The Oxford Handbook Of Thomas More S Utopia

Thomas More's Utopia is one of the most iconic, translated, and influential texts of the European Renaissance. This Handbook of specially commissioned and original essays brings together for the first time three different ways of thinking about the book: in terms of its renaissance contexts, its vernacular translations, and its utopian legacies. It has been developed to allow readers to consider these different facets of Utopia in relation to each other and to provide fresh and original contributions to our understanding of the book's creation, vernacularization, and afterlives. In so doing, it provides an integrated overview of More's text, as well as new contributions to the range of scholarship and debates that Utopia continues to attract. An especially innovative feature is that it allows readers to follow Utopia across time and place, unpacking the often-revolutionary moments that encouraged its translation by new generations of writers as far afield as France, Russia, Japan, and China. The Handbook is organized in four sections: on different aspects of the origins and contexts of Utopia in the 1510s; on histories of its translation into different vernaculars in the early modern and modern eras; and on various manifestations of utopianism up to the present day. The Handbook's Introduction outlines the biography of More, the key strands of interpretation and criticism relating to the text, the structure of the Handbook, and some of its recurring themes and issues. An appendix provides an overview of Utopia for readers new to the text.

Intermediate Diploma Thesis from the year 2004 in the subject English Language and Literature Studies - Literature, grade: Good, University of Hamburg (Institute for Anglistics/American Studies), course: Thomas More and his Utopia, language: English, abstract: There are strong indications that Utopia is not meant to be an alternative to existing states. More, almost certainly, never intended to write a political program for when he learned that Utopia was used by revolutionary reformist groups as a prescription he declared that, if he had known, he would have "never written the book at all, or, if the manuscript already existed, he would have had it burned". Literary critics have even seen Utopia mainly as a 'jeu d'esprit' of an intellectual. However from the contrast of a state, which has banished all the mortal sins and exists on the premises of Christian moral grounds and of intelligence, rather than on passion and ecstasy, a form can be derived on which other states can be judged.

'Even if you can't eradicate harmful ideas or remedy established evils, that's no reason to turn your back on the body politic' In Utopia, Thomas More gives us a traveller's account of a newly-discovered island where the inhabitants enjoy a social order based on natural reason and justice, and human fulfilment is open to all. As the traveller, Raphael, describes the island to More, a bitter contrast is drawn between this rational society and the custom-driven practices of Europe. So how can the philosopher try to reform his society? In his fictional discussion, More takes up a question first raised by Plato and which is still a challenge in the contemporary world. In the history of political thought few works have been more influential than Utopia, and few more misunderstood. Dominic Baker-Smith's introduction examines the conflicting voices and perspectives of More's masterpiece and relates them to the European context of his time. This new edition also includes a chronology, notes, appendices, glossary and suggested further reading. Translated and introduced by Dominic Baker-Smith

Subtitled "On the best state of a republic and on the new island of Utopia," this is the legendary 1516 political satire that, in its attempts to mock the English king Henry VIII, gave birth to an entire genre of imaginative fiction exploring the possibilities of the "perfect" society. Debate continues to rage among scholars of the Renaissance today whether More actually believed in the socialist, equalitarian concepts he espoused in *Utopia,* some of which seem unlikely positions for a wealthy, powerful man whose actions as a public figure were often at odds with them. But this remains a foundational work of Western thought and literature, and essential reading for anyone who wishes to be considered well read. English statesman and writer SIR THOMAS MORE (1478-1535) is best remembered as both a humanist scholar and a religious martyr: he was beheaded by King Henry VIII for refusing to acknowledge the monarch as the head of the Church of England.

From the dawn of the early modern period around 1400 until the eighteenth century, Latin was still the European language and its influence extended as far as Asia and the Americas. At the same time, the production of Latin writing exploded thanks to book printing and new literary and cultural dynamics. Latin also entered into a complex interplay with the rising vernacular languages. This Handbook gives an accessible survey of the main genres, contexts, and regions of Neo-Latin, as we have come to call Latin writing composed in the wake of Petrarch (1304-74). Its emphasis is on the period of Neo-Latin's greatest cultural relevance, from the fifteenth to the eighteenth centuries. Its chapters, written by specialists in the field, present individual methodologies and focuses while retaining an introductory character. The Handbook will be valuable to all readers wanting to orientate themselves in the immense ocean of Neo-Latin literature and culture. It will be particularly helpful for those working on early modern languages and literatures as well as to classicists working on the culture of ancient Rome, its early modern reception and the shifting characteristics of post-classical Latin language and literature. Political, social, cultural and intellectual historians will find much relevant material in the Handbook, and it will provide a rich range of material to scholars researching the history of their respective geographical areas of interest.

Utopia (Libellus vere aureus, nec minus salutaris quam festivus, de optimo rei publicae statu deque nova insula Utopia) is a work of fiction and socio-political satire by Thomas More (1478-1535) published in 1516 in Latin. The book is a frame narrative primarily depicting a fictional island society and its religious, social and political customs. Many aspects of More's description of Utopia are reminiscent of life in monasteries. Utopia was begun while More was an envoy in the Low Countries in May 1515. More started by writing the introduction and the description of the society which would become the second half of the work and on his return to England he wrote the "dialogue of counsel", completing the work in 1516. In the same year, it was printed in Leuven under Erasmus's editorship and after revisions by More it was printed in Basel in November 1518. It was not until 1551, sixteen years after More's execution, that it was first published in England as an English translation by Ralph Robinson. Gilbert Burnet's translation of 1684 is probably the most commonly cited version. The work seems to have been popular, if misunderstood: the introduction of More's Epigrams of 1518 mentions a man who did not regard More as a good writer. The eponymous title Utopia has since eclipsed More's original story and the term is now commonly used to describe an idyllic, imaginary society. Although he may not have directly founded the contemporary notion of what has since become known as Utopian and dystopian fiction, More certainly popularised the idea of imagined parallel realities, and some of the early works which owe a debt to Utopia must include The City of the Sun by Tommaso Campanella, Description of the Republic of Christianopolis by Johannes Valentinus Andreae, New Atlantis by Francis Bacon and Candide by Voltaire. The politics of Utopia have been seen as influential to the ideas of Anabaptism and communism.[citation needed] While utopian socialism was used to describe the first concepts of socialism, later Marxist theorists tended to see the ideas as too simplistic and not grounded on realistic principles. The religious message in the work and its uncertain, possibly satiric, tone has also alienated some theorists from the work. An applied example of More's Utopia can be seen in Vasco de Quiroga's implemented society in Michoacán, Mexico, which was directly inspired by More's work.

Fifty distinguished contributors survey the entire history of political philosophy. They consider questions about how the subject should best be studied; they examine historical periods and great theorists in their intellectual contexts; and they discuss aspects of the subject that transcend periods, such as democracy, the state, and imperialism.

Five-hundred-year anniversary edition of More’s Utopia, with writing from major science fiction writers Five hundred years since its first publication, Thomas More’s Utopia remains astonishingly radical and provocative. More imagines an island nation where thousands live in peace and harmony, men and women are both educated, and property is communal. In a text hovering between fantasy, satire, blueprint and game, More explores the theories and realities behind war, political conflicts, social tensions and redistribution, and imagines the day-to-day lives of a citizenry living free from fear, oppression, violence and suffering. But there has always been a shadow at the heart of Utopia. If this is a depiction of the perfect state, why, as well as wonder, does it provoke a growing unease? In this quincentenary edition, published in conjunction with Somerset House, More’s text is introduced by multi-award-winning author China Miéville and accompanied by four essays from Ursula K. Le Guin, today’s most distinguished utopian writer and thinker..