The Oxford Companion To Aboriginal Art And Culture
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The Oxford Companion to Aboriginal Art and Culture
Author | : Margo Neale,Sylvia Kleinert,Robyne Bancroft |
Publsiher | : Oxford University Press, USA |
Total Pages | : 824 |
Release | : 2000 |
Genre | : Art |
ISBN | : UOM:39015053139690 |
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A comprehensive overview covering indigeneous Australian art, archeological traditions, styles of the contact period, nineteenth-century art trends, and the development of contemporary Aboriginal and Torres Strait Islander practices.
Morphology and Language History
Author | : Claire Bowern,Bethwyn Evans,Luisa Miceli |
Publsiher | : John Benjamins Publishing |
Total Pages | : 384 |
Release | : 2008 |
Genre | : Language Arts & Disciplines |
ISBN | : 9789027248145 |
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This volume aims to make a contribution to codifying the methods and practices linguists use to recover language history, focussing predominantly on historical morphology. The volume includes studies on a wide range of languages: not only Indo-European, but also Austronesian, Sinitic, Mon-Khmer, Basque, one Papuan language family, as well as a number of Australian families. Few collections are as cross-linguistic as this, reflecting the new challenges which have emerged from the study of languages outside those best known from historical linguistics. The contributors illustrate shared methodological and theoretical issues concerning genetic relatedness (that is, the use of morphological evidence for classification and subgrouping), reconstruction and processes of change with a diverse range of data. The volume is in honour of Harold Koch, who has long combined innovative research on understudied languages with methodological rigour and codification of practices within the discipline.
Pacific Art
Author | : Anita Herle |
Publsiher | : University of Hawaii Press |
Total Pages | : 486 |
Release | : 2002-01-01 |
Genre | : Art |
ISBN | : 082482556X |
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Contributors explore the complex relations among Pacific artists, patrons, collectors, and museums over time, as well as the different meanings given to art objects by each.
Aboriginal Art Culture
Author | : Jane Bingham |
Publsiher | : Raintree Publishers |
Total Pages | : 56 |
Release | : 2005 |
Genre | : Aboriginal Australians |
ISBN | : 1844210596 |
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Beliefs and traditions - Rock art - Ground art - Painting - Sculpture and carving - Weapons and shields - Body art - Ceremonies, songs and dance - Baskets and fibre art - Other media.
Aboriginal Art and Australian Society
Author | : Laura Fisher |
Publsiher | : Anthem Press |
Total Pages | : 373 |
Release | : 2016-05-30 |
Genre | : Art |
ISBN | : 9781783085330 |
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This book is an investigation of the way the Aboriginal art phenomenon has been entangled with Australian society’s negotiation of Indigenous people’s status within the nation. Through critical reflection on Aboriginal art’s idiosyncrasies as a fine arts movement, its vexed relationship with money, and its mediation of the politics of identity and recognition, this study illuminates the mutability of Aboriginal art’s meanings in different settings. It reveals that this mutability is a consequence of the fact that a range of governmental, activist and civil society projects have appropriated the art’s vitality and metonymic power in national public culture, and that Aboriginal art is as much a phenomenon of visual and commercial culture as it is an art movement. Throughout these examinations, Fisher traces the utopian and dystopian currents of thought that have crystallised around the Aboriginal art movement and which manifest the ethical conundrums that underpin the settler state condition.
Art Without Borders
Author | : Ben-Ami Scharfstein |
Publsiher | : University of Chicago Press |
Total Pages | : 558 |
Release | : 2009-08-01 |
Genre | : Philosophy |
ISBN | : 9780226736112 |
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People all over the world make art and take pleasure in it, and they have done so for millennia. But acknowledging that art is a universal part of human experience leads us to some big questions: Why does it exist? Why do we enjoy it? And how do the world’s different art traditions relate to art and to each other? Art Without Borders is an extraordinary exploration of those questions, a profound and personal meditation on the human hunger for art and a dazzling synthesis of the whole range of inquiry into its significance. Esteemed thinker Ben-Ami Scharfstein’s encyclopedic erudition is here brought to bear on the full breadth of the world of art. He draws on neuroscience and psychology to understand the way we both perceive and conceive of art, including its resistance to verbal exposition. Through examples of work by Indian, Chinese, European, African, and Australianartists, Art Without Borders probes the distinction between accepting a tradition and defying it through innovation, which leads to a consideration of the notion of artistic genius. Continuing in this comparative vein, Scharfstein examines the mutual influence of European and non-European artists. Then, through a comprehensive evaluation of the world’s major art cultures, he shows how all of these individual traditions are gradually, but haltingly, conjoining into a single current of universal art. Finally, he concludes by looking at the ways empathy and intuition can allow members of one culture to appreciate the art of another. Lucid, learned, and incomparably rich in thought and detail, Art Without Borders is a monumental accomplishment, on par with the artistic achievements Scharfstein writes about so lovingly in its pages.
The Handbook of Textile Culture
Author | : Janis Jefferies,Diana Wood Conroy,Hazel Clark |
Publsiher | : Bloomsbury Publishing |
Total Pages | : 1016 |
Release | : 2015-11-05 |
Genre | : Business & Economics |
ISBN | : 9781474275781 |
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In recent years, the study of textiles and culture has become a dynamic field of scholarship, reflecting new global, material and technological possibilities. This is the first handbook of specially commissioned essays to provide a guide to the major strands of critical work around textiles past and present and to draw upon the work of artists and designers as well as researchers in textiles studies. The handbook offers an authoritative and wide-ranging guide to the topics, issues, and questions that are central to the study of textiles today: it examines how material practices reflect cross-cultural influences; it explores textiles' relationships to history, memory, place, and social and technological change; and considers their influence on fashion and design, sustainable production, craft, architecture, curation and contemporary textile art practice. This illustrated volume will be essential reading for students and scholars involved in research on textiles and related subjects such as dress, costume and fashion, feminism and gender, art and design, and cultural history. Cover image: Anne Wilson, To Cross (Walking New York), 2014. Site-specific performance and sculpture at The Drawing Center, NYC. Thread cross research. Photo: Christie Carlson/Anne Wilson Studio.