The Persistence Of Presence

Richard K. Fenn focuses on the significance of time in modern society, and why we take it so seriously. He traces contemporary western attitudes toward time back to the doctrine and myth of Purgatory. Fenn makes a provocative case that especially for Americans the sense of the scarcity of time is a sign of social character, shaped by a 'purgatorial complex'. He demonstrates the impact of Purgatory on Protestant preachers such as Baxter and Channing, but also argues that Locke's views of religion, education and the nature of the state can only be understood in this context. Seriousness about time has become evidence of the good faith of the citizen. Novelists like Robbins, Mailer, Vonnegut and Brautigan portray a society that oppresses the individual through time constraints. For Dickens, America seemed a purgatorial wasteland: a place where time is always of the essence.

We ordinarily believe that the inhabitants of the world – including ourselves – persist over time. Such an idea, however, has puzzled philosophers for centuries. How can we change and still be the same? More specifically, is there any constitutive condition of our identity over time? And if so, does this condition involve mental aspects (such as memories, believes, experiences, etc.), physical aspects (such as the body, or the continuity of the organism), or something else? Or is rather personal identity primitive and unanalyzable, so that our persistence is nothing but a brute fact? This volume is a collection of new essays from leading figures in the field analyzing the persistence of persons and the criteria of personal identity over time. It presents an extensive discussion of the most relevant views on personal identity in contemporary metaphysics and provides new treatments of the constitutive conditions of personal persistence.

The Persistence of Mysticism in Catholic Europe is intended to complete the account of Early Modern mysticism of the period 1500-1650/1675 found in the Volume VI of The Presence of God. VI, Part 1 dealt with mysticism in the Reformation, while VI, Part 2 treated Spanish mysticism. This volume deals with the other Catholic areas, concentrating on France.

There is a category of choreographic practice with a lineage stretching back to mid-20th century North America that has re-emerged since the early 1990s: dance as a contemporary art medium. Such work belongs as much to the gallery as does video art or sculpture and is distinct from both performance art and its history as well as from theater-based dance. The Persistence of Dance: Choreography as Concept and Material in Contemporary Art clarifies the continuities and differences between the second-wave dance avant-garde in the 1950s‒1970s and the third-wave starting in the 1990s. Through close readings of key artists such as Maria Hassabi, Sarah Michelson, Boris Charmatz, Meg Stuart, Philipp Gehmacher, Adam Linder, Agatha Gothe-Snape, Shelley Lasica and Latai Taumoepeau, The Persistence of Dance traces the relationship between the third-wave and gallery-based work. Looking at these artists highlights how the discussions and practices associated with “conceptual dance” resonate with the categories of conceptual and post-conceptual art as well as with the critical work on the function of visual art categories. Brannigan concludes that within the current post-disciplinary context, there is a persistence of dance and that a model of post-dance exists that encompasses dance as a contemporary art medium.

This book analyses the evolution of literary and artistic representations of the soul, exploring its development through different time periods. The volume combines literary, aesthetic, ethical, and political considerations of the soul in texts and works of art from the seventeenth to the twenty-first centuries, spanning cultures and schools of thought. Drawing on philosophical, religious and psychological theories of the soul, it emphasizes the far-reaching and enduring epistemological function of the concept in literature, art and politics. The authors argue that the concept of the soul has shaped the understanding of human life and persistently irrigated cultural productions. They show how the concept of soul was explored and redefined by writers and artists, remaining relevant even as it became removed from its ancient or Christian origins.

This edited collection presents two sets of interdisciplinary conversations connecting theoretical, methodological, and ideological issues in the study of language. In the first section, Approaches to the study of the indigenous languages of the Americas, the authors connect historical, theoretical, and documentary linguistics to examine the crucial role of endangered language data for the development of biopsychological theory and to highlight how methodological decisions impact language revitalization efforts. Section two, Approaches to the study of voices and ideologies, connects anthropological and documentary linguistics to examine how discourses of language contact, endangerment, linguistic purism and racism shape scholarly practice and language policy and to underscore the need for linguists and laypersons alike to acquire the analytical tools to deconstruct discourses of inequality. Together, these chapters pay homage to the scholarship of Jane H. Hill, demonstrating how a critical, interdisciplinary linguistics narrows the gap between disparate fields of analysis to treat the ecology of language in its entirety.

The Persistence of Memory is a history of the public memory of transatlantic slavery in the largest slave-trading port city in Europe, from the end of the 18th century into the 21st century; from history to memory. Mapping this public memory over more than two centuries reveals the ways in which dissonant pasts, rather than being 'forgotten histories', persist over time as a contested public debate. This public memory, intimately intertwined with constructions of 'place' and 'identity', has been shaped by legacies of transatlantic slavery itself, as well as other events, contexts and phenomena along its trajectory, revealing the ways in which current narratives and debate around difficult histories have histories of their own. By the 21st century, Liverpool, once the 'slaving capital of the world', had more permanent and long-lasting memory work relating to transatlantic slavery than any other British city. The long history of how Liverpool, home to Britain's oldest continuous black presence, has publicly 'remembered' its own slaving past, how this has changed over time and why, is of central significance and relevance to current and ongoing efforts to face contested histories, particularly those surrounding race, slavery and empire.

This significant collection of essays examines the cultural, literary, philosophical and historical representation of beauty in British, Irish and American literature. Contributors use the works of Charles Dickens, T S Eliot, W H Auden and Stephen Spender among others to explore the role of beauty and its wider implications in art and society.