The Passenger Berlin

A BEST BOOK OF 2021 FOR THE GUARDIAN * FINANCIAL TIMES * TIMES LITERARY SUPPLEMENT * MINNEAPOLIS STAR TRIBUNE * THE TIMES Hailed as a remarkable literary discovery, a lost novel of heart-stopping intensity and harrowing absurdity about flight and persecution in 1930s Germany Berlin, November 1938. Jewish shops have been ransacked and looted, synagogues destroyed. As storm troopers pound on his door, Otto Silbermann, a respected businessman who fought for Germany in the Great War, is forced to sneak out the back of his own home. Turned away from establishments he had long patronized, and fearful of being exposed as a Jew despite his Aryan looks, he boards a train. And then another. And another . . . until his flight becomes a frantic odyssey across Germany, as he searches first for information, then for help, and finally for escape. His travels bring him face-to-face with waiters and conductors, officials and fellow outcasts, seductive women and vicious thieves, a few of whom disapprove of the regime while the rest embrace it wholeheartedly. Clinging to his existence as it was just days before, Silbermann refuses to believe what is happening even as he is beset by opportunists, betrayed by associates, and bereft of family, friends, and fortune. As his world collapses around him, he is forced to concede that his nightmare is all too real. Twenty-three-year-old Ulrich Boschwitz wrote The Passenger at breakneck speed in 1938, fresh in the wake of the Kristallnacht pogroms, and his prose flies at the same pace. Taut, immediate, infused with acerbic Kafkaesque humor, The Passenger is an indelible portrait of a man and a society careening out of control.

The best new writing, photography, art, and reportage from and about Berlin—in the series that’s “like a literary vacation” (Publishers Weekly). In 1990s Berlin, the scars of a century of war were still visible everywhere: coal stoves, crumbling buildings, desolate minimarts, not a working buzzer or elevator. To visit the city then was a hallucinatory experience, a simultaneous journey into the past and into the future. The abandoned ruins, the hidden gems found at the flea market, the illegal basement raves are a thing of the past. The era of Berlin as a site of urban archeology is over. Almost all the damaged buildings have been repaired, squatters have been removed, the shops selling East German furniture have closed down. Without its wounds, the landscape of the city is perhaps less striking but more solid, stronger. Even the city’s inhabitants have lost some of their melancholia, their romantic and self-destructive streak: today you can even find people who come to Berlin to actually work, not just to “create” or idle their days away. Yet, Berlin remains a youthful city and retains its aura as “the capital of cool.” Its only sacrosanct principles are an uncompromising multiculturalism and the belief that its future is yet to be written. This volume of the series includes: The Greatest Show in Town: The Resurrection of Potsdamer Platz by Peter Schneider · Berlin Suite by Cees Nooteboom · Tempelhof: A Field of Dreams by Vincenzo Latronico · Plus: the controversial reconstruction of a Prussian castle, Berlin’s most transgressive sex club and its disappearing traditional pubs, a green urban oasis, suburban neo-Nazis, North Vietnamese in the East, South Vietnamese in the West, techno everywhere and much more . . . “These books are so rich and engrossing that it is rewarding to read them even when one is stuck at home.” —The Times Literary Supplement

"Some Japanese stories end violently. Others never end at all, but only cut away, at the moment of extreme crisis, to a butterfly, or the wind, or the moon."--Brian Phillips Visitors from the West look with amazement, and sometimes concern, at Japan's social structures and unique, complex culture industry; the gigantic scale of its tech corporations and the resilience of its traditions; the extraordinary diversity of the subcultures that flourish in its "post-human" megacities. The country nonetheless remains an intricate and complicated jigsaw puzzle, an inexhaustible source of inspiration for stories, reflections, and reportage. The subjects in this volume range from the Japanese veneration of the dead to the Tokyo music scene, from urban alienation to cinema, from sumo to toxic masculinity. Caught between an ageing population and extreme post-modernity, Japan is an ideal observation point from which to understand our age and the one to come.

The best new writing, photography, art, and reportage from and about Paris—in the “rich and engrossing” series for literary travelers (Times Literary Supplement). Paris’s postcard image has suffered multiple blows in recent years: the November 2015 terrorist attacks, the demonstrations of the yellow vests, the riots in the suburbs, Notre-Dame in flames, record heatwaves and the coronavirus. Meanwhile, soaring living costs are forcing many Parisians to leave the city. Yet these are not just a series of unfortunate events. They are phenomena—from increasing population density to climate change, from immigration to the repercussions of globalization and geopolitics—that all metropolises in the world must face. And in Paris, today, the mood is not one of defeat but of renewal: from the city’s ongoing environmental and urbanistic transformation to the fight by a new generation of chefs against the traditionalism of starred restaurants; from the children of immigrants who take to the streets for the right to feel French to the women determined to break the sexism and stereotypes that dominate the fashion industry. Is there anyone who seriously thinks they can teach Parisians how to make a revolution? This volume includes: Out of the Shadows by Tash Aw · Against the Stars by Tommaso Melilli · Afraid of Being Free by Samar Yazbek · Plus: the Champs-Elysées between luxury and riots, the French Republic between anti-Semitism and Islamophobia, the most elegant Congolese dandies of all time, one Parisian woman you will not encounter, the city’s legendary football team that is not the PSG, and much more . . . “The Passenger readers will find none of the typical travel guide sections on where to eat or what sights to see. Consider the books, rather, more like a literary vacation.” —Publishers Weekly

An in-depth look at Brazilian culture in the series that collects the best new writing, photography, art, and reportage from around the world. In the second half of the twentieth century Brazil made extraordinary contributions to music, sport, architecture. From bossa nova to acrobatic soccer to the daring architecture of Oscar Niemeyer and Lúcio Costa, the country seemed to embody a new, original vision of modernity, at once fluid, agile, and complex. Seen from abroad, the victory of the far right in the 2018 elections was a rude awakening that suddenly turned the Brazilian dream into a nightmare. For locals, however, illusions had started fading long ago, amid paralyzing corruption, environmental degradation, racial discrimination, and escalating violence. Luckily Brazilians have not lost their desire to fight, minorities are still determined to assert their rights, and, now that the glorious past is dead and buried, a desire to rebuild for the future is emerging. Today the challenge of telling the story of this extraordinary country consists in finding its enduring vitality amid the apparent melancholy. “The Passenger readers will find none of the typical travel guide sections on where to eat or what sights to see. Consider the books, rather, more like a literary vacation.” —Publishers Weekly “Much more than a travel guide, The Passenger is indispensable for any reader who is curious about the world.” —Il Venerdì In this volume: Order and Progress? by Jon Lee Anderson Funk, Pride and Prejudice by Alberto Riva On the River, I Was King by Eliane Brum Also: the road that dissects the Amazon; the TV tycoon who shaped Brazilian history; the neo-Pentecostal community that is winning the hearts (and wallets) of Brazilians; politicized samba dancers, idealist gangsters, and much more . . .

AN INTERNATIONAL BESTSELLER Featured in Entertainment Weekly, People, The Millions, and USA TODAY “An unforgettable and resplendent novel which will take its place among the great historical fiction written about World War II.” —Adriana Trigiani, bestselling author of The Shoemaker's Wife A young girl flees Nazi-occupied Germany with her family and best friend, only to discover that the overseas refuge they had been promised is an illusion in this “engrossing and heartbreaking” (Library Journal, starred review) debut novel, perfect for fans of The Nightingale, Lilac Girls, and The Tattooist of Auschwitz. Berlin, 1939. Before everything changed, Hannah Rosenthal lived a charmed life. But now the streets of Berlin are draped in ominous flags; her family’s fine possessions are hauled away; and they are no longer welcome in the places they once considered home. A glimmer of hope appears in the shape of the St. Louis, a transatlantic ocean liner promising Jews safe passage to Cuba. At first, the liner feels like a luxury, but as they travel, the circumstances of war change, and the ship that was to be their salvation seems likely to become their doom. New York, 2014. On her twelfth birthday, Anna Rosen receives a mysterious package from an unknown relative in Cuba, her great-aunt Hannah. Its contents inspire Anna and her mother to travel to Havana to learn the truth about their family’s mysterious and tragic past. Weaving dual time frames, and based on a true story, The German Girl is a beautifully written and deeply poignant story about generations of exiles seeking a place to call home.

‘A mesmerising story of love and hope...the best book that I have read this year’ Penny, Reader Review The most heartbreaking historical fiction novel you will read this year from the USA Today bestseller!

Turkish culture and history is explored in the wide-ranging series that is “like a literary vacation” (Publishers Weekly). The birth of the “New Turkey,” as the country’s President Recep Tayyip Erdogan has called his own creation, is an exemplary story of the rise of “illiberal democracies” through the erosion of civil liberties, press freedom, and the independence of the judicial system. Turkey was a complex country long before the rise of its new sultan: Born out of the ashes of a vast multi-ethnic and multi-religious empire, Turkey has grappled through its relatively short history with the definition of its own identity. Poised between competing ideologies, secularism and piousness, a militaristic nationalism and exceptional openness to foreigners, Turkey defies easy labels and categories. Through the voices of some of its best writers and journalists—many of them in self-imposed exile—The Passenger: Turkey tries to make sense of this fascinating, maddening country, analyzing how it got to where it is now, and finding the bright spots of hope that allow its always resourceful, often frustrated population to continue living, and thriving. In this volume:The Big Dig by Elif Batuman A Story of Dust and Light by Burhan Sönmez An Author Recommends by Elif Shafak Plus: the thirty-year coup and the dam that is washing away 12,000 years of history, and more.