The Poem That Will Not End

Ryan O'Brian is riding a wave of inspiration with no shoreline in sight--he can't STOP writing poetry. In the cafeteria with french fries. In the bathroom with toothpaste. Even on the soccer field with mud! Has he reached an artistic crescendo with a sonnet on the staircase and a villanelle on the shower curtain? What next? In this innovative, inspiring picture book, you'll find a laugh-out-loud story poem full of hilarious antics, and, if you look carefully, you'll discover Ryan's own poems within the inventive illustrations. As a bonus, Ryan's helpful guide to fifteen poetic forms and five voices invites you to challenge your own poetic imagination. Ideal for reading aloud or acting out, here's the perfect book to celebrate the joy of poetry and spark creative thinking. Join in the fun!

Literary Nonfiction. Sparked by the only two letters--out of over a hundred-that López Medin's mother saved from her own mother in Paraguay, THE POEM THAT NEVER ENDS weaves together poems and family photos to explore the fragmentation of time, memory, and mother-child relationships. Fragments, family hearing impairments, ripped-up letters, and living and writing between languages point to the inescapable holes in language, troubling the notion of a finite utterance. Layering elements of painting, cinema, and the elusive three dimensions of theater into the weave, THE POEM THAT NEVER ENDS traces a sequence of mothers-López Medin's mother, her mother's mother, herself as a mother-in a porous, restless gesture toward what's never fully grasped.

A collection of poems celebrating light in its various forms, from candles and lamps to lightning and fireflies.

A Child's Garden of Verses is a collection of poetry for children by the Scottish author Robert Louis Stevenson. The collection first appeared in 1885 under the title Penny Whistles, but has been reprinted many times, often in illustrated versions. It contains about 65 poems including the cherished classics "Foreign Children," "The Lamplighter," "The Land of Counterpane," "Bed in Summer," "My Shadow" and "The Swing." The classical scholar Terrot Reaveley Glover published a translation of the poems into Latin in 1922 under the title Carmina non prius audita de ludis et hortis virginibus puerisque.

No art has been denounced as often as poetry. It's even bemoaned by poets: "I, too, dislike it," wrote Marianne Moore. "Many more people agree they hate poetry," Ben Lerner writes, "than can agree what poetry is. I, too, dislike it and have largely organized my life around it and do not experience that as a contradiction because poetry and the hatred of poetry are inextricable in ways it is my purpose to explore." In this inventive and lucid essay, Lerner takes the hatred of poetry as the starting point of his defense of the art. He examines poetry's greatest haters (beginning with Plato's famous claim that an ideal city had no place for poets, who would only corrupt and mislead the young) and both its greatest and worst practitioners, providing inspired close readings of Keats, Dickinson, McGonagall, Whitman, and others. Throughout, he attempts to explain the noble failure at the heart of every truly great and truly horrible poem: the impulse to launch the experience of an individual into a timeless communal existence. In The Hatred of Poetry, Lerner has crafted an entertaining, personal, and entirely original examination of a vocation no less essential for being impossible.

Banks’s stunning new collection, exploring bold frontiers “Poetry is an act of mischief,” Theodore Roethke famously once said, and Chris Banks takes this as his credo in Midlife Action Figure. His subject matter ranges from the familiar to the surreal, taking readers through poems that are both wondrous and strange, heartfelt and humorous, controlled and impatient. Whether calling a tree “an anthology of leaves” or describing time as “a Fisher-Price View-Master of ‘first kisses’ and ‘no return’ policies,” Banks approaches writing as if anything might make for alarming, strange, and dizzying verse. Banks knits together wit with wildly inventive imagery as he follows his poems outside convention where they play with stolen matches. Capable of both deep introspection and the quick turn of phrase, he places his tongue firmly in his cheek as he looks for a measure of human wonder in this intermission between TED Talks and the apocalypse. Midlife Action Figure is a tour de force for anyone looking for that rare book that is as exciting as it is provocative, showcasing both pathos and humor, while it explores what it means to be alive in the early 21st century.

From the Winner of the 2011 Nobel Prize in Literature The contemporary Swedish poet Tomas Tranströmer is a recipient of the Nobel Prize in Literature and has a prestigious worldwide reputation. Robert Bly, a longtime friend and confidant of Tranströmer's, as well as one of his first translators, has carefully chosen and translated the finest of Tranströmer's poems to create this cherished and invaluable collection. Contents Introduction: "Upward into the Depths" by Robert Bly 1 From 17 Poems (1954) Secrets on the Road (1958) The Half-Finished Heaven (1962) Evening—Morning Storm The Man Awakened by a Song above His Roof Track Kyrie After the Attack Balakirev's Dream (1905) The Couple Allegro Lamento The Tree and the Sky A Winter Night Dark Shape Swimming The Half-Finished Heaven Nocturne 2 From Resonance and Footprints (1966) Night Vision (1970) Open and Closed Space From an African Diary Morning Bird Songs Summer Grass About History After a Death Under Pressure Slow Music Out in the Open Solitude Breathing Space July The Open Window s26Preludes The Bookcase Outskirts Going with the Current Traffic Night Duty A Few Moments The Name Standing Up 3 From Pathways (1973) Truth Barriers (1978) Elegy The Scattered Congregation Snow-Melting Time, '66 Further In Late May December Evening, '72 Seeing through the Ground Guard Duty Along the Lines (Far North) At Funchal (Island of Madeira) Calling Home Citoyens For Mats and Laila After a Long Dry Spell A Place in the Woods Street Crossing Below Freezing Start of a Late Autumn Novel From the Winter of 1947 The Clearing Schubertiana 4 From The Wild Market Square (1983) For the Living and the Dead (1989) Grief Gondola (1996) From March '79 Fire Script Black Postcards Romanesque Arches The Forgotten Commander Vermeer The Cuckoo The Kingdom of Uncertainty Three Stanzas Two Cities Island Life, 1860 April and Silence Grief Gondola #2

In his follow-up to This Wound is a World, Billy-Ray Belcourt’s Griffin Poetry Prize–winning collection, NDN Coping Mechanisms: Notes from the Field is a provocative, powerful, and genre-bending new work that uses the modes of accusation and interrogation. He aims an anthropological eye at the realities of everyday life to show how they house the violence that continues to reverberate from the long twentieth century. In a genre-bending constellation of poetry, photography, redaction, and poetics, Belcourt ultimately argues that if signifiers of Indigenous suffering are everywhere, so too is evidence of Indigenous peoples’ rogue possibility, their utopian drive. In NDN Coping Mechanisms: Notes from the Field, the poet takes on the political demands of queerness, mainstream portrayals of Indigenous life, love and its discontents, and the limits and uses of poetry as a vehicle for Indigenous liberation. In the process, Belcourt once again demonstrates his extraordinary craft, guile, and audacity, and the sheer dexterity of his imagination.