The Or Panthology Ocellus Reseau

Winner of the 2020 Poetry Society of America's William Carlos Williams Award Because What Else Could I Do is a sequence of fifty-five untitled short poems, almost all of them addressed to the poet’s husband during the six months following his sudden and shocking death. Perhaps best known for her historical explorations of sociopolitical issues, Martha Collins did not originally intend to publish these poems. But while they are intensely personal, they make use of all of her poetic attention and skills. Spare, fragmented, musical even in their most heartbreaking moments, the poems allow the reader to share both an intimate expression the poet’s grief and a moving record of her attempt to comprehend the events surrounding her loss.

Bryophytes are of great importance in their ecosystems and for human well-being. They stabilize soil crust through colonization of bare grounds and rocks; they are essential in nutrient recycling, biomass production, and carbon fixing; they control water through an effective retention mechanism; and they have economic value as peat for fuel, horticulture, oil absorption, and as sources of a wide variety of chemical compounds. Bryophytes have long been used for medicinal purposes and provide a food source for reindeer, geese, ducks, sheep, musk-ox, lemmings, and other rodents. Threats include deforestation, cultivation of forests, reclamation of land, urbanization, roads, dam-building, mining, drainage of wetlands and over-grazing. This plan reviews the situation worldwide and proposes a variety of initiatives. It is aimed at those who work with and care about nature conservation, including governmental and non-governmental organizations as well as politicians and the general interested public.

Anagram Solver is the essential guide to cracking all types of quiz and crossword featuring anagrams. Containing over 200,000 words and phrases, Anagram Solver includes plural noun forms, palindromes, idioms, first names and all parts of speech. Anagrams are grouped by the number of letters they contain with the letters set out in alphabetical order so that once the letters of an anagram are arranged alphabetically, finding the solution is as easy as locating the word in a dictionary.

Until the age of twelve, Georgia Lee Kay-Stern believed she was Jewish — the story of her Cree birth family had been kept secret. Now she’s living on her own and attending first year university, and with her adoptive parents on sabbatical in Costa Rica, the old questions are back. What does it mean to be Native? How could her life have been different? As Winnipeg is threatened by the flood of the century, Georgia Lee’s brutal murder sparks a tense cultural clash. Two families wish to claim her for burial. But Georgia Lee never figured out where she belonged, and now other people have to decide for her.

Poetry. Women's Studies. "Motherhood is bound both to life's joy and death's ether, which complicates a woman's relationship to her own body's emotional and physical permeablity. In LOOK LOOK LOOK Callista Buchen writes beautiful prose fragments about and the tendrils that bind her to motherhood and that intersection with mortality. This moving collection situates motherhood as a climate, a destination and reminds us that many of the connections bodies make are often as ephemeral as 'clouds made of mouths.'"--Carmen Gimenez Smith "Drawing from surrealism, the grotesque, and even horror, Callista Buchen's LOOK LOOK LOOK explores how alien one's own body--one's own self--becomes through pregnancy, childbirth, and motherhood. In these prose poems, Buchen's mother-speaker 'build[s] and dissolve[s],' is both 'double and half.' The line between self and other, the line between construction and deconstruction, and '[t]he line between making and being made' have never felt so thin, so permeable. This is a profound book of poems."--Maggie Smith "In this ravishingly honest collection of prose poems, Callista Buchen look look looks at every facet of mothering, from child loss to childbirth, from loss of self and alienation from the body to a hard-won and completely unsentimental empowerment--mother as process; 'mother as birthplace, where woman becomes location.' The poems are often dimly lit as a diorama or a womb. They embrace pregnancy's darkness, the monstrous cleaving of the birthing body, the milky flood of nursing, and the complex grief of the self that is estranged in the making of another human being. The poems have the rhythm and image-centeredness of ritual; even the book's title is a trinity, suggesting the multifocality of women's experience and functioning as an entreaty for the reader to look, please. When the speaker comes into her authority it arrives less with triumph than with danger: 'There isn't a dam you can build that I can't break. Charisma, chiasma, power. See what I will do.' This is a book about mothering like no book about mothering that has ever been mothered forth."--Diane Seuss "A mother is full of cracks, this vessel. 'Everywhere tears, everywhere salt,' writes Callista Buchen's in her stunning debut collection, LOOK LOOK LOOK. In these poems, Buchen does not look away from motherhood, body, or loss--but stares directly in its eyes. These stirring poems radiate both the beauty and burn of being a mother, two selves of a woman--they meditate, Your body is not your own. LOOK LOOK LOOK brings us, birthed and swaddled, the poems we need in the world right now. This incredible collection is fed by an honesty and a fierceness mothers and women know deep inside them--I am so dangerous. I cannot remember the last time I finished a collection and wanted to return to the start to read it again--but this is that book. I will return to these poems for years. I cannot recommend this book enough."--Kelli Russell Agodon

That Strapless Bra holds up Sarah Sarai as a keen observer of the world. With wit and sardonic reflections, Sarai brings poems that fuel a long ride. Julie R. Enszer, author of Avowed, Lilith's Demons, Sisterhood, and editor of Sinister Wisdom If it is to be of any value / a story will be misunderstood" - that's Sarah Sarai in That Strapless Bra in Heaven. A visionary who can't quite keep a straight face, a prophet quicker to laughter than judgment, Sarai is a virtuoso of the one-liner - "too much is as it seems" - but she works with a vast cultural canvas, and sorrow and a thirst for the real underlie, the scintillating eloquence. Dante's journey is a dream, Stalin's famine never ends, Dido weeps in the city she built, humans wander through a world of staggering beauty never quite knowing how to love each other: "What do monkeys worry about? / Our imaginations grown dim?" The Strapless Bra in Heaven is a roller coaster, but it's grounded in what we once called wisdom. Sarai's new book is a thrilling read. D. Nurkse, author of Love in the Last Days: After Tristan and Iseu "light... in the unnavigable dead end" / these poems are as truthful as Sarah herself & a bit surreal / they are both weighty & cunning // unmask gender / benders / dilemmas & tyrants / nasty politics & social disgrace in all areas & eras often merging them while encompassing & compressing the personal & objective past & future with the present. "You dreamed you were a prophet... You awoke an anarchist... ready to kill" / Sarah sorts out socio-political angst / trickery & self-righteous humanism / while tackling that "mountain pass from child / hood to the freeing squalor..." "Reader, if you were seam... I'd take you out anywhere..." / "you are the first line of this poem... this poem exists for you..." / "you're not dead you're middle aged..." / "I say good riddance... though I'll miss myself..." these poems reveal, as Sarah puts it, "the artist's confidence to create celestial buoyancy..." / wake up, sleeper. at times biblical / never preachy. read them & weep / laugh / ponder. i wish you more than luck, Sarah. i wish you much success. Steve Dalachinsky is author of where night and day become one: the french poems, 1983 - 2017. He received a Chevalier de l'Ordre des Arts et des Lettres in 2014.

This book is an in-depth analysis of three of the most crucial years in twentieth-century Italian history, the years 1943-46. After more than two decades of a Fascist regime and a disastrous war experience during which Italy changed sides, these years saw the laying of the political and cultural foundations for what has since become known as Italy's First Republic. Drawing on texts from the literature, film, journalism, and political debate of the period, Antifascisms offers a thorough survey of the personalities and positions that informed the decisions taken in this crucial phase of modern Italian history.