The Oxford Anthology Of Canadian Literature

This is an ideal text for schools offering senior courses in Canadian literature.

An essential showcase of the remarkable diversity and vitality of Canadian literature from the country's foundations to the present.Featuring over ninety of Canada's most outstanding writers, this revised fourth edition showcases Canadian literature from the eighteenth century to the present. Bringing together a wide range of short fiction, poetry, and settler narratives, this anthology includes the country's earliestEnglish-language writers, beloved favourites, and important new writers.

This Teacher's Resource is for the second edition of The Oxford Anthology of Canadian Literature.

The Oxford Handbook of Canadian Literature provides a broad-ranging introduction to some of the key critical fields, genres, and periods in Canadian literary studies. The essays in this volume, written by prominent theorists in the field, reflect the plurality of critical perspectives, regional and historical specializations, and theoretical positions that constitute the field of Canadian literary criticism across a range of genres and historical periods. The volume provides a dynamic introduction to current areas of critical interest, including (1) attention to the links between the literary and the public sphere, encompassing such topics as neoliberalism, trauma and memory, citizenship, material culture, literary prizes, disability studies, literature and history, digital cultures, globalization studies, and environmentalism or ecocriticism; (2) interest in Indigenous literatures and settler-Indigenous relations; (3) attention to multiple diasporic and postcolonial contexts within Canada; (4) interest in the institutionalization of Canadian literature as a discipline; (5) a turn towards book history and literary history, with a renewed interest in early Canadian literature; (6) a growing interest in articulating the affective character of the literary - including an interest in affect theory, mourning, melancholy, haunting, memory, and autobiography. The book represents a diverse array of interests -- from the revival of early Canadian writing, to the continued interest in Indigenous, regional, and diasporic traditions, to more recent discussions of globalization, market forces, and neoliberalism. It includes a distinct section dedicated to Indigenous literatures and traditions, as well as a section that reflects on the discipline of Canadian literature as a whole.

This is the first annotated anthology of Canadian poetry and prose, from the eighteenth century to the present. Volume I contains the work of 40 writers. Some 200 pages are devoted to poetry and 350 pages to prose, which includes not only short fiction but five autobiographical pieces, eight essays of literary criticism, and a play. There are many cross-connections - in related subject matter, in the criticism and memoirs that reflect on other selections - so that the anthology offers a firm context for the study not only of individual writers but of the literary culture of Canada. With introductions to the writers and their works, and annotations.

The second edition of this wide-ranging survey of writing in English by Canadian Native people brings together in one volume some of the best work from a literature that has formed a solid part of Canadian literature. Beginning with traditional songs of the Inuit and traditional orature of the Southern First Nations, the anthology goes on to include prose passages from such early figures as Joseph Brant and John Brant-Sero, works by such well-known writers as George Copway and Pauline Johnson, and a broad selection of short stories, plays, poems, and essays by twentieth century Canadian Native writers. While all writers from the first edition have been retained, several writers are represented by new works. These include Maria Campbell, Beth Brant, Annharte, Jeanette Armstrong, Lenore Keeshig-Tobias, Daniel David Moses, and Jordan Wheeler. Recently established Native writers new to this anthology include Beth Cuthand, Duncan Mercredi, Sky Dancer louise bernice halfe, Richard Wagameese, Marilyn Dumont, Connie Fife, Paul Seesequasis, Kateri Damm, Joseph Dandurand, Richard Van Camp, Lorne Joseph Simon, Gregory Scofield, Eden Robinson, and Kevin Paul. This volume will be of interest to anyone concerned with the wealth and complexity of Native writing in Canada. Among issues coverered in this anthology are aboriginal rights, family relations, and the environment. The anthology includes work from both women and men of many tribal affiliations and from various geographic regions of Canada. It also presents a diversity of opinions and voices from among the writers themselves.

Arranged chronologically with forty stories in all, the book provides an excellent survey of Canada's leading writers, including a story by Atwood herself ("The Sin Eater"), as well as stories by Morley Callaghan ("Last Spring They Came Over"), Mordecai Richler ("The Summer My Grandmother Was Supposed to Die"), and Stephen Leacock ("The Marine Excursion of the Knights of Pythias"). The book features biographical notes and an index of authors.

A survey of Canada's leading writers features forty-seven stories, with new pieces by writers in the original Oxford Book of Canadian Short Stories. Included are short stories by W. P. Kinsella, Morley Callaghan, Timothy Findlay, Matt Cohen, Alice Munro and Margaret Atwood.