The One Act Play Companion

The one-act play stands apart as a distinct art form with some well known writers providing specialist material, among them Bernard Shaw, Tom Stoppard, Harold Pinter, Caryl Churchill. Alan Ayckbourn, Edward Albee and Tennesee Williams. There are also lesser-known writers with plenty of material to offer, yet sourcing one-act plays to perform is notoriously hard. This companion is the first book to survey the work of over 250 playwrights in an illuminating A-Z guide. Multiple styles, nationalities and periods are covered, offering a treasure trove of compelling moments of theatre waiting to be discovered. Guidance on performing and staging one-act plays is also covered as well as essential contact information and where to apply for performance rights. A chapter introducing the history of the one-act play rounds off the title as a definitive guide.

The one-act play stands apart as a distinct art form with some well known writers providing specialist material, among them Bernard Shaw, Tom Stoppard, Harold Pinter, Caryl Churchill. Alan Ayckbourn, Edward Albee and Tennesee Williams. There are also lesser-known writers with plenty of material to offer, yet sourcing one-act plays to perform is notoriously hard. This companion is the first book to survey the work of over 250 playwrights in an illuminating A-Z guide. Multiple styles, nationalities and periods are covered, offering a treasure trove of compelling moments of theatre waiting to be discovered. Guidance on performing and staging one-act plays is also covered as well as essential contact information and where to apply for performance rights. A chapter introducing the history of the one-act play rounds off the title as a definitive guide.

This new volume gathers some of Williams' most exuberant early work and includes one-acts that he would later expand to powerful full-length dramas, including "The Pretty Trap," a cheerful take on "The Glass Menagerie," and "Interior: Panic," a stunning precursor to "A Streetcar Named Desire."

The peak of my virtuosity was in the one- act plays. Some of which are like firecrackers on a rope. Tennessee Williams Tennessee Williams's lesser-known one-act plays reveal a tantalising and fascinating perspective to one of the world's most important playwrights. Written between 1934 and 1980, the plays of the very young writer, then of the successful Tennessee Williams, and finally of the troubled man of the 1970s, this volume offers a panoramic yet detailed view of the themes, demons, and wit of this iconic playwright. The volume depicts American life during the Great Depression and after, populated by a hopelessly hopeful chorus girl, a munitions manufacturer ensnared in a love triangle, a rural family that deals "justice" on its children, an overconfident mob dandy, a poor couple who quarrel to vanquish despair, a young "spinster" enthralled by the impulse of rebellion, and, in The Magic Tower, a passionate artist and his wife whose youth and optimism are not enough to protect their 'dream marriage.' This collection gathers some of Williams's most exuberant early work and includes one-acts that he would later expand to powerful full-length dramas: 'The Pretty Trap,' a cheerful take on The Glass Menagerie, and 'Interior: Panic,' a precursor to A Streetcar Named Desire. Plays included are: At Liberty, The Magic Tower, Me, Vashya, Curtains for the Gentleman, In Our Profession, Every Twenty Minutes, Honor the Living, The Cast of the Crushed Petunias, Moony's Kid Don't Cry, The Dark Room, The Pretty Trap, Interior: Panic, Kingdom of Earth, I Never Get Dressed Till After Dark on Sundays and Some Problems for The Moose Lodge. The volume also features a foreword by Terence McNally.

It's About Forgiveness by Albi Gorn. A delightful comedy about a man who seeks out his wife in heaven to ask for forgiveness. When The Cherry Blossoms Bloom by Steven A. Shapiro. Two joggers who meet in a park breathe life into each other's lives. Do Us Part by Alan Lutwin. Sometimes forgetfulness can be the best tonic for soothing the stress of a long-term relationship. Love-This Game Is Real by Tremane Hickman. A poetic story about a girl and a guy anxiously waiting to play the game of love without getting played. Cause And Regret Loss Of Sanity by Frank Tamez. A woman at a Bus Stop contemplates regret and guilt while life interjects in this surreal world of love, loss and lust. Other plays include: About The Rabbits by Frank O'Donnell; Summer's Time by Michael Alvarez; Virgin Rock by Kevin Christopher Snipes; Loyal Companion by Joseph Wohlgemuth; The Upside Down Mirror by Emanuel Fleischmann; Protect The Crotch by Tim J. MacMillan; Madrid by Paul M. Buzinski; Requiem For A Life by Tony Macy-Perez; Fun On The Bayou by Vivian Neuwirth; Grave Concerns by Susan E. Sneeringer; Cut Short by Jonathan Zungre; The ABC Slump by Ernest Curcio; and many more!

"Collected here for the first time, these twelve plays embrace what Time magazine called "the four major concerns of Williams' dramatic imagination: loneliness, love, the violated heart and the valiancy of survival"--Back cover.

Eugene O'Neill, Nobel Laureate in Literature and Pulitzer Prize winner, is widely known for his full length plays. However, his one-act plays are the foundation of his work - both thematically and stylistically, they telescope his later plays. This collection aims to fill the gap by examining these texts, during what can be considered O'Neill's formative writing years, and the foundational period of American drama. A wide-ranging investigation into O'Neill's one-acts, the contributors shed light on a less-explored part of his career and assist scholars in understanding O'Neill's entire oeuvre.

This wide-ranging Companion to Modern British and Irish Drama offers challenging analyses of a range of plays in their political contexts. It explores the cultural, social, economic and institutional agendas that readers need to engage with in order to appreciate modern theatre in all its complexity. An authoritative guide to modern British and Irish drama. Engages with theoretical discourses challenging a canon that has privileged London as well as white English males and realism. Topics covered include: national, regional and fringe theatres; post-colonial stages and multiculturalism; feminist and queer theatres; sex and consumerism; technology and globalisation; representations of war, terrorism, and trauma.