The Penultimate Chance Saloon

Soul searching was an unfamiliar exercise to Bill Stratton, and he found it intriguing as well as painful. He hadn't had much occasion for it in his life, given that he was fairly shallow, but then, on the verge of his sixtieth birthday, his wife told him she was leaving him for another man. He'd been under the impression they had a happy marriage. She assured him that for nearly forty years, in fact since the second week of their honeymoon, she'd known she was married to the wrong person. This all came as a bit of a shock to Bill. Hence the soul searching. Brought up to be a responsible sort of chap, and hitting young adulthood just the wrong side of the sixties, Bill had not had much experience of dating (or sex, for that matter) before he met and married Andrea. Post menopausal dating might be very different to dating in your twenties or thirties, but then he didn't know much about either scene. Still, as a mildly famous television newsreader who'd managed to hold on to (most of) his looks, it seemed he was about to have plenty of opportunities to find out. Simon Brett is the winner of The CWA Diamond Dagger 2014.

*** CONGRATULATIONS TO THE BRITISH BOOK AWARDS AUTHOR OF THE YEAR 2022*** Discover the gorgeously funny and heartwarming bestseller about final chances from the No 1. bestselling author of Grown Ups 'Moving, relatable and infinitely tender' INDEPENDENT 'Plenty of heart, lots of laughs, and a fantastic twist in the tail' COSMOPOLITAN ___________ 'Love is blind, there was no doubt about it. In Tara's case it was also deaf, dumb, dyslexic, had a bad hip and the beginnings of Alzheimer's . . .' Tara, Katherine and Fintan have been best friends since they were teenagers. Now in their early thirties, they've been living it up in London for ten years. But what have they to show for a decade of hedonism? Sure, Tara's got a boyfriend - but only because she's terrified of spending five minutes alone. Katherine, on the other hand, has a neatness fetish that won't let anyone too close to mess up her life. And Fintan? Well, he has everything. Until he learns that without your health, you've got nothing . . . All three are drinking in the last chance saloon and they're about to discover that if you don't change your life, life has a way of changing you . . . 'A comforting doorstopper of a read that's as addictive as solitaire' Daily Mail ___________ Praise for Marian Keyes 'An outstanding writer and chronicler of our times' Independent on Sunday 'Mercilessly funny' Times 'The voice of a generation' Daily Mirror

Shortlisted for Harper's Bazaar Book of the Year 2019 A Guardian, Spectator and Mail on Sunday Book of the Year 2018 'A lyrical portrait of a fast-vanishing way of life . . . Thompson is a terrific writer'New Statesman Laura Thompson’s grandmother Violet was one of the great landladies. Born in a London pub, she became the first woman to be given a publican’s licence in her own name and, just as pubs defined her life, she seemed in many ways to embody their essence. Laura spent part of her childhood in Violet’s Home Counties establishment, mesmerised by her gift for cultivating the mix of cosiness and glamour that defined the pub’s atmosphere, making it a unique reflection of the national character. Her memories of this time are just as intoxicating: beer and ash on the carpets in the morning, the deepening rhythms of mirth at night, the magical brightness of glass behind the bar... Through them Laura traces the story of the English pub, asking why it has occupied such a treasured position in our culture. But even Violet, as she grew older, recognised that places like hers were a dying breed, and Laura also considers the precarious future they face. Part memoir, part social history, part elegy, The Last Landlady pays tribute to an extraordinary woman and the world she epitomised.

The red warning light on her car dashboard drove Lainie Davis to seek help in the tiny town of Last Chance, New Mexico. But as she encounters the people who make Last Chance their home, it's her heart that is flashing bright red warning lights. These people are entirely too nice, too accommodating, and too interested in her personal life for Lainie's comfort--especially since she's on the run and hoping to slip away unnoticed. Yet in spite of herself, Lainie finds that she is increasingly drawn in to the dramas of small town life. An old church lady who always has room for a stranger. A handsome bartender with a secret life. A single mom running her diner and worrying over her teenage son. Could Lainie actually make a life in this little hick town? Or will the past catch up to her even here in the middle of nowhere? Cathleen Armstrong pens a debut novel filled with complex, lovable characters making their way through life and relationships the best they can. Her evocative descriptions, observational humor, and talent at rendering romantic scenes will earn her many fans.

The man Mary Anne Drew wants is marrying someone else! So to win him back, she buys a love potion. Mary Anne's not convinced spells and potions work, but still, she has to do something. Too bad the wrong man—aka Graham Corbett—drinks it. Then strange things begin to happen…. Graham has never shown any interest in Mary Anne. In fact, their arguments are legendary. But now Graham is acting anything but hostile! Could the potion really work? Or was Mary Anne looking for love in the wrong place all along?

Peter Brown’s haunting photographs of the high plains, interspersed with Kent Haruf’s narratives of the people who live there. West of Last Chance is a unique collaboration between celebrated photographer Peter Brown and award-winning author Kent Haruf. The result is a profound visual/verbal dialogue of short prose pieces and large-format color images that brings to life this sometimes brutal and incredibly beautiful part of the country. Awarded the Dorothea Lange–Paul Taylor Prize by the Center for Documentary Studies at Duke University for this project in 2005, the authors write: “Our interest in this part of the world is contemporary but also includes its history and a mix of stories that have passed down over the years, stories that resonate with the land in interesting ways.” It is an evocative work concerned with “moments that describe the beauty, power, tragedy, and cultural complexity of the place itself: the way the land has been used, the way people have lived on it, and the visual record that has been left behind.”

New York Times Bestseller Named one of the Best Books of the Year by the Seattle Times The Last Kind Words Saloon marks the triumphant return of Larry McMurtry to the nineteenth-century West of his classic Lonesome Dove. In this "comically subversive work of fiction" (Joyce Carol Oates, New York Review of Books), Larry McMurtry chronicles the closing of the American frontier through the travails of two of its most immortal figures, Wyatt Earp and Doc Holliday. Tracing their legendary friendship from the settlement of Long Grass, Texas, to Buffalo Bill's Wild West Show in Denver, and finally to Tombstone, Arizona, The Last Kind Words Saloon finds Wyatt and Doc living out the last days of a cowboy lifestyle that is already passing into history. In his stark and peerless prose McMurtry writes of the myths and men that live on even as the storied West that forged them disappears. Hailed by critics and embraced by readers, The Last Kind Words Saloon celebrates the genius of one of our most original American writers.