The Persistence Of Victorian Liberalism

The Persistence of Victorian Liberalism examines the question of where to locate the ideological break between classical liberalism and the underlying principles of the modern Welfare State. While most historians of 19th century Britain argue that such a shift occurred prior to 1900, Haggard challenges the contention that classical liberalism had been so undermined by this point that the modern Welfare State was largely inevitable. He considers the public discussion of progress, poverty, charity, socialism, and social reform, and he concludes that the vast majority of the Victorian middle and upper classes remained wedded to the tenets of classical liberalism up to the close of the century. In contrast to traditional characterizations, Haggard argues that progress, individualism, and character continued to resonate within Victorian society throughout the late Victorian period. Private philanthropy grew increasingly active as a remedy to urban poverty. The London Socialist movement, the New Unionism, the Independent Labour Party, and the New Liberalism, each proponents of socialistic reforms, found themselves marginalized politically. The key to the social debates of the day was the concept of the deserving versus the undeserving poor. Although the deserving might expect some private or public aid, the undeserving were to be punished for their lack of character. Until this notion was overturned, the Welfare State would remain outside the realm of practical politics.

Victorian Britain is often considered as the high point of 'laissez-faire', the place and the time when people were most 'free' to make their own lives without the aid or interference of the State. This book explores the truth of that assumption and what it might mean. It considers what the Victorian State did or did not do, what were the prevailing definitions and practices of 'liberty', what other sources of discipline and authority existed beyond the State to structure people'slives - in sum, what were the broad conditions under which such a profound belief in 'liberty' could flourish, and a complex society be run on those principles. Contributors include leading scholars in British political, social and cultural history, so that 'liberty' is seen in the round, not justas a set of ideas or of political slogans, but also as a public and private philosophy that structured everyday life. Consideration is also given to the full range of British subjects in the nineteenth century - men, women, people of all classes, from all parts of the British Isles - and to placing the British experience in a global and comparative perspective.

The Oxford Handbook of Victorian Literary Culture is a major contribution to the dynamic field of Victorian studies. This collection of 37 original chapters by leading international Victorian scholars offers new approaches to familiar themes including science, religion, and gender, and gives space to newer and emerging topics including old age, fair play, and economics. Structured around three broad sections (on 'Ways of Being: Identity and Ideology', 'Ways of Understanding: Knowledge and Belief', and 'Ways of Communicating: Print and Other Cultures', the volume is sub-divided into 9 sub-sections each with its own 'lead' essay: on subjectivity, politics, gender and sexuality, place and race, religion, science, material and mass culture, aesthetics and visual culture, and theatrical culture. The collection, like today's Victorian studies, is thoroughly interdisciplinary and yet its substantial Introduction explores a concern which is evident both implicitly and explicitly in the volume's essays: that is, the nature and status of 'literary' culture and the literary from the Victorian period to the present. The diverse and wide-ranging essays present original scholarship framed accessibly for a mixed readership of advanced undergraduates, graduate students and established scholars.

The Liberal Unionist party was one of the shortest-lived political parties in British history. It was formed in 1886 by a faction of the Liberal party, led by Lord Hartington, which opposed Irish home rule. In 1895, it entered into a coalition government with the Conservative party and in 1912, now under the leadership of Joseph Chamberlain, it amalgamated with the Conservatives. Ian Cawood here uses previously unpublished archival material to provide the first complete study of the Liberal Unionist party. He argues that the party was a genuinely successful political movement with widespread activist and popular support which resulted in the development of an authentic Liberal Unionist culture across Britain in the mid-1890s. The issues which this book explores are central to an understanding of the development of the twentieth century Conservative party, the emergence of a 'national' political culture, and the problems, both organisational and ideological, of a sustained period of coalition in the British parliamentary system.

Opening the way for a reexamination of Matthew Arnold's unique contributions to ethical criticism, James Walter Caufield emphasizes the central role of philosophical pessimism in Arnold's master tropes of "culture" and "conduct." Caufield uses Arnold's ethics as a lens through which to view key literary and cultural movements of the past 150 years, demonstrating that Arnoldian conduct is grounded in a Victorian ethic of "renouncement," a form of altruism that wholly informs both Arnold's poetry and prose and sets him apart from the many nineteenth-century public moralists. Arnold's thought is situated within a cultural and philosophical context that shows the continuing relevance of "renouncement" to much contemporary ethical reflection, from the political kenosis of Giorgio Agamben and the pensiero debole of Gianni Vattimo, to the ethical criticism of Wayne C. Booth and Martha Nussbaum. In refocusing attention on Arnold's place within the broad history of critical and social thought, Caufield returns the poet and critic to his proper place as a founding father of modern cultural criticism.

Examines the interaction between music and liberal discourses in Victorian Britain, revealing the close interdependence of political and aesthetic practices.

An introduction to the myths and realities of the history of Victorian Britain, with accompanying primary sources. While the Victorian era captivates many today, much of what people believe about the Victorian world is actually false. This book looks at nine specific myths about Victorian Britain, explaining how the myths perpetuated and then showing why they are inaccurate. Coverage spans 1830–1914, from shortly before Victoria's reign to World War I. The book is organized in three sections, beginning with social issues, then cultural ones, and ending with politics and war. The social sections pull in the reader by discussing the most common myths about the Victorians—their sexual prudery, strict gender roles, and infamous views of the family—while offering counterpoints to the myths. The cultural section moves into humor, criminal justice issues, and race, and the political section caps the book with discussions of the Industrial Revolution, foreign affairs, and war. Included are a large number of primary source documents showing how the misconceptions became popular, along with evidence for what scholars now believe to be the truths behind the myths.