The Philosophy Of Venom

Uncover the crazed and illustrious mind of the original symbiote anti-hero in this lavishly presented collection of Venom's most heroic, villainous, and somewhat killer moments from his comic book history. In this book, you'll get in to the mind - or minds - of Venom: eat, save, kill, repeat! Hero or villain? Psychotic or vulnerable? Does anything make sense to a ravenous symbiote from outer space?! Witness the fears, the loves, the scruples, and the pure hunger that drives the popular anti-hero with a look at his favourite moments, best friends, worst enemies, epic comic action, and awesome cover art! It's everything you need to know about your new-favourite anti-hero. Is that the sound of a sonic wave bursting from the page? No, it's the Philosophy of Venom!

Swing into the marvellous mayhem of Spider-Man's thoughts, wise-cracks, and web-fuelled wisdom! A lavish collection of everything that makes Spidey tick. Is your spider-sense tingling? This wonderful little book reveals all the quirks and quick-wittedness that the scarlet spider revels in and dispels it for your pleasure! How funny is Peter Parker really? How does he cope with J. Jonah Jameson's incessant barking? Is an upside-down kiss as easy as it looks? All this and more as the mind of the most popular superhero of recent history is unwebbed! With great power comes a great number of jokes, jibes and jovial wordplay as you delve into some of Spider-Man's most comedic comic book moments, laudable cover art, and pure Spidey-(non)sense. Excelsior!

Child of prophecy? Harbinger of Doom Zaltys is a girl like any other to grow up ranging thejungles of the Southern Lluirwood. She’s a crack shot with a bow and no stranger to the dangers that lurk beneath the deep forest canopy. On expedition with her family to harvest the forbidden terazul flower, a powerful drug that has gathered many a dreamer into its narcotic embrace, Zaltys is about to unearth a truth long buried by the feculent loam of deception. As the veil is lifted on the world Zaltys thought she knew, a pathway to the Underdark promises the answers her family never gave. Venturing forth in search of truth, Zaltys finds betrayal to be a much easier quarry. But it will take more than a lode of lies to quell the venom in her veins. From the Paperback edition.

Scientists’ views on what makes an experiment successful have developed dramatically throughout history. Different criteria for proper experimentation were privileged at different times, entirely new criteria for securing experimental results emerged, and the meaning of commitment to experimentation altered. In About Method, Schickore captures this complex trajectory of change from 1660 to the twentieth century through the history of snake venom research. As experiments with poisonous snakes and venom were both challenging and controversial, the experimenters produced very detailed accounts of their investigations, which go back three hundred years—making venom research uniquely suited for such a long-term study. By analyzing key episodes in the transformation of venom research, Schickore is able to draw out the factors that have shaped methods discourse in science. About Method shows that methodological advancement throughout history has not been simply a steady progression toward better, more sophisticated and improved methodologies of experimentation. Rather, it was a progression in awareness of the obstacles and limitations that scientists face in developing strategies to probe the myriad unknown complexities of nature. The first long-term history of this development and of snake venom research, About Method offers a major contribution to integrated history and philosophy of science.

Explores the nature of human awareness as represented in the Garden of Eden, Cain and Abel, Abraham and the sacrifice of Isaac, and humanity’s covenant with God.

In Rage and Denials, philosopher and architectural historian Branko Mitrović examines in detail the historiography of art and architecture in the twentieth century, with a focus on the debate between the understanding of society as a set of individuals and the understanding of individuals as mere manifestations of the collectives to which they belong. The conflict between these two views constitutes a core methodological problem of the philosophy of history and was intensely debated by twentieth-century art historians—one of the few art-historical debates with a wide range of implications for the entire field of the humanities. Mitrović presents the most significant positions and arguments in this dispute as they were articulated in the art- and architectural-historical discourse as well as in the wider context of the historiography and philosophy of history of the era. He explores the philosophical content of scholarship engaged in these debates, examining the authors’ positions, the intricacies and implications of their arguments, and the rise and dominance of collectivist art historiography after the 1890s. He centers his study on the key art-historical figures Erwin Panofsky, Ernst Gombrich, and Hans Sedlmayr while drawing attention to the writings of the less well known Vasiliy Pavlovich Zubov. Rage and Denials offers a valuable window onto how key aspects of modern research in the humanities took shape over the course of the twentieth century.

Mystery crime fiction written in the Golden Age of Murder "Crofts makes great use of the 'inverted mystery' structure (he was among the first to employ the technique) in which the traditional whodunit is turned on its head, with the reader following the murderer through temptation and commission and then watching the detective sort through the sparse clues." —Booklist STARRED review George Surridge, director of the Birmington Zoo, is a man with many worries: his marriage is collapsing; his finances are insecure; and an outbreak of disease threatens the animals in his care. As Surridge's debts mount and the pressure on him increases, he begins to dream of miracle solutions. But is he cunning enough to turn his dreams into reality—and could he commit the most devious murder in pursuit of his goals? This ingenious crime novel, with its unusual 'inverted' structure and sympathetic portrait of a man on the edge, is one of the greatest works by this highly respected author. The elaborate means of murder devised by Crofts's characters is perhaps unsurpassed in English crime fiction for its ostentatious intricacy. This new edition is the first in several decades and includes an introduction by the award-winning novelist and crime fiction expert Martin Edwards.

The devil gets his due in the latest entry in the Pop Culture and Philosophy series. Supervillains and Philosophy features an international cabal of philosophers and comics industry professionals conspiring to reveal the dark details — and deeper meanings — lurking behind today’s most popular comic book monsters. Whether it’s their moral justification for world domination or the wavering boundaries they share with the modern anti-hero, everyone's favorite villains generate as much attention as their heroic counterparts. The 20 essays in this accessible book explore the nature of supervillainy, examine the boundaries of good and evil, offer helpful advice to prospective supervillains, and untangle diabolical puzzles of identity and consciousness. All the legends are here, from Dr. Doom and the Spectre to the Joker and the Watchmen, reconsidered through the lens of classic and modern philosophy.