The Passenger Paris

The best new writing, photography, art, and reportage from and about Paris—in the “rich and engrossing” series for literary travelers (Times Literary Supplement). Paris’s postcard image has suffered multiple blows in recent years: the November 2015 terrorist attacks, the demonstrations of the yellow vests, the riots in the suburbs, Notre-Dame in flames, record heatwaves and the coronavirus. Meanwhile, soaring living costs are forcing many Parisians to leave the city. Yet these are not just a series of unfortunate events. They are phenomena—from increasing population density to climate change, from immigration to the repercussions of globalization and geopolitics—that all metropolises in the world must face. And in Paris, today, the mood is not one of defeat but of renewal: from the city’s ongoing environmental and urbanistic transformation to the fight by a new generation of chefs against the traditionalism of starred restaurants; from the children of immigrants who take to the streets for the right to feel French to the women determined to break the sexism and stereotypes that dominate the fashion industry. Is there anyone who seriously thinks they can teach Parisians how to make a revolution? This volume includes: Out of the Shadows by Tash Aw · Against the Stars by Tommaso Melilli · Afraid of Being Free by Samar Yazbek · Plus: the Champs-Elysées between luxury and riots, the French Republic between anti-Semitism and Islamophobia, the most elegant Congolese dandies of all time, one Parisian woman you will not encounter, the city’s legendary football team that is not the PSG, and much more . . . “The Passenger readers will find none of the typical travel guide sections on where to eat or what sights to see. Consider the books, rather, more like a literary vacation.” —Publishers Weekly

Fully-illustrated, The Passenger collects the best new writing, photography, art and reportage from around the world. IN THIS VOLUME: Out of the Shadows by Tash Aw・Against the Stars by Tommaso Melilli・Afraid of Being Free by Samar Yazbek・plus: the Champs-Elysées between luxury and riots, the French Republic between antisemitism and islamophobia, the most elegant Congolese dandies of all time, one Parisian woman you will not encounter, the city's legendary football team that is not the PSG, and much more... Nothing is what it seems in this city, starting with its size: small if you look only at its core of the twenty arrondissements but the second-largest in Europe if you consider the whole Île-de-France. The radiance of the "city of lights" can be blinding even for tourists: the clash with the real city, so different from the one depicted in films and books, results in some of them developing the so-called "Paris syndrome." That said, the cracks in the postcard image of the city seem to multiply: the November 2015 terrorist attacks, the demonstrations of the yellow vests, the riots in the suburbs, Notre-Dame in flames, record heatwaves and the coronavirus. Meanwhile, soaring living costs are forcing many Parisians to leave the city. Yet these are not just a series of unfortunate events. They are phenomena--from increasing population density to climate change, from immigration to the repercussions of globalization and geopolitics-- that all metropolises in the world must face. And in Paris, today, the mood is not one of defeat but of renewal: from the city's ongoing environmental and urbanistic transformation to the fight by a new generation of chefs against the traditionalism of starred restaurants; from the children of immigrants who take to the streets for the right to feel French to the women determined to break the sexism and stereotypes that dominate the fashion industry. Is there anyone who seriously thinks they can teach Parisians how to make a revolution?

"Some Japanese stories end violently. Others never end at all, but only cut away, at the moment of extreme crisis, to a butterfly, or the wind, or the moon."--Brian Phillips Visitors from the West look with amazement, and sometimes concern, at Japan's social structures and unique, complex culture industry; the gigantic scale of its tech corporations and the resilience of its traditions; the extraordinary diversity of the subcultures that flourish in its "post-human" megacities. The country nonetheless remains an intricate and complicated jigsaw puzzle, an inexhaustible source of inspiration for stories, reflections, and reportage. The subjects in this volume range from the Japanese veneration of the dead to the Tokyo music scene, from urban alienation to cinema, from sumo to toxic masculinity. Caught between an ageing population and extreme post-modernity, Japan is an ideal observation point from which to understand our age and the one to come.

