The Poetic Of Reason Introducing Rational Poetic Experimentalism

This book introduces and explores Rational Poetic Experimentalism (RPE). According to RPE, it makes sense to regard reason as poetic. Regarding reason this way is the result of experimenting with philosophical ideas. Such experimentation might lead to philosophical truths which might seem very difficult to discover.

Yvor Winters has here collected, with an introduction, the major critical works--Primitivism and Decadence, Maule's Curse, and The Anatomy of Nonsense--of the period in which he worked out his famous and influential critical position. The works together show an integrated position which illuminates the force and importance of the individual essays. With The Function of Criticism, a subsequent collection, In Defense of Reason provides an incomparable body of critical writing. The noted critic bases his analysis upon a belief in the existence of absolute truths and values, in the ethical judgment of literature, and in an insistence that it is the duty of the writer--as it is of very man--to approximate these truths insofar as human fallibility permits. His argument is by theory, but also by definite example--the technique of the "whole critic" who effectively combines close study of specific literary works and a penetrating investigation of aesthetic philosophies.

This encyclopedia spans the relationships among business, ethics and society, with an emphasis on business ethics and the role of business in society.

What is poetry? Often it is understood as a largely self-enclosed verbal system—“suspended from any mutual interaction with alien discourse,” in the words of Mikhail Bakhtin. But in Poetry and Its Others, Jahan Ramazani reveals modern and contemporary poetry’s animated dialogue with other genres and discourses. Poetry generates rich new possibilities, he argues, by absorbing and contending with its near verbal relatives. Exploring poetry’s vibrant exchanges with other forms of writing, Ramazani shows how poetry assimilates features of prose fiction but differentiates itself from novelistic realism; metabolizes aspects of theory and philosophy but refuses their abstract procedures; and recognizes itself in the verbal precision of the law even as it separates itself from the law’s rationalism. But poetry’s most frequent interlocutors, he demonstrates, are news, prayer, and song. Poets such as William Carlos Williams and W. H. Auden refashioned poetry to absorb the news while expanding its contexts; T. S. Eliot and Charles Wright drew on the intimacy of prayer though resisting its limits; and Paul Muldoon, Rae Armantrout, and Patience Agbabi have played with and against song lyrics and techniques. Encompassing a cultural and stylistic range of writing unsurpassed by other studies of poetry, Poetry and Its Others shows that we understand what poetry is by examining its interplay with what it is not.