The Paper Cowboy

Though he thinks of himself as a cowboy, Tommy is really a bully. He's always playing cruel jokes on classmates or stealing from the store. But Tommy has a reason: life at home is tough. His abusive mother isn't well; in fact, she may be mentally ill, and his sister, Mary Lou, is in the hospital badly burned from doing a chore it was really Tommy's turn to do. To make amends, Tommy takes over Mary Lou's paper route. But the paper route also becomes the perfect way for Tommy to investigate his neighbors after stumbling across a copy of The Daily Worker, a communist newspaper. Tommy is shocked to learn that one of his neighbors could be a communist, and soon fear of a communist in this tight-knit community takes hold of everyone when Tommy uses the paper to frame a storeowner, Mr. McKenzie. As Mr. McKenzie's business slowly falls apart and Mary Lou doesn't seem to get any better, Tommy's mother's abuse gets worse causing Tommy's bullying to spiral out of control. Poignantly written, Kristin Levine proves herself a master of gripping and affecting historical fiction.

In this romantic, humorous and harrowing novel, the acclaimed author of Make Believe Love returns to the epic skies and straight roads of Broken Head, Saskatchewan, and takes us into a very modern Western. Sam McMahon can’t understand why his banker colleagues in Toronto keep calling him “cowboy,” when he prefers opera to C&W and fine wine to beer. Sam’s wife is in love with his brother Vern, who has followed the family tradition and works their parents’ farm, a mixed cattle and crop operation inherited from his grandfather, Old Sam. When his wife leaves him stranded by the side of a Saskatchewan highway, Sam is rescued by a woman, Ai Lee, in a rented Toyota. Ai is a film location scout who’s searching for the perfect cliff for legendary director James Aspen’s new film, The Last Cowboy. Thirty years previously, Old Sam dreams of better days in an older West, mending fences, riding horses, raising cattle. To save young Sam, then 10 years old, from what he considers the malaise of the late-20th century, Old Sam drags him off into a blizzard on horseback. His goal is to save a lost cow and her new calf, which may or may not exist. Sam’s parents fear he’ll only manage to kill his grandson. When, only days later, the old cowboy wanders out of doors without his parka in the freezing cold, muttering about a lost boy, he’s rescued by a Native couple out in a “borrowed” car, who run afoul of the police and end up driving into their final sunset. When Ai hears their story from Sam, she thinks she’s found her perfect location. The Last Cowboy does much more than update the Western; it weaves together stories and generations and unveils, with beauty and compassion, the leap or fall that awaits us all. So I stretch back in permanent recline and do my best to travel off to a better day, a summer day back fifty years past, a few days after a big rain, so that everything was green except for the cuts in the draws where the runoff had chewed right through the grass. There was a glow to the world back then that has long since been lost. It is painfully elusive, that particular luminescence, but I sit here stubbornly trying to restore the shine of it. I begin with a sky that was as blue as the better skies now, and work my way down to the green, only a breath of a line of white dividing the earth from the heavens. -- from The Last Cowboy

London edition (John Lane) with sloght changes in text and the omission of the last chapter, has title: On the trail; my reminiscences as a cowboy.

"Satisfying, gratifying, touching, weighty—this authentic piece of work has got soul."—The New York Times Book Review As twelve-year-old Marlee starts middle school in 1958 Little Rock, it feels like her whole world is falling apart. Until she meets Liz, the new girl at school. Liz is everything Marlee wishes she could be: she's brave, brash and always knows the right thing to say. But when Liz leaves school without even a good-bye, the rumor is that Liz was caught passing for white. Marlee decides that doesn't matter. She just wants her friend back. And to stay friends, Marlee and Liz are even willing to take on segregation and the dangers their friendship could bring to both their families. Winner of the New-York Historical Society Children’s History Book Prize A New York Times Book Review Editor’s Choice

A true adventure story of a man who built a four-million acre cattle empire in the remote ranges of the British Columbia Interior.

A powerful story about race and an unlikely friendship from award-winning author of The Lions of Little Rock. An ALA Best Book for Young Adults The last thing Harry "Dit" Sims expects when Emma Walker comes to town is to become friends. Proper-talking, brainy Emma doesn't play baseball or fish too well, but she sure makes Dit think, especially about the differences between black and white in the 1910s. But soon Dit is thinking about a whole lot more when the town barber, who is black, is put on trial for a terrible crime. Together Dit and Emma come up with a daring plan to save him from the unthinkable. ★ “Tension builds just below the surface of this energetic, seamlessly narrated first novel set in small-town Alabama in 1917.”—Publishers Weekly, starred review ★ “This classic story of how unlikely persons can change things for the better should appeal to all readers.”—VOYA, starred review

A twist on the classic game of Rock Paper Scissors, this story celebrates the differences that make three friends unique.

A middle-aged Jewish man who fantasizes about being a cowboy goes on an eccentric quest across Europe after the 1941 Nazi invasion of Lithuania in this wild and witty yet heartrending novel from the bestselling author of Yiddish for Pirates, shortlisted for the Scotiabank Giller Prize. Motl is middle-aged, poor, nerdy, Jewish and in desperate need of a shave. Since having his balls shot cleanly off as a youth in WWI, he's lived a quiet life at home in Vilnius with his shrewd and shrewish mom, Gitl, losing himself in the masculine fantasy world of cowboy novels by writers like Karl May--novels equally loved by Hitler, whose troops have just invaded Lithuania and are out to exterminate people like Motl. In his dreams, Motl is a fast-talking, rugged, expert gunslinger capable of dealing with the Nazi threat. But only in his dreams. As friends and neighbours are killed around them, Motl and Gitl escape from Vilnius, saving their own skins. But they immediately risk everything to try rescue relatives they hope are still alive. With death all around him, Motl decides that a Jew's best revenge is not only to live, but to procreate. In order to achieve this, though, he must relocate those most crucial pieces of his anatomy lost to him in a glacier in the Swiss Alps in the previous war. It's an absurd yet life-affirming mission, made even more urgent when he's separated from his mother, and isn't sure whether she's alive or dead. Joining forces, and eventually hearts, with Esther, a Jewish woman whose family has been killed, Motl ventures across Europe, a kaleidoscope of narrow escapes and close encounters with everyone from Himmler, to circus performers, double agents, quislings, fake "Indians" and real ones. Motl at last figures out that he has more connection to the Indigenous characters in western novels than the cowboys. An imaginative and deeply felt exploration of genocide, persecution, colonialism and masculinity--saturated in Gary Barwin's sharp wit and perfect pun-play--Nothing the Same, Everything Haunted: The Ballad of Motl the Cowboy is a one-of-a-kind novel of sheer genius.