A love letter to Paris and a meditation on how it has changed in two decades, evolving from the twentieth century into the twenty-first, from analog to digital. Your telephone is precious. It may be envied. We recommend vigilance when using it in public. --Paris bus public notice In fall 2014 Lauren Elkin began keeping a diary of her bus commutes in the Notes app on her iPhone 5c, writing down the interesting things and people she saw in a Perecquian homage to Bus Lines 91 and 92, which she took from her apartment in the 5th Arrondissement to her teaching job in the 7th. Reading the notice, she decided to be vigilant when using her phone: she would carry out a public transport vigil, using it to take in the world around her and notice all the things she would miss if she continued using it the way she had been, the way everyone does--to surf the web, check social media, maintain her daily sense of self through digital interaction. Her goal became to observe the world through the screen of her phone, rather than using her phone to distract from the world. During the course of that academic year, the Charlie Hebdo attacks occurred and Elkin had an ectopic pregnancy, requiring emergency surgery. At that point, her diary of dailiness became a study of the counterpoint between the everyday and the Event, mediated through early twenty-first century technology, and observed from the height of a bus seat. No. 91/92 is a love letter to Paris, and a meditation on how it has changed in the two decades the author has lived there, evolving from the twentieth century into the twenty-first, from analog to digital.

A BEST BOOK OF 2021 FOR THE GUARDIAN * FINANCIAL TIMES * TIMES LITERARY SUPPLEMENT * MINNEAPOLIS STAR TRIBUNE * THE TIMES Hailed as a remarkable literary discovery, a lost novel of heart-stopping intensity and harrowing absurdity about flight and persecution in 1930s Germany Berlin, November 1938. Jewish shops have been ransacked and looted, synagogues destroyed. As storm troopers pound on his door, Otto Silbermann, a respected businessman who fought for Germany in the Great War, is forced to sneak out the back of his own home. Turned away from establishments he had long patronized, and fearful of being exposed as a Jew despite his Aryan looks, he boards a train. And then another. And another . . . until his flight becomes a frantic odyssey across Germany, as he searches first for information, then for help, and finally for escape. His travels bring him face-to-face with waiters and conductors, officials and fellow outcasts, seductive women and vicious thieves, a few of whom disapprove of the regime while the rest embrace it wholeheartedly. Clinging to his existence as it was just days before, Silbermann refuses to believe what is happening even as he is beset by opportunists, betrayed by associates, and bereft of family, friends, and fortune. As his world collapses around him, he is forced to concede that his nightmare is all too real. Twenty-three-year-old Ulrich Boschwitz wrote The Passenger at breakneck speed in 1938, fresh in the wake of the Kristallnacht pogroms, and his prose flies at the same pace. Taut, immediate, infused with acerbic Kafkaesque humor, The Passenger is an indelible portrait of a man and a society careening out of control.

Now a major motion picture directed by Clint Eastwood, in theaters February 2018. An ISIS terrorist planned to kill more than 500 people. He would have succeeded except for three American friends who refused to give in to fear. On August 21, 2015, Ayoub El-Khazzani boarded train #9364 in Brussels, bound for Paris. There could be no doubt about his mission: he had an AK-47, a pistol, a box cutter, and enough ammunition to obliterate every passenger on board. Slipping into the bathroom in secret, he armed his weapons. Another major ISIS attack was about to begin. Khazzani wasn't expecting Anthony Sadler, Alek Skarlatos, and Spencer Stone. Stone was a martial arts enthusiast and airman first class in the US Air Force, Skarlatos was a member of the Oregon National Guard, and all three were fearless. But their decision-to charge the gunman, then overpower him even as he turned first his gun, then his knife, on Stone-depended on a lifetime of loyalty, support, and faith. Their friendship was forged as they came of age together in California: going to church, playing paintball, teaching each other to swear, and sticking together when they got in trouble at school. Years later, that friendship would give all of them the courage to stand in the path of one of the world's deadliest terrorist organizations. The 15:17 to Paris is an amazing true story of friendship and bravery, of near tragedy averted by three young men who found the heroic unity and strength inside themselves at the moment when they, and 500 other innocent travelers, needed it most.

This book contains selected papers resulting from the 2020 International Conference on Road and Traffic Engineering (CRTE 2020) covering Road Engineering and Traffic Engineering, aiming to provide an academic and technical communication platform for scholars and engineers engaged in scientific research and engineering practice in the field of Road Engineering and Materials, Traffic Engineering and Management and Transportation Engineering. By sharing the research status of scientific research achievements and cutting-edge technologies, it helps scholars and engineers all over the world to comprehend the academic development trends and broaden research ideas. So as to strengthen international academic research, academic topics exchange and discussion, and promote the industrialization cooperation of academic achievements.