The Other Side Of Nothingness

A reader-friendly guide to Zen Buddhist ethics for modern times In the West, Zen Buddhism has a reputation for paradoxes that defy logic. In particular, the Buddhist concept of nonduality — the realization that everything in the universe forms a single, integrated whole — is especially difficult to grasp. In The Other Side of Nothing, Zen teacher Brad Warner untangles the mystery and explains nonduality in plain English. To Warner, this is not just a philosophical problem: nonduality forms the bedrock of Zen ethics, and once we comprehend it, many of the perplexing aspects of Zen suddenly make sense. Drawing on decades of Zen practice, he traces the interlocking relationship between Zen metaphysics and ethics, showing how a true understanding of reality — and the ultimate unity of all things — instills in us a sense of responsibility for the welfare of all beings. When we realize that our feeling of separateness from others is illusory, we have no desire to harm any creature. Warner ultimately presents an expansive overview of the Zen ethos that will give beginners and experts alike a deeper understanding of one of the world’s enduring spiritual traditions.

Provides an innovative theology based in mysticism, one that acknowledges the pain of spiritual repression and values religious pluralism.

~ Things are not always what they seem~ Annies world is turned upside down when her best friend Jenna is killed in a car accident just before the New Year. Jenna is gone. Annie is devastated, until she finds she can some how still see Jenna. Her mind is obviously playing tricks she decides. Insane or not, at least she has her best friend back. School turns out to be another challenge. Its hard to concentrate when the best friend youre supposed to be grieving is now hanging all over Zach, the most popular guy in school. Annie, unable to look Zach in the eye, tries now to avoid a boy she and Jenna both had a crush on. Annie finds that things are not always as they seem. The first day back to school only leaves Annie with two questions. Why is Zach Calloway all of a sudden interested, when before Jenna died he didnt even know Annie existed? Even more important, why can creepy Evan Meglio from Biology class apparently see Jenna too.

The day after her eighteenth birthday, Julia Reeves checks herself into a psychiatric facility, longing to find a way out of the grief and guilt that have engulfed her since her father’s untimely death. What she finds is fellow suicide attempt survivor Sam Lorenzo, a brilliant twenty-three-year-old photographer. Sam brings beauty and light back into Julia’s life, so when he asks her to escape with him on a cross-country odyssey, she agrees. Before Julia can process what she’s done, the two young lovers are on the run. When Julia’s mother, Laura, learns Julia has disappeared and authorities will do nothing to help find her, Laura forms an uneasy alliance with the sole person who has as much to lose as she does: Sam’s mother, Arabella. Armed with only a handful of clues, the two mothers embark on a journey of their own, desperately hoping to save their children before they are lost forever. A moving exploration of family, friendship, and how far we are willing to go for the ones we love, The Other Side of Nothing is a powerful read about loss, self-determination, and second chances.

What conceptual blind spot kept the ancient Greeks (unlike the Indians and Maya) from developing a concept of zero? Why did St. Augustine equate nothingness with the Devil? What tortuous means did 17th-century scientists employ in their attempts to create a vacuum? And why do contemporary quantum physicists believe that the void is actually seething with subatomic activity? You’ll find the answers in this dizzyingly erudite and elegantly explained book by the English cosmologist John D. Barrow. Ranging through mathematics, theology, philosophy, literature, particle physics, and cosmology, The Book of Nothing explores the enduring hold that vacuity has exercised on the human imagination. Combining high-wire speculation with a wealth of reference that takes in Freddy Mercury and Shakespeare alongside Isaac Newton, Albert Einstein, and Stephen Hawking, the result is a fascinating excursion to the vanishing point of our knowledge.

Popular understanding of Zen Buddhism typically involves a stereotyped image of isolated individuals in meditation, contemplating nothingness. This book presents the "other side of Zen," by examining the movement's explosive growth during the Tokugawa period (1600-1867) in Japan and by shedding light on the broader Japanese religious landscape during the era. Using newly-discovered manuscripts, Duncan Ryuken Williams argues that the success of Soto Zen was due neither to what is most often associated with the sect, Zen meditation, nor to the teachings of its medieval founder Dogen, but rather to the social benefits it conveyed. Zen Buddhism promised followers many tangible and attractive rewards, including the bestowal of such perquisites as healing, rain-making, and fire protection, as well as "funerary Zen" rites that assured salvation in the next world. Zen temples also provided for the orderly registration of the entire Japanese populace, as ordered by the Tokugawa government, which led to stable parish membership. Williams investigates both the sect's distinctive religious and ritual practices and its nonsectarian participation in broader currents of Japanese life. While much previous work on the subject has consisted of passages on great medieval Zen masters and their thoughts strung together and then published as "the history of Zen," Williams' work is based on care ul examination of archival sources including temple logbooks, prayer and funerary manuals, death registries, miracle tales of popular Buddhist deities, secret initiation papers, villagers' diaries, and fund-raising donor lists.

The Long-Awaited, Enormously Entertaining Memoir by One of the Great Artists of Our Time—Now a New York Times, USA Today, Los Angeles Times, and Publisher’s Weekly Bestseller. In this candid and often hilarious memoir, the celebrated director, comedian, writer, and actor offers a comprehensive, personal look at his tumultuous life. Beginning with his Brooklyn childhood and his stint as a writer for the Sid Caesar variety show in the early days of television, working alongside comedy greats, Allen tells of his difficult early days doing standup before he achieved recognition and success. With his unique storytelling pizzazz, he recounts his departure into moviemaking, with such slapstick comedies as Take the Money and Run, and revisits his entire, sixty-year-long, and enormously productive career as a writer and director, from his classics Annie Hall, Manhattan, and Annie and Her Sisters to his most recent films, including Midnight in Paris. Along the way, he discusses his marriages, his romances and famous friendships, his jazz playing, and his books and plays. We learn about his demons, his mistakes, his successes, and those he loved, worked with, and learned from in equal measure. This is a hugely entertaining, deeply honest, rich and brilliant self-portrait of a celebrated artist who is ranked among the greatest filmmakers of our time.