the Aztec capital Tenochtitlan have led to a refined understanding of the history and symbolism of this hallowed area.

And in this book Colonel Peck reveals the current view of Maya religion is also appallingly inaccurate. The sophisticated Maya religion, which closely followed the pattern of contemporary Eurasian religions, originated in ancient times with a matriarchal “Goddess of Creation” and evolved into a patriarchal “First Father” concept in the Classic period preceding Spanish conquest. Current historians have failed to recognize that fact because of the naïve belief that the writings of colonial period folklore, which picture Maya religious concepts as crude, primitive, and often grotesque fables, represented Maya religion rather than the true, sophisticated, and realistic religious concepts expressed in their prehistoric writing and art as documented in this book.

Since retiring from the USAF as a Command Pilot and Engineering Officer, Colonel Peck has become one of the leading historians of Spanish seafaring conquest in the New World. Drawn to an interest in the enigmatic Maya Colonel Peck entered into a decade- long field study of the prehistoric Maya and discovered that the current view of Maya accomplishments in science and seafaring was appallingly inaccurate. In previous published works Colonel Peck has shown that contrary to current consensus, the Maya had developed a variety of efficient bronze tools with which they constructed large seaworthy vessels and traveled to the Caribbean and the shores of Florida using a sophisticated method of celestial navigation a millennium before it was developed in Europe